Martin Flanagan – författare

A prison diary, a story of brotherly love, a journey of redemption, Martin Flanagan’ s compelling book about his boarding school days goes inside an experience many have had but few have talked about.In 1966, at the age of 10, Martin Flanagan was sent to a Catholic boarding school in north-west Tasmania. Of the 12 priests on the staff, three have since gone to prison for sexual crimes committed against boys in their care. In 2018 and 2019, a series of disclosures about the school appeared on the ABC Tasmania website. Then came the Pell case. What followed was a frenzy of opinions, none of which represented Flanagan’ s view.The Empty Honour Board is part memoir, a reflection on truth and memory, and what is lost in rushing to judgement.Flanagan’ s school abounds in memorable characters. There’ s a kid who escapes and gets as far as Surfers Paradise, and two boys who hold a competition during evening chapel to see who can confess more times. A wild boy receives a ‘ Bradmanesque’ 234 strokes of the cane in one year.

In 1966, at the age of 10, Martin Flanagan was sent to a Catholic boarding school in north-west Tasmania. Of the 12 priests on the staff, three have since gone to prison for sexual crimes committed against boys in their care. In 2018 and 2019, a series of disclosures about the school appeared on the ABC Tasmania website. Then came the Pell case. What followed was a frenzy of opinions, none of which represented Flanagan’s view. The Empty Honour Board is part memoir, a reflection on truth and memory, and what is lost in rushing to judgement.Flanagan’s school abounds in memorable characters. There’s a kid who escapes and gets as far as Surfers Paradise, and two boys who hold a competition during evening chapel to see who can confess more times. A wild boy receives a ‘Bradmanesque’ 234 strokes of the cane in one year.It is a lonely and, at times, scary existence – as while the boys are victims of violence, they are also perpetrators. Drawn to neither the school nor its religion, Flanagan discovers himself through sport, later becoming known as one of Australia’s most creative sportswriters.But his boarding days linger. In his first three years at the school, he’d faced a series of adult moral challenges. Not being an adult, he had failed – in his own estimation. This becomes of great consequence in his 20s when his wife is about to have their first child. A major reckoning with his past, however, leaves him with his ambition as a writer.A prison diary, a story of brotherly love, a journey of redemption, Flanagan’s book goes inside an experience many have had, but few have talked about.

A portrait of Michael Long, the man who changed the Australian game.In 1995, Aboriginal footballer Michael Long gave the AFL its ‘Mandela moment’. He quietly revolutionised Australian sport by refusing to let a racial insult pass during the Anzac Day match between Essendon and Collingwood. When the overwhelmingly white football public backed a black man against a white institution (the AFL), the culture of the game flipped and the AFL became a leader in Australian race relations. A decade later, he again impacted on the nation when he set out to walk from Melbourne to Canberra to confront the Howard government over Aboriginal issues.This is a portrait of a shy black kid from Darwin who became one of the most notable figures in the history of Australian sport, of a footballer who tore apart the 1993 grand final within seven minutes of the start, of a man known as a joker who is a serious social and political thinker. It is also the story of a white sportswriter who is taken to his limits, and a long way beyond, seeking to understand a man who can only be understood through his Aboriginality. Funny, incisive and revealing, The Short Long Book is a compelling portrait of a man who could be described as the soul of the game, as seen by Australia''s greatest sportswriter.

Marvel Studios has provided some of the biggest worldwide cinematic hits of the last eight years, from Iron Man (2008) to the record-breaking The Avengers (2012), and beyond. Having announced plans to extend its production of connected texts in cinema, network and online television until at least 2028, the new aesthetic patterns brought about by Marvel's 'shared' media universe demand analysis and understanding. The Marvel Studios Phenomenon evaluates the studio's identity, as well as its status within the structures of parent Disney. In a new set of readings of key texts such as Captain America: The Winter Soldier, Guardians of the Galaxy and Agents of S.H.I.E.L.D., the thematics of superhero fiction and the role of fandom are considered. The authors identify milestones from Marvel's complex and controversial business history, allowing us to appraise its industrial status: from a comic publisher keen to exploit its intellectual property, to an independent producer, to successful subsidiary of a vast entertainment empire.

Marvel Studios has provided some of the biggest worldwide cinematic hits of the last eight years, from Iron Man (2008) to the record-breaking The Avengers (2012), and beyond. Having announced plans to extend its production of connected texts in cinema, network and online television until at least 2028, the new aesthetic patterns brought about by Marvel's 'shared' media universe demand analysis and understanding. The Marvel Studios Phenomenon evaluates the studio's identity, as well as its status within the structures of parent Disney. In a new set of readings of key texts such as Captain America: The Winter Soldier, Guardians of the Galaxy and Agents of S.H.I.E.L.D., the thematics of superhero fiction and the role of fandom are considered. The authors identify milestones from Marvel's complex and controversial business history, allowing us to appraise its industrial status: from a comic publisher keen to exploit its intellectual property, to an independent producer, to successful subsidiary of a vast entertainment empire.

