Martin Duberman – författare

A rich and revelatory biography of one of the crucial cultural figures of the twentieth century. Lincoln Kirstein’s contributions to the nation’s life, as both an intellectual force and advocate of the arts, were unparalleled. While still an undergraduate, he started the innovative literary journal Hound and Horn, as well as the modernist Harvard Society for Contemporary Art—forerunner of the Museum of Modern Art. He brought George Balanchine to the United States, and in service to the great choreographer’s talent, persisted, against heavy odds, in creating both the New York City Ballet and the School of American Ballet. Among much else, Kirstein helped create Lincoln Center in New York, and the American Shakespeare Festival in Stratford, Connecticut; established the pathbreaking Dance Index and the country’s first dance archives; and in some fifteen books proved himself a brilliant critic of art, photography, film, and dance. But behind this remarkably accomplished and renowned public face lay a complex, contradictory, often tortured human being. Kirstein suffered for decades from bipolar disorder, which frequently strained his relationships with his family and friends, a circle that included many notables, from W. H. Auden to Nelson Rockefeller. And despite being married for more than fifty years to a woman whom he deeply loved, Kirstein had a wide range of homosexual relationships throughout the course of his life. This stunning biography, filled with fascinating perceptions and incidents, is a major act of historical reclamation. Utilizing an enormous amount of previously unavailable primary sources, including Kirstein’s untapped diaries, Martin Duberman has rendered accessible for the first time a towering figure of immense complexity and achievement.From the Hardcover edition.

"Martin Duberman is a national treasure."—Masha Gessen, The New YorkerThe past fifty years have seen significant shifts in attitudes toward LGBTQ people and wider acceptance of them in the United States and the West. Yet the extent of this progress, argues Martin Duberman, has been more broad and conservative than deep and transformative. One of the most renowned historians of the American left and the LGBTQ movement, as well as a pioneering social-justice activist, Duberman reviews the half century since Stonewall with an immediacy and rigor that informs and energizes. He revisits the early gay movement and its progressive vision for society and puts the left on notice as failing time and again to embrace the queer potential for social transformation. Acknowledging the elimination of some of the most discriminatory policies that plagued earlier generations, he takes note of the cost—the sidelining of radical goals on the way to achieving more normative inclusion. Illuminating the fault lines both within and beyond the movements of the past and today, this critical book is also hopeful: Duberman urges us to learn from this history to fight for a truly inclusive and expansive society.

"Martin Duberman is a national treasure."—Masha Gessen, The New Yorker  Roger Casement was an internationally renowned figure at the beginning of the 20th century, famous for exposing the widespread atrocities against the indigenous people in King Leopold's Congo and his subsequent exposure—for which he was knighted in 1911—of the brutal conditions of enslaved labor in Peru. An Irish nationalist of profound conviction, he attempted, at the outbreak of World War I, to obtain German support and weapons for an armed rebellion against British rule. Apprehended and convicted of treason in a notorious trial that captured worldwide attention, Casement was sentenced to die on the gallows. A powerful petition drive for the commutation of his sentence was inaugurated by George Bernard Shaw and a host of other influential figures.  A gay man, Casement kept detailed diaries of his sexual escapades, and the British government, upon discovering the diaries, circulated its pages to public figures, thereby crippling what had been a mounting petition for clemency. In 1916, he was hanged. In this gripping reimagining, acclaimed historian Martin Duberman paints a full portrait of the man for the first time. Tracing his evolution from servant of the empire to his work as a humanitarian activist and anti-imperialist, Duberman resurrects and recognizes all facets—from the professional to the personal—of the fantastic life of this pioneer for human rights.

