Martin Barnes – författare

The V&A Photography Library is a new series of accessible, introductory volumes to the key themes, works, objects and individuals in photography, illustrated with unprecedented access to the V&A’s photography collection, the oldest held by a public museum and one of the largest and finest in the world, now expanded with acquisitions from the Royal Photographic Society collection. Written by Martin Barnes, Senior Curator of Photographs at the V&A, and publishing to coincide with the launch of the V&A’s new Photography Centre in autumn 2018, Cameraless Photography presents a concise historical survey of photographic images created without a camera. With over 125 photographs supported by extended commentaries and an introduction, it embraces a chronology spanning the early photographic experiments of the likes of Anna Atkins in the 19th century through the avant-garde photograms of modernists such as Man Ray, to the work of contemporary artists, such as Susan Derges, nearly two centuries later. Visually compelling, Cameraless Photography will be an outstanding introductory overview of the key creative, cameraless processes running throughout the history of photography – including photograms, chemigrams, luminograms, dye destruction prints and more – illustrated by the cameraless work of some of photography’s greatest names.

CESMM4 Revised: Handbook is an ICE guide to the financial control of contracts using the fourth edition of the Civil Engineering Standard Method of Measurement (CESMM4). The handbook has been completely revised and updated to bring it into line with the changes and new material contained within CESMM4. Updates include: an explanation of amendments that make CESMM4 contract-neutral, and explanations of how CESMM can be used with NEC, FIDIC and ICC contracts. The book also explains updates that brought CESMM4 into line with the latest technologies, and how CESMM4 can be used with various national standards. It also contains an extensive range of updated examples that clarify the use of each of the 26 classes of work.The book is an invaluable reference guide for anyone who needs to prepare bills of quantities for civil engineering works and competitive tenders using CESMM4. It is suitable for those with little background in this area and who are seeking an authoritative introduction to CESMM4, and it is also a valuable resource for anyone familiar with the provisions of CESMM3 and who is looking to make the transition to CESMM4.

Maurice Broomfield (1916-2010) was a humanist photographer of the heroic and sublime - and sometimes surreal - qualities of industry and manufacture.His work spans the rise of post war industrial Britain in the 1950s to its slow decline into the early 1980s. Through his perfectionism, skill and sheer delight in the possibilities of photography, he produced an invaluable record of Britain's manufacturing past that is packed with artistry and high drama. 'My father always wanted to be called Maurice not Dad, so Maurice it is...'Industrial Sublime is introduced by Maurice's son, filmmaker Nick Broomfield, who this year released the documentary My Father and Me, which explores his relationship with Maurice. V&A curator Martin Barnes discusses the life and work of Maurice, whom he came to know well as he worked to transfer his archive from his Hampshire home to the Museum. He also analyses in more detail a selection of the most important images, many of which are accompanied by memories related by Maurice as he revisited his work. Together they form a monument not just to the might of British manufacturing, but to the dedication, skill and experience of those who worked in it.

The very first photographs of the nineteenth century were produced without the use of a camera. Today, having rediscovered camera-less techniques, a number of artists are using camera-less photography to create beautiful, startling images. Now available in an updated and fully revised edition, Shadow Catchers surveys the work of five leading practitioners - Pierre Cordier, Susan Derges, Adam Fuss, Garry Fabian Miller and Floris Neususs - who, by casting shadows on light-sensitive paper or by chemically manipulating its surface, capture the presence of objects, figures or glowing light. The resulting pictures are consistently powerful, often with surreal effects and symbolic content. This is the first book to gather together the work of these key contemporary artists, revealing the technical processes and creative practices involved in their art. In an age of mass-produced imagery, Shadow Catchers offers a fascinating insight into a world of handcrafted photographs that are at once visually striking and intellectually stimulating.

Horst P. Horst (1906-1999) was one of the twentieth century's master photographers. A revered figure in the world of fashion image making, he charted sixty years of style for Vogue and House and Garden, from the fashions and celebrities of the 1930s to the interiors of the 1980s. However, little-known within his body of work - and contrasting intriguingly with his career in fashion - is a set of prints and a book, Patterns from Nature (1946). Working with a Rolleiflex and Graphic View Camera in new York, Monterey and Mexico, Horst photographed the detailed textures and forms of natural objects, including plants, rocks, shells and butterfly wings. His close scrutiny of these forms makes them unfamiliar and revelatory. These images were gathered into Patterns from Nature, which also featured 9 kaleidoscopic images made by arranging the photographs in simple repeat. Horst believed that these dynamic patterns would be 'immediately applicable to industrial fields such as textiles, wallpaper, carpets, plastics and glass'.Published to coincide with a major retrospective on Horst's work at the Victoria and Albert Museum, Martin Barnes re-examines these images in, Horst: Patterns from Nature. This new edition will make the 9 original collaged images available for the first time in nearly 70 years and will also include a further 28 photo-collages that have only recently been rediscovered and have never before been seen or published.

Among the most magnificent buildings of England are its Anglican cathedrals, great symbols of spiritual and architectural power. No one can fail to marvel at Durham's incomparable Romanesque masterpiece, the elegant stylistic unity of Salisbury, the world-famous stained glass of Canterbury or the striking Gothic scissor arch at Wells. In this breathtaking new book, award-winning Magnum photographer Peter Marlow has captured the nave of each of England's 42 Anglican cathedrals. Taken in natural light at dawn, usually looking towards the east end of the building, these remarkable images bring into sharp relief the full splendour of the architecture, whatever the style. Marlow's spellbinding photographs are accompanied by his commentary on the project, including sketches and preparatory shots; an introduction by curator Martin Barnes on the tradition of church photography in England, particularly the work of Frederick Evans and Edwin Smith; and a concise summary of each cathedral interior by architectural historian John Goodall. AUTHOR: Martin Barnes is a graduate of Leicester University and the Courtauld Institute of Fine Art in London. Having worked at the Tate, Walker and Bluecoat galleries in Liverpool and the Witt Library in London, he moved to the Word & Image Department at the Victoria and Albert Museum, London, where he is now Senior Curator of Photographs. John Goodall is Architectural Editor of Country Life magazine. His book The English Castle was published in 2011. Peter Marlow has been a member of the international photographers' collective Magnum Photos for more than 30 years. He has exhibited his work throughout Europe. SELLING POINTS: . A unique photographic record of the Anglican cathedrals of England . A new compact edition of this superbly produced, critically acclaimed book . With an overview of the architectural importance of each cathedral, and an introduction on ecclesiastical photography . Essential for anyone interested in architectural photography, church architecture or the heritage of England 45 colour, 5 b/w, 1 map