Marrikka Trotter – författare

Architecture Is All Over investigates architecture's simultaneous diminishment and ubiquity in the early twenty-first century. As a diagnostic and tactical guide, this collection features original texts and design proposals from emerging and established scholars and practitioners in the fields of architecture, art, the history of science, media studies, and philosophy. Together these pieces probe architecture's relationship to liminal zones and immaterial systems, reframing instability and mutability as enduring qualities that form architecture's motive core-a perspectival shift that carries with it new possibilities for architectural agency and resistance. The pieces in this book range from contrarian investigations of the opportunities inherent in scarcity, bureaucracy, and banality to projections of architecture as a mediatic practice or automated process. Case studies that propose new architectural strategies are placed alongside provocative historical examples to tease out the implications of architecture's indeterminacy in agonistic ways.In each contribution, a particular facet of the discipline's apparent obsolescence or endurance becomes a way to critically evaluate the ethical and entrepreneurial dimensions of architectural practice and theory. Taken together, the pieces in this volume reinterpret architecture's "all-over-ness" as an untapped disciplinary property rather than a temporary or terminal condition.

ZERO PIRANESIGiovanni Battista Piranesi''s engravings, Campo Marzio dell''antica Roma of 1762, have a peculiar position within the discipline of ar- chitecture. With their dissemination, the folio collection of six etch- ings have till this day nurtured architects'' speculations on the city. Since the Enlightenment, they - and in particular the Campo Marzio plan - have fuelled research, discussions and visions for the future of architecture. These engravings are also some of the most beau- tiful documents in Western architectural history. Zero Piranesi, is guest-edited by Peter Trummer. It celebrates Piranesi''s vision of ancient Rome and the disciplinary search of the endless realities within his Campo Marzio plan of Rome. For Trummer, Zero Piranesi suggests an ar- chitectural methodology based on a theory of replacement. With it, Piranesi''s plan of Rome is transformed into an "Object Plan" - a plan where multiple authors'' various positions are absorbed. Thus, the "Object Plan" contains a kaleidoscope of ideas which form a crust of architectural speculations accumulated within.Zero Piranesi presents the seminal projects of Peter Eisenman and 􏰎􏰉􏰕􏰖􏰉􏰗 􏰘􏰂􏰙􏰚amongst others, Michael Young and Marrikka Trotter. Trummer''s own version of Campo Marzio comprises of drawings and a text that together construct Zero Piranesi.Finally, the journal features the award winning projects of Städel- 􏰃􏰝􏰁􏰈􏰟􏰉 􏰌􏰖􏰝􏰁􏰂􏰇􏰉􏰝􏰇􏰈􏰖􏰉 􏰍􏰟􏰛􏰃􏰃􏰦 􏰌􏰧􏰜 􏰨􏰛􏰃􏰇􏰉􏰖 􏰀􏰁􏰉􏰃􏰂􏰃 􏰩􏰖􏰂􏰪􏰉 􏰠􏰡􏰢􏰫 􏰛􏰚􏰬 􏰠􏰡􏰢􏰭􏰮