"Martin Duberman is a national treasure."—Masha Gessen, The New YorkerThe past fifty years have seen significant shifts in attitudes toward LGBTQ people and wider acceptance of them in the United States and the West. Yet the extent of this progress, argues Martin Duberman, has been more broad and conservative than deep and transformative. One of the most renowned historians of the American left and the LGBTQ movement, as well as a pioneering social-justice activist, Duberman reviews the half century since Stonewall with an immediacy and rigor that informs and energizes. He revisits the early gay movement and its progressive vision for society and puts the left on notice as failing time and again to embrace the queer potential for social transformation. Acknowledging the elimination of some of the most discriminatory policies that plagued earlier generations, he takes note of the cost—the sidelining of radical goals on the way to achieving more normative inclusion. Illuminating the fault lines both within and beyond the movements of the past and today, this critical book is also hopeful: Duberman urges us to learn from this history to fight for a truly inclusive and expansive society.

"Martin Duberman is a national treasure."—Masha Gessen, The New Yorker The past fifty years have seen significant shifts in attitudes toward LGBTQ people and wider acceptance of them in the United States and the West. Yet the extent of this progress, argues Martin Duberman, has been more broad and conservative than deep and transformative. One of the most renowned historians of the American left and the LGBTQ movement, as well as a pioneering social-justice activist, Duberman reviews the half century since Stonewall with an immediacy and rigor that informs and energizes. He revisits the early gay movement and its progressive vision for society and puts the left on notice as failing time and again to embrace the queer potential for social transformation. Acknowledging the elimination of some of the most discriminatory policies that plagued earlier generations, he takes note of the cost—the sidelining of radical goals on the way to achieving more normative inclusion. Illuminating the fault lines both within and beyond the movements of the past and today, this critical book is also hopeful: Duberman urges us to learn from this history to fight for a truly inclusive and expansive society.

"Martin Duberman is a national treasure."—Masha Gessen, The New Yorker    Roger Casement was an internationally renowned figure at the beginning of the 20th century, famous for exposing the widespread atrocities against the indigenous people in King Leopold's Congo and his subsequent exposure—for which he was knighted in 1911—of the brutal conditions of enslaved labor in Peru. An Irish nationalist of profound conviction, he attempted, at the outbreak of World War I, to obtain German support and weapons for an armed rebellion against British rule. Apprehended and convicted of treason in a notorious trial that captured worldwide attention, Casement was sentenced to die on the gallows. A powerful petition drive for the commutation of his sentence was inaugurated by George Bernard Shaw and a host of other influential figures.   A gay man, Casement kept detailed diaries of his sexual escapades, and the British government, upon discovering the diaries, circulated its pages to public figures, thereby crippling what had been a mounting petition for clemency. In 1916, he was hanged. In this gripping reimagining, acclaimed historian Martin Duberman paints a full portrait of the man for the first time. Tracing his evolution from servant of the empire to his work as a humanitarian activist and anti-imperialist, Duberman resurrects and recognizes all facets—from the professional to the personal—of the fantastic life of this pioneer for human rights.   

On June 28, 1969, the Stonewall Inn, a gay bar in New York's Greenwich Village, was raided by police. But instead of responding with the routine compliance the NYPD expected, patrons and a growing crowd decided to fight back. The five days of rioting that ensued changed forever the face of gay and lesbian life. In Stonewall, renowned historian and activist Martin Duberman tells the full story of this pivotal moment in history. With riveting narrative skill, he recreates those revolutionary, sweltering nights in vivid detail through the lives of six people who were drawn into the struggle for LGBTQ rights.

With faculty and alumni that included John Cage, Robert Creeley, Merce Cunningham, Buckminster Fuller, Charles Olson, Josef and Anni Albers, Paul Goodman, and Robert Rauschenberg, Black Mountain College ranked among the most important artistic and intellectual communities of the twentieth century. In his groundbreaking history, Martin Duberman uses interviews, anecdotes, and research to depict the relationships that made Black Mountain College what it was. ""Black Mountain"" documents the college's twenty-three-year tenure, from its most brilliant moments of self-reinvention to its lowest moments of petty infighting. It records the financial difficulties that beleaguered the community throughout its existence and the determination it took to keep the college in operation. Duberman creates a nuanced portrait of this community so essential to the development of American arts and counterculture.

