Martha Lee – författare

In the summer of 1980, Dave Foreman, along with four conservationist colleagues, founded the millenarian movement Earth First!. A provocative counterculture that ultimately hoped for the fall of industrial civilization, the movement emerged in response to rapid commercial development of the American wilderness. "The earth should come first" was a doctrine that championed both biocentrism (an emphasis on maintaining the earth’s full complement of species) and biocentric equality (the belief that all species are equal).Martha Lee was successful in gaining extraordinary access to information about the movement, as well as interviews with its members. While following Earth First’s development and methods, she illustrates the inherent instability and the dangers associated with all millenarian movements. This book will be of interest to environmentalists and those interested in political science and sociology.

Hattie Ambrose, a solitary woman artist and the main character in through the woods, is searching for an enduring relationship based on trust and mutual respect. She desires a life-enhancing union filled with passion, creativity and adventure. She strives for a meaningful life and work but is constantly confronting loneliness, self-doubt, disappointment and despair. She envisions her life as one of achievement, simplicity and purpose. Her unusual degree of determination propels her forward toward artistic, professional and romantic fulfillment. A recurrent source of tension in the story reverberates between her search for the one great love of her life, embodied in the painter Rex Dravus, and her art, with her all along, that she ultimately realizes may be the greatest passion she will ever know. Her insight, wisdom, patience, and hard won self-knowledge help her to reluctantly acknowledge the man who has loved her passionately throughout their stormy relationship might not be the one with whom she will stay. Throughout the novel Hattie evolves through various stages as she sheds conventional physical, emotional, and artistic restrictions to live her life on her own terms. Yearning to unburden herself of personal and social constraints, she works to unleash the natural, instinctive, free spirit that resides within her. Little by little she struggles to transcend the cumbersome limitations as she moves toward becoming a free, untamable, unique, and arrestingly whole woman. In order to fully develop her artistic vision and follow her creative destiny, she must remain undeterred by any obstacles. She realizes that this includes all personal relationships, at least for the present, especially the demanding one in which she is currently involved. Finally she reaches the painful decision to pursue the fulfillment of her dreams on her own and stay on her charted course. She is alone again with her Art. Her salvation is in knowing that it will always be there to sustain her.