Marvel Studios has provided some of the biggest worldwide cinematic hits of the last eight years, from Iron Man (2008) to the record-breaking The Avengers (2012), and beyond. Having announced plans to extend its production of connected texts in cinema, network and online television until at least 2028, the new aesthetic patterns brought about by Marvel’s ‘shared’ media universe demand analysis and understanding.The Marvel Studios Phenomenon evaluates the studio’s identity, as well as its status within the structures of parent Disney. In a new set of readings of key texts such as Captain America: The Winter Soldier, Guardians of the Galaxy and Agents of S.H.I.E.L.D., the thematics of superhero fiction and the role of fandom are considered. The authors identify milestones from Marvel’s complex and controversial business history, allowing us to appraise its industrial status: from a comic publisher keen to exploit its intellectual property, to an independent producer, to successful subsidiary of a vast entertainment empire.

Marvel Studios has provided some of the biggest worldwide cinematic hits of the last eight years, from Iron Man (2008) to the record-breaking The Avengers (2012), and beyond. Having announced plans to extend its production of connected texts in cinema, network and online television until at least 2028, the new aesthetic patterns brought about by Marvel’s ‘shared’ media universe demand analysis and understanding.The Marvel Studios Phenomenon evaluates the studio’s identity, as well as its status within the structures of parent Disney. In a new set of readings of key texts such as Captain America: The Winter Soldier, Guardians of the Galaxy and Agents of S.H.I.E.L.D., the thematics of superhero fiction and the role of fandom are considered. The authors identify milestones from Marvel’s complex and controversial business history, allowing us to appraise its industrial status: from a comic publisher keen to exploit its intellectual property, to an independent producer, to successful subsidiary of a vast entertainment empire.

What happens when you put together the AFL’s best-loved player and the game’s best-loved writer?Matthew Richardson, known as Richo, retired in 2009 as the most popular player in the AFL. Why was that? The careers of other great players like Nathan Buckley and Michael Voss amount to a sort of sporting perfection. Richo''s career didn''t. He was fallible. His kicking was flawed and he had an inability to hide his feelings on the ground but in other respects he was extraordinarily gifted. He was one of the best marks in the competition and it is said he could have run for Australia. His father, Alan "Bull" Richardson, played in Richmond''s 1967 premiership team, a pivotal result in the history of the club. On his mother''s side, he is descended from a black American sailor who arrived in Sydney in 1840. The average AFL career lasts three years. Richo''s lasted 17 seasons. In that time, the general public got to appreciate his great bravery and his passion for both the game and his club. They also learned that, off the field, he was a humble, polite man who was always last on to the team bus because he was signing autographs. "Richo", the book, is essentially an account of the last two years of his football life with flashbacks that trace the outline of his long career. In the process, the author, Martin Flanagan, discovers a man who is worldly and much-travelled, who has a deep love of music and who thinks and uses words in a novel way. Richo is an Australian original. The book climaxes with the 2008 season when Richo, in what was seen as a prelude to his delisting, was taken from the key forward position he had dominated for nearly two decades and put on a wing. At age 33, he responded by almost winning the Brownlow medal.

If you’re quiet enough, quiet as a tree, people will camp beneath your branches and tell you stories you would never otherwise hear. Martin Flanagan shares how listening has been an essential part of his life from when he started hitchhiking at fourteen through to writing a book about Aboriginal footballer and activist Michael Long.

‘There’s no one I trust more with my club’s yarn than Martin Flanagan’ – Bob MurphyThe Western Bulldogs’ 2016 premiership came from nowhere – they were the club with no luck, no stars, no right to win, no culture of success. They were the rank underdogs and they swept to victory on an unprecedented tide of goodwill that washed over the nation. Only Martin Flanagan could bring to life this particular miracle. The club’s two guiding spirits – captain Bob Murphy and coach Luke Beveridge – welcomed him in, Beveridge making available his match diaries, pre-match notes and video highlights. Flanagan interviewed every player, watched every match, talked with the trainers, the women in the football department, the fans who never miss a training session, the cheer squad.What Flanagan shows is that the Bulldogs found a new way to play partly because they found a new way to be a team – a new way to support each other, even a new way to be. A Wink from the Universe takes us into the heart of the community Luke Beveridge and Bob Murphy dreamt into being with the support of the Bulldog people around them. This is a classic of sportswriting – a book for fans of the club, and of the game, but also a book for anyone who wants to know how a group of people can will a miracle to happen.

Thomas Wentworth Wills is an Australian Icarus. Having grown up among the Djabwurring people in western Victoria, he was sent to the Rugby school in England. Returning in 1856, he promptly revolutionised colonial cricket and opened the door for the evolution of the indigenous game we know as Australian football. In 1866, he coached the Aboriginal team which later became the first Australian cricket team to tour England, despite having suffered in the war being fought at the country''s frontiers between white settlers and the land''s Aboriginal inhabitants. Tom Wills died a neglected and forgotten figure. His life is an Australian tragedy, but it bequeathed to the nation a unique and hopeful legacy. A wonderful novel - tragic story of genius and loss, of a man who, leaping at the sun, fell down in a dazzle of healing light. - Brian MatthewsThe Footy field: ground of coexistence; common ground; sacred turf. It is the one piece of Australian earth where equality rules and the game is played fair. It''s footy. No-one barracks for the extinguishment of this game. Like a stab pass to a leading full-forward, Flanagan shows us the way to our goal. - Patrick Dodson