This is the tenth anniversary edition of Cures: A Gay Man's Odyssey , Martin Duberman's classic memoir of growing up gay in pre-Stonewall America. The tale of his desperate struggle to cure" himself of his homosexuality through psychotherapy is utterly frank and deeply moving. But Cures is more than one man's story it's the vivid, witty account of a generation, of changing times, shifting social attitudes, and the rising tide of protest against received wisdom. For this tenth anniversary edition, Duberman has written a substantial new afterword that updates both his personal history and the ongoing struggle for a more just society.

An anthology of the Center for Lesbian and Gay Studies's most provactive LGBT scholarshipThis compendious, cutting-edge volume offers a broad array of the most provocative gay, lesbian, bisexual, and transgender scholarship produced by the Center for Lesbian and Gay Studies (CLAGS) over the first decade (1986-1996) of its existence at the CUNY Graduate School.CLAGS has had a profound and legitimizing influence on the establishment of gay and lesbian studies as a discipline. Thousands have attended its events, featuring hundreds of scholars, activists, and cultural workers; many thousands more have lamented how they would have liked to have been there. With this book, they finally, vicariously, can be.Divided into five parts—on identities as they revolve around gender and sexuality; on the terrains of homosexual history; on mind-body relations; on laws and economics; and on policy issues related to gay youth, AIDS, and aging—A Queer World offers a compelling panorama of gay and lesbian life. Featuring the work, among others, of such figures as Yukiko Hanawa, Will Roscoe, Jewelle L. Gomez, Jonathan Ned Katz, Elizabeth Lapovsky Kennedy, Jeffrey Escoffier, Janice M. Irvine, Kendall Thomas, Gilbert Herdt, Vivien Ng, Douglas Crimp, Walt Odets, Serena Nanda, Cindy Patton, Michael Moon, William Byne, and Randolph Trumback, A Queer World is distinctive in its focus on the social sciences and issues relating to public policy. Consisting largely of previously unpublished essays, this volume—and its companion volume Queer Representations: Reading Lives, Reading Cultures—is an invaluable addition to the bookshelf of anyone interested in the study of sexuality.

An anthology of the Center for Lesbian and Gay Studies's most provactive LGBT scholarshipThis compendious, cutting-edge volume offers a broad array of the most provocative gay, lesbian, bisexual, and transgender scholarship produced by the Center for Lesbian and Gay Studies (CLAGS) over the first decade (1986-1996) of its existence at the CUNY Graduate School.CLAGS has had a profound and legitimizing influence on the establishment of gay and lesbian studies as a discipline. Thousands have attended its events, featuring hundreds of scholars, activists, and cultural workers; many thousands more have lamented how they would have liked to have been there. With this book, they finally, vicariously, can be.Divided into five parts—on identities as they revolve around gender and sexuality; on the terrains of homosexual history; on mind-body relations; on laws and economics; and on policy issues related to gay youth, AIDS, and aging—A Queer World offers a compelling panorama of gay and lesbian life. Featuring the work, among others, of such figures as Yukiko Hanawa, Will Roscoe, Jewelle L. Gomez, Jonathan Ned Katz, Elizabeth Lapovsky Kennedy, Jeffrey Escoffier, Janice M. Irvine, Kendall Thomas, Gilbert Herdt, Vivien Ng, Douglas Crimp, Walt Odets, Serena Nanda, Cindy Patton, Michael Moon, William Byne, and Randolph Trumback, A Queer World is distinctive in its focus on the social sciences and issues relating to public policy. Consisting largely of previously unpublished essays, this volume—and its companion volume Queer Representations: Reading Lives, Reading Cultures—is an invaluable addition to the bookshelf of anyone interested in the study of sexuality.

