Martin Hurcombe – författare

This book studies travel writing produced by French authors between the two World Wars following visits to authoritarian regimes in Europe and the Union of Soviet Socialist Republics (USSR). It sheds new light on the phenomenon of French political travel in this period by considering the well-documented appeal of Soviet communism for French intellectuals alongside their interest in other radical regimes which have been much less studied: fascist Italy, the Iberian dictatorships and Nazi Germany. Through analyses of the travel writing produced as a result of such visits, the book gauges the appeal of these forms of authoritarianism for inter-war French intellectuals from a broad political spectrum. It examines not only those whose political sympathies with the extreme right or extreme left were already publicly known, but also non-aligned intellectuals who were interested in political models that offered an apparently radical alternative to the French Third Republic. This study shows how travel writing provided a space for reflection on the lessons France might learn from the radical political experiments of the inter-war years. It argues that such writing can usefully be read as a form of utopian thinking, distinguishing this from colloquial understandings of utopia as an ideal location. Utopianism is understood neither as a fantasy ungrounded in the real nor as a dangerously totalitarian ideal, but, in line with Karl Mannheim, Paul Ricœur, and Ruth Levitas, as a form of non-congruence with the real that it seeks to transcend. The utopianism of French political travel writing is seen to lie not in the attempt to portray the destination visited as utopia, but rather in the pursuit of a dialogue with radical political alterity.

This book studies travel writing produced by French authors between the two World Wars following visits to authoritarian regimes in Europe and the Union of Soviet Socialist Republics (USSR). It sheds new light on the phenomenon of French political travel in this period by considering the well-documented appeal of Soviet communism for French intellectuals alongside their interest in other radical regimes which have been much less studied: fascist Italy, the Iberian dictatorships and Nazi Germany. Through analyses of the travel writing produced as a result of such visits, the book gauges the appeal of these forms of authoritarianism for inter-war French intellectuals from a broad political spectrum. It examines not only those whose political sympathies with the extreme right or extreme left were already publicly known, but also non-aligned intellectuals who were interested in political models that offered an apparently radical alternative to the French Third Republic. This study shows how travel writing provided a space for reflection on the lessons France might learn from the radical political experiments of the inter-war years. It argues that such writing can usefully be read as a form of utopian thinking, distinguishing this from colloquial understandings of utopia as an ideal location. Utopianism is understood neither as a fantasy ungrounded in the real nor as a dangerously totalitarian ideal, but, in line with Karl Mannheim, Paul Ricœur, and Ruth Levitas, as a form of non-congruence with the real that it seeks to transcend. The utopianism of French political travel writing is seen to lie not in the attempt to portray the destination visited as utopia, but rather in the pursuit of a dialogue with radical political alterity.

This volume of wide-ranging essays by sport historians and sociologists examines the complex relations of war, peace and sport through a series of case studies from South and North America, Europe, North Africa, Asia and New Zealand.From formal military training in the late nineteenth century to contemporary esports, the relationship between military and sporting cultures has endured across nations in times of conflict and peace. This collection contextualizes debates around the morality and desirability of continuing to play sport against the backdrop of war as others are dying for their nation. It also examines the legacy and memory of particular wars as expressed in a range of sporting practices in the immediate aftermath of conflicts such as the World Wars and wars of independence. At the same time, this book analyses the history of sport and peace by considering how sport can operate as a pacification in some contexts and a tool of reconciliation in others.Together, and through an introductory framing essay, these essays offer scholars of sport, conflict studies and cultural history more broadly a multinational analysis of the war-peace-sport nexus that has operated throughout the world since the late nineteenth century.Chapter 11 of this book is available for free in PDF format as Open Access from the individual product page at www.taylorfrancis.com. It has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license. Funded by Tokyo University.

