Martha Collins – författare

For her five volumes of poetry over the course of her career, Jane Cooper (1924–2007) was deeply admired by her contemporaries, and teaching at Sarah Lawrence College for nearly forty years, she served as a mentor to many aspiring poets. Her elegant, honest, and emotionally and formally precise poems, often addressing the challenges of women’s lives—especially the lives of women in the arts—continue to resonate with a new generation of readers.Martha Collins and Celia Bland bring together several decades’ worth of essential writing on Cooper’s poetry. While some pieces offer close examination of Cooper’s process or thoughtful consideration of the craft of a single poem, the volume also features reviews of her collections, including a previously unpublished piece on her first book, The Weather of Six Mornings (1969), by James Wright, a lifelong champion of her work. Marie Howe, Jan Heller Levi, and Thomas Lux, among others, share personal remembrances of Cooper as a teacher, colleague, and inspiration. L. R. Berger’s moving tribute to Cooper’s final days closes the volume. This book has much to offer for both readers who already love Cooper’s work and new readers, especially among younger poets, just discovering her enduring poems.

For her five volumes of poetry over the course of her career, Jane Cooper (1924–2007) was deeply admired by her contemporaries, and teaching at Sarah Lawrence College for nearly forty years, she served as a mentor to many aspiring poets. Her elegant, honest, and emotionally and formally precise poems, often addressing the challenges of women’s lives—especially the lives of women in the arts—continue to resonate with a new generation of readers. Martha Collins and Celia Bland bring together several decades’ worth of essential writing on Cooper’s poetry. While some pieces offer close examination of Cooper’s process or thoughtful consideration of the craft of a single poem, the volume also features reviews of her collections, including a previously unpublished piece on her first book, The Weather of Six Mornings (1969), by James Wright, a lifelong champion of her work. Marie Howe, Jan Heller Levi, and Thomas Lux, among others, share personal remembrances of Cooper as a teacher, colleague, and inspiration. L. R. Berger’s moving tribute to Cooper’s final days closes the volume. This book has much to offer for both readers who already love Cooper’s work and new readers, especially among younger poets, just discovering her enduring poems.

Praise for Martha Collins:"A dazzling poet whose poetry is poised at the juncture between the lyric and ethics, Martha Collins has addressed some of the most traumatic social issues of the twentieth century . . . in supple and complex poems. . . .[N]o subject is off limits for her piercing intellect."—Cynthia Hogue, AWP Chronicle

Stylistically innovative, deeply moving, carefully researched, Martha Collins's eleventh volume of poetry combines her well-known attention to social issues with the elegiac mode of her previous book. She focuses here on race, gun violence, recent wars, and, in an extended sequence, the history of coal - first as her ancestors mined it, then from its geological origins to our ecologically threatened present. Casualty Reports is both indictment and lament, a work that speaks forcefully to our troubled history and our present times.

Martha Collins patches together an arresting and sometimes conflicting array of evidence - newspaper articles, census data, legal history, her father's own eyewitness account - to describe the brutal, frenzied lynching of two men: one of them black, one white and both left to the merciless violence of the spectators. The resulting work, fragmented and hallucinatory, is a bold and honest investigation into hate, mob mentality, culpability and what it means to be white in a country still haunted by its grimly racist history.

Martha Collins offers haunting reflections on time and other subjects in Day unto Day, a spare and subtle seventh collection. The book consists of six sequences: during one month each year, for six years, Collins wrote a short poem each day. With perfectly distilled lines, she captures the aching, liminal beauty of one day becoming another -- the slow burn of time passing, the ambiguity of an "old / new leaf" turning over, even as she collages a wide range of material that includes often disturbing news of the world. Writing in the tradition of poetic meditation, Collins shows us the full degree of her mastery -- a mature voice, poems with tremendous scope, and lines exceptionally controlled. Here is the work of a seasoned poet at the height of her career.