Queer Representations celebrates the eclectic, diverse nature of gay and lesbian culture and its production.The volume begins by asking how we can interpret an image--is the image homosexual and if so, how can we understand it? Closely connected to its interpretation is how we visualize homosexuality, or, in Allen Ellenzweig's term, how we picture the homoerotic, the organizing principle of a section devoted to American cinema and performance in general. The crucial role of biography and autobiography is the central preoccupation of the next section, with essays on Radclyffe Hall, Langston Hughes, and Louisa May Alcott.Featuring many of the most respected figures in queer studies and contemporary queer literature, among them Dorothy Allison, Edmund White, Barbara Smith, Essex Hemphill, Michael Cunningham, Allen Ginsberg, Samuel R. Delany, Dale Peck, Jewelle Gomez, Joan Nestle, a final section explores the creation of queer literature, birthpangs, growing pains, and achievements.By emphasizing the interconnectedness of gay and lesbian lives and the literature which has been instrumental in defining, reconstructing, and representing these lives, this anthology serves as a diverse introduction to queer culture and literature.

For many, the death of a parent marks a low point in their personal lives. For Martin Duberman-a major historian and a founding figure in the history of gay and lesbian studies-the death of his mother was just the beginning of what became a twelve-year period filled with despair, drug addiction, and debauchery. From his cocaine use, massive heart attack, and immersion into New York's gay hustler scene to experiencing near-suicidal depression and attending rehab, The Rest of It is the previously untold and revealing story of how Duberman managed to survive his turbulent personal life while still playing leading roles in the gay community and the academy.Despite the hardships, Duberman managed to be incredibly productive: he wrote his biography of Paul Robeson, rededicated himself to teaching, wrote plays, and coedited the prize-winning Hidden from History. His exploration of new paths of scholarship culminated in his founding of the Center for Lesbian and Gay Studies, thereby inaugurating a new academic discipline. At the outset of the HIV/AIDS epidemic Duberman increased his political activism, and in these pages he also describes the tensions between the New Left and gay organizers, as well as the profound homophobia that created the conditions for queer radical activism. Filled with gossip, featuring cameo appearances by luminaries such as Gore Vidal, Norman Mailer, Vivian Gornick, Susan Brownmiller, Kate Millett, and NÉstor Almendros, among many others, and most importantly, written with an unflinching and fearless honesty, The Rest of It provides scathing insights into a troubling decade of both personal and political history. It is a stimulating look into a key period of Duberman's life, which until now had been too painful to share.

For many, the death of a parent marks a low point in their personal lives. For Martin Duberman—a major historian and a founding figure in the history of gay and lesbian studies—the death of his mother was just the beginning of what became a twelve-year period filled with despair, drug addiction, and debauchery. From his cocaine use, massive heart attack, and immersion into New York''s gay hustler scene to experiencing near-suicidal depression and attending rehab, The Rest of It is the previously untold and revealing story of how Duberman managed to survive his turbulent personal life while still playing leading roles in the gay community and the academy.Despite the hardships, Duberman managed to be incredibly productive: he wrote his biography of Paul Robeson, rededicated himself to teaching, wrote plays, and coedited the prize-winning Hidden from History. His exploration of new paths of scholarship culminated in his founding of the Center for Lesbian and Gay Studies, thereby inaugurating a new academic discipline. At the outset of the HIV/AIDS epidemic Duberman increased his political activism, and in these pages he also describes the tensions between the New Left and gay organizers, as well as the profound homophobia that created the conditions for queer radical activism. Filled with gossip, featuring cameo appearances by luminaries such as Gore Vidal, Norman Mailer, Vivian Gornick, Susan Brownmiller, Kate Millett, and Néstor Almendros, among many others, and most importantly, written with an unflinching and fearless honesty, The Rest of It provides scathing insights into a troubling decade of both personal and political history. It is a stimulating look into a key period of Duberman''s life, which until now had been too painful to share.