This volume of wide-ranging essays by sport historians and sociologists examines the complex relations of war, peace and sport through a series of case studies from South and North America, Europe, North Africa, Asia and New Zealand.From formal military training in the late nineteenth century to contemporary esports, the relationship between military and sporting cultures has endured across nations in times of conflict and peace. This collection contextualizes debates around the morality and desirability of continuing to play sport against the backdrop of war as others are dying for their nation. It also examines the legacy and memory of particular wars as expressed in a range of sporting practices in the immediate aftermath of conflicts such as the World Wars and wars of independence. At the same time, this book analyses the history of sport and peace by considering how sport can operate as a pacification in some contexts and a tool of reconciliation in others.Together, and through an introductory framing essay, these essays offer scholars of sport, conflict studies and cultural history more broadly a multinational analysis of the war-peace-sport nexus that has operated throughout the world since the late nineteenth century.Chapter 11 of this book is available for free in PDF format as Open Access from the individual product page at www.taylorfrancis.com. It has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license. Funded by Tokyo University.

This edited volume explores the new directions emerging in the field of war and culture through six essays that examine conflicts and their cultural legacy from the First World War to the ongoing conflict in Ukraine.The first two essays focus on the French experience of the World Wars through, first, a study of trench poetry and then the sexual experiences of POWs in Germany. The next two essays focus on gendered and especially women’s experiences of conflict through, first, a study of women’s war labour in the British army and then analysis of women photojournalists’ role in promoting the adoption of Vietnamese babies in the USA. This volume concludes with two essays focusing on twenty-first century conflict. The first explores representations of veterancy in contemporary Romanian fiction, and the second, the phenomenon of fanvids in relation to the ongoing conflict in Ukraine.Originally published as a special issue of the Journal for War & Culture Studies, the book indicates new directions of travel for this sub-discipline and reflects the Journal’s commitment over the past two decades to bring the Arts and Humanities and the Social Sciences into dialogue with each other.

This edited volume explores the new directions emerging in the field of war and culture through six essays that examine conflicts and their cultural legacy from the First World War to the ongoing conflict in Ukraine.The first two essays focus on the French experience of the World Wars through, first, a study of trench poetry and then the sexual experiences of POWs in Germany. The next two essays focus on gendered and especially women’s experiences of conflict through, first, a study of women’s war labour in the British army and then analysis of women photojournalists’ role in promoting the adoption of Vietnamese babies in the USA. This volume concludes with two essays focusing on twenty-first century conflict. The first explores representations of veterancy in contemporary Romanian fiction, and the second, the phenomenon of fanvids in relation to the ongoing conflict in Ukraine.Originally published as a special issue of the Journal for War & Culture Studies, the book indicates new directions of travel for this sub-discipline and reflects the Journal’s commitment over the past two decades to bring the Arts and Humanities and the Social Sciences into dialogue with each other.

In this wide-ranging study of French intellectuals who represented the Spanish Civil War as it was happening and in its immediate aftermath, Martin Hurcombe explores the ways in which these individuals addressed national anxieties and shaped the French political landscape. Bringing together reportage, essays, and fiction by French supporters of Franco's Nationalists and of the Spanish Republic, Hurcombe shows the multifaceted ways in which that conflict impacted upon French political culture. He argues that French cultural representations of the war often articulated a utopian image of the Nationalists or of the Spanish Republic that served as models behind which the radical right or the radical left in France might mobilise. His book will be of interest not only to scholars of French literature and culture but also to those interested in how events unfolding in Spain found an echo in the political landscapes of other countries.

This volume represents the first in-depth English-language study of the French combat novel of the Great War, an immensely popular genre at the time which includes influential texts such as Henri Barbusse’s Le Feu and Roland Dorgelès’s Les Croix de bois. It explores through these works, and less well-known but equally popular patriotic novels of the period, the effect that experiencing war has upon the writer’s understanding of the world, arguing that, in their depiction of conflict, these writers demonstrate a decidedly complex and modernist understanding of humanity’s place in the world. In particular, the author examines the French combat novel’s evocation of a world where a sense of the Absurd vies with the novelist’s desire to re-impose order through a particular political understanding of the Great War itself, be it in the form of revolutionary socialism, French nationalism, or humanism. In this way, this volume contends, ideology becomes a force for responding to and countering the sense of contingency that characterises the human experience of combat. It will be of interest to scholars of twentieth-century French fiction and thought.