The remarkable life of Paul Robeson, quintessential Harlem Renaissance man: scholar, all-American, actor, activist, and firebrandBorn the son of an ex-slave in New Jersey in 1898, Paul Robeson, endowed with multiple gifts, seemed destined for fame. In his youth, he was as tenacious in the classroom as he was on the football field. After graduating from Rutgers with high honors, he went on to earn a law degree at Columbia. Soon after, he began a stage and film career that made him one of the country''s most celebrated figures.But it was not to last. Robeson became increasingly vocal about defending black civil rights and criticizing Western imperialism, and his radical views ran counter to the country''s evermore conservative posture. During the McCarthy period, Robeson''s passport was lifted, he was denounced as a traitor, and his career was destroyed. Yet he refused to bow. His powerful and tragic story is emblematic of the major themes of twentieth-century history.Martin Duberman''s exhaustive biography is the result of years of research and interviews, and paints a portrait worthy of its incredible subject and his improbable story. Duberman uses primary documents to take us deep into Robeson''s life, giving Robeson the due that he so richly deserves.

On the night of May 4, 1886, during a peaceful demonstration of labor activists in Haymarket Square in Chicago, a dynamite bomb was thrown into the ranks of police -trying to disperse the crowd. The officers immediately opened fire, killing a number of protestors and wounding some two hundred others. Albert Parsons was the best-known of those hanged; Haymarket is his story. Parsons, humanist and autodidact, was an ex-Confederate soldier who grew up in Texas in the 1870s, and fell in love with Lucy Gonzalez, a vibrant, outspoken black woman who preferred to describe herself as of Spanish and Creole descent. The novel tells the story of their lives together, of their growing political involvement, of the formation of a colorful circle of "co-conspirators"-immigrants, radical intellectuals, journalists, advocates of the working class-and of the events culminating in bloodshed. More than just a moving story of love and human struggle, more than a faithful account of a watershed event in United States history, Haymarket presents a layered and dynamic revelation of late nineteenth-century Chicago, and of the lives of a handful of remarkable individuals who were willing to risk their lives for the promise of social change.

On the night of May 4, 1886, during a peaceful demonstration of labor activists in Haymarket Square in Chicago, a dynamite bomb was thrown into the ranks of police -trying to disperse the crowd. The officers immediately opened fire, killing a number of protestors and wounding some two hundred others. Albert Parsons was the best-known of those hanged; Haymarket is his story. Parsons, humanist and autodidact, was an ex-Confederate soldier who grew up in Texas in the 1870s, and fell in love with Lucy Gonzalez, a vibrant, outspoken black woman who preferred to describe herself as of Spanish and Creole descent. The novel tells the story of their lives together, of their growing political involvement, of the formation of a colorful circle of "co-conspirators"-immigrants, radical intellectuals, journalists, advocates of the working class-and of the events culminating in bloodshed. More than just a moving story of love and human struggle, more than a faithful account of a watershed event in United States history, Haymarket presents a layered and dynamic revelation of late nineteenth-century Chicago, and of the lives of a handful of remarkable individuals who were willing to risk their lives for the promise of social change.From the Hardcover edition.

"A wonderful introduction to Duberman''s writing but is also a fitting tribute to a man who has devoted his life to promoting social change" (Publishers Weekly). For the past fifty years, prize-winning historian Martin Duberman''s groundbreaking writings have established him as one of our preeminent public intellectuals. Founder of the first graduate program in LGBT studies in the country, he is perhaps best known for his biographies of Paul Robeson, Lincoln Kirstein, and Howard Zinn—works that have been hailed as "magnificent" (USA Today), "enthralling" (The Washington Post), "splendid" and "definitive" (Studs Terkel, Chicago Sun-Times), and "refreshing and inspiring" (The New York Times). Duberman is also an equally gifted playwright and essayist, whose piercingly honest memoirs Cures: A Gay Man''s Odyssey and Midlife Queer have been called "witty and searingly candid" (Publishers Weekly), "wrenchingly eloquent" (Newsday), and "a moving chronicle" (The Nation). His writings have explored the shocking attempts by the medical establishment to "cure" homosexuality; Stonewall, before and after; the age of AIDS; the struggle for civil rights; the fight for economic and racial justice; and Duberman''s vision for reclaiming a radical queer past from the creeping centrism of the gay movement. The Martin Duberman Reader assembles the core of Duberman''s most important writings, offering a wonderfully comprehensive overview of our lives and times—and giving us a crucial touchstone for a new generation of activists, scholars, and readers. "A deeply moral and reflective man who has engaged the greatest struggles of our times with an unflinching nerve, a wise heart, and a brilliant intellect." —Jonathan Kozol

A breathtaking historical novel that recreates the intimate milieu around Germany''s Kaiser Wilhelm from 1907 through the 1930s, a period of great human suffering and destruction and also of enormous freedom and creativity, a time when the remnants and artifices of the old word still mattered, and yet when art and the social sciences were pirouetting with successive revolutions in thought and style. Set in a time when many men in the upper classes in Europe were gay, but could not be so publicly, Jews Queers Germans revolves around three men: Prince Philipp von Eulenburg, Kaiser Wilhelm II''s closest friend, who becomes the subject of a notorious 1907 trial for homosexuality; Magnus Hirschfeld, a famed, Jewish sexologist who gives testimony at the trial; and Count Harry Kessler, a leading proponent of modernism, and the keeper of a famous set of diaries which lay out in intimate detail the major social, artistic and political events of the day and allude as well to his own homosexuality. The central theme here is the gay life of a very upper crust intellectual milieu that had a real impact on the major political upheavals that would shape the modern world forever after.From the Trade Paperback edition.

Meticulously researched and evocatively told, Hold Tight Gently is historian Martin Duberman's poignant memorial to those lost to AIDS and to two of the great unsung heroes of the early years of the epidemic. Composer Michael Callen became a leading figure in the movement to increase awareness of AIDS in the face of wilful neglect. Essex Hemphill contributed to the black gay and lesbian flowering in Washington, D.C., with poetry of searing intensity and introspection. A profound exploration of the intersection of race, sexuality, class, identity and politics.

From one of America's leading biographers, the definitive story of the radical feminist and anti-pornography activist, based on exclusive access to her archivesFifteen years after her death, Andrea Dworkin remains one of the most important and challenging figures in second-wave feminism. Although frequently relegated to its more radical fringes, Dworkin was without doubt a formidable and influential writer, a philosopher, and an activist—a brilliant figure who inspired and infuriated in equal measure. Her many detractors were eager to reduce her to the caricature of the angry, man-hating feminist who believed that all sex was rape, and as a result, her work has long been misunderstood. It is in recent years, especially with the rise of the #MeToo movement, that there has been a resurgence of interest in her ideas.This biography is the perfect complement to the widely reviewed anthology of her writing, Last Days at Hot Slit, published in 2019, providing much-needed context to her work. Given exclusive access to never-before-published photographs and archives, including her letters to many of the major figures of second-wave feminism, award-winning biographer Martin Duberman traces Dworkin's life, from her abusive first marriage through her central role in the sex and pornography wars of the following decades. This is a vital, complex, and long overdue reassessment of the life and work of one of the towering figures of second-wave feminism.

The inspiring life and legacy of vocal artist and civil rights icon Paul Robeson—one of the most important public figures in the twentieth century—adapted for young adults by the acclaimed Robeson biographer"As an artist I come to sing, but as a citizen, I will always speak for peace, and no one can silence me in this." —Paul RobesonAdapted from Martin Duberman’s “superb” (New York Times) biography of Paul Robeson, and featuring an introduction by award-winning young adult author Jason Reynolds, along with explanations of key terms and photographs from Robeson’s life, this is a thrilling addition to the young adult canon.Paul Robeson was destined for greatness. The son of an ex-slave who upon his college graduation ranked first in his class, Robeson was proclaimed the future “leader of the colored race in America.” Although a graduate of Columbia Law School, he abandoned his law career (and the racism he encountered there) and began a hugely successful career as an internationally celebrated actor and singer. Robeson’s triumphs on the stage earned him esteem among white and Black Americans across the country, although his daring and principled activism eventually made him an outcast from the entertainment industry, and his radical views made many consider him a public enemy.Paul Robeson: No One Can Silence Me is an introduction for readers in middle and high school to the inspiring and complicated life of one of America’s most fascinating figures, whose story of artistry, heroism, conviction, and conflict is newly relevant today.

Commemorating the fiftieth anniversary of Paul Robeson’s death, a young adult version of his life, based on the biography USA Today called “magnificent”“A history of a global luminary figure that serves as a reminder of the courageous freedom-fighting work in front of us."—Kirkus Reviews (starred review)Adapted from Martin Duberman’s “superb” (New York Times) biography of Paul Robeson, and featuring an introduction by award-winning young adult author Jason Reynolds, along with explanations of key terms and photographs from Robeson’s life, this is a thrilling addition to the young adult canon.Paul Robeson was destined for greatness. The son of an ex-slave who upon his college graduation ranked first in his class, Robeson was proclaimed the future “leader of the colored race in America.” Although a graduate of Columbia Law School, he abandoned his law career (and the racism he encountered there) and began a hugely successful career as an internationally celebrated actor and singer. Robeson’s triumphs on the stage earned him esteem among white and Black Americans across the country, although his daring and principled activism eventually made him an outcast from the entertainment industry, and his radical views made many consider him a public enemy.Paul Robeson: No One Can Silence Me is an introduction for readers in middle and high school to the inspiring and complicated life of one of America’s most fascinating figures, whose story of artistry, heroism, conviction, and conflict is newly relevant today.

Martin Duberman, one of the LGBTQ+ community''s maverick thinkers and historians, looks back on ninety years of life, his history in the movement, and what he''s learned. In the early Sixties, Martin Duberman published a path-breaking article defending the Abolitionists against the then-standard view of them as "misguided fanatics." In 1964, his documentary play, In White America, which reread the history of racist oppression in this country, toured the country—most notably during Freedom Summer—and became an international hit. Duberman then took on the profession of history for failing to admit the inherent subjectivity of all re-creations of the past. He radically democratized his own seminars at Princeton, for which he was excoriated by powerful professors in his own department, leading him to renounce his tenured full professorship and to join the faculty of the CUNY Graduate School. At CUNY, too, he was initially blocked from offering a pioneering set of seminars on the history of gender and sexuality, but after a fifteen-year struggle succeeded in establishing the Center for Gay and Lesbian Studies—which became a beacon for emerging scholars in that new field. By the early Seventies, Duberman had broadened his struggle against injustice by becoming active in protesting the war in Vietnam and in playing a central role in forming the National Lesbian and Gay Task Force and Queers for Economic Justice.Down to the present-day, he continues through his writing to champion those working for a more equitable society.

Martin Duberman, one of the LGBTQ+ community''s maverick thinkers and historians, looks back on ninety years of life, his history in the movement, and what he''s learned. In the early Sixties, Martin Duberman published a path-breaking article defending the Abolitionists against the then-standard view of them as "misguided fanatics." In 1964, his documentary play, In White America, which reread the history of racist oppression in this country, toured the country—most notably during Freedom Summer—and became an international hit. Duberman then took on the profession of history for failing to admit the inherent subjectivity of all re-creations of the past. He radically democratized his own seminars at Princeton, for which he was excoriated by powerful professors in his own department, leading him to renounce his tenured full professorship and to join the faculty of the CUNY Graduate School. At CUNY, too, he was initially blocked from offering a pioneering set of seminars on the history of gender and sexuality, but after a fifteen-year struggle succeeded in establishing the Center for Gay and Lesbian Studies—which became a beacon for emerging scholars in that new field. By the early Seventies, Duberman had broadened his struggle against injustice by becoming active in protesting the war in Vietnam and in playing a central role in forming the National Lesbian and Gay Task Force and Queers for Economic Justice.Down to the present-day, he continues through his writing to champion those working for a more equitable society.