Martin James – författare

Everyone knows music is big business, but do you really understand how ideas and inspiration become songs, products, downloads, concerts and careers? This textbook guides students to a full understanding of the processes that drive the music industries. More than just an expose or 'how to' guide, this book gives students the tools to make sense of technological change, socio-cultural processes, and the constantly shifting music business environment, putting them in the front line of innovation and entrepreneurship in the future.

Packed with case studies, this book:

• Takes the reader on a journey from Glastonbury and the X-Factor to house concerts and crowd-funded releases;

• Demystifies management, publishing and recording contracts, and the world of copyright, intellectual property and music piracy;

• Explains how digital technologies have changed almost all aspects of music making, performing, promotion and consumption;

• Explores all levels of the music industries, from micro-independent businesses to corporate conglomerates;

• Enables students to meet the challenge of the transforming music industries.

This is the must-have primer for understanding and getting ahead in the music industries. It is essential reading for students of popular music in media studies, sociology and musicology.

Everyone knows music is big business, but do you really understand how ideas and inspiration become songs, products, downloads, concerts and careers? This textbook guides students to a full understanding of the processes that drive the music industries. More than just an expose or ′how to′ guide, this book gives students the tools to make sense of technological change, socio-cultural processes, and the constantly shifting music business environment, putting them in the front line of innovation and entrepreneurship in the future.

Packed with case studies, this book:

• Takes the reader on a journey from Glastonbury and the X-Factor to house concerts and crowd-funded releases;

• Demystifies management, publishing and recording contracts, and the world of copyright, intellectual property and music piracy;

• Explains how digital technologies have changed almost all aspects of music making, performing, promotion and consumption;

• Explores all levels of the music industries, from micro-independent businesses to corporate conglomerates;

• Enables students to meet the challenge of the transforming music industries.

This is the must-have primer for understanding and getting ahead in the music industries. It is essential reading for students of popular music in media studies, sociology and musicology.

The historical significance of music-makers, music scenes, and music genres has long been mediated through academic and popular press publications such as magazines, films, and television documentaries. Media Narratives in Popular Music examines these various publications and questions how and why they are constructed. It considers the typically linear narratives that are based on simplifications, exaggerations, and omissions and the histories they construct - an approach that leads to totalizing “official” histories that reduce otherwise messy narratives to one-dimensional interpretations of a heroic and celebratory nature. This book questions the basis on which these mediated histories are constructed, highlights other, hidden, histories that have otherwise been neglected, and explores a range of topics including consumerism, the production pressure behind documentaries, punk fanzines, Rolling Stones covers, and more.

The historical significance of music-makers, music scenes, and music genres has long been mediated through academic and popular press publications such as magazines, films, and television documentaries. Media Narratives in Popular Music examines these various publications and questions how and why they are constructed. It considers the typically linear narratives that are based on simplifications, exaggerations, and omissions and the histories they construct - an approach that leads to totalizing “official” histories that reduce otherwise messy narratives to one-dimensional interpretations of a heroic and celebratory nature. This book questions the basis on which these mediated histories are constructed, highlights other, hidden, histories that have otherwise been neglected, and explores a range of topics including consumerism, the production pressure behind documentaries, punk fanzines, Rolling Stones covers, and more.

The historical significance of music-makers, music scenes, and music genres has long been mediated through academic and popular press publications such as magazines, films, and television documentaries. Media Narratives in Popular Music examines these various publications and questions how and why they are constructed. It considers the typically linear narratives that are based on simplifications, exaggerations, and omissions and the histories they construct - an approach that leads to totalizing “official” histories that reduce otherwise messy narratives to one-dimensional interpretations of a heroic and celebratory nature. This book questions the basis on which these mediated histories are constructed, highlights other, hidden, histories that have otherwise been neglected, and explores a range of topics including consumerism, the production pressure behind documentaries, punk fanzines, Rolling Stones covers, and more.

The historical significance of music-makers, music scenes, and music genres has long been mediated through academic and popular press publications such as magazines, films, and television documentaries. Media Narratives in Popular Music examines these various publications and questions how and why they are constructed. It considers the typically linear narratives that are based on simplifications, exaggerations, and omissions and the histories they construct - an approach that leads to totalizing “official” histories that reduce otherwise messy narratives to one-dimensional interpretations of a heroic and celebratory nature. This book questions the basis on which these mediated histories are constructed, highlights other, hidden, histories that have otherwise been neglected, and explores a range of topics including consumerism, the production pressure behind documentaries, punk fanzines, Rolling Stones covers, and more.

Foo Fighters emerged from the morass of suicide and potent musical legacy that was Nirvana to establish themselves against all odds as one of the most popular rock bands in the world. Deflecting early critical disdain, Dave Grohl has single-handedly reinvented himself and cemented his place in the rock pantheon. This is his story, from his pre-Nirvana days in hardcore band Scream to his current status as a festival conquering, Grammy winning, platinum-selling grunge legend. Across the entire body of Foo Fighters albums, the whole legendary Nirvana tale, the pre-history in the nascent Seattle scene and Grohl's flirtations with Queens of the Stone Age and his supergroup side-project Them Crooked Vultures, this is an utterly comprehensive, insightful chronicle of Dave Grohl's remarkable life. Drawing on new interviews with key figures in the Grohl story, this definitive biography of one of modern rock's most influential figures includes the stories of the multi-platinum opus Echoes, Silence, Patience and Grace, 2011's Wasting Light, which saw Grohl reunited with Nirvana producer Butch Vig and Sonic Highways, their ambitious homage to coast-to-coast US classic rock.

Across the entire body of Foo Fighters albums, the whole legendary Nirvana tale, the pre-history in the nascent Seattle scene and Grohl''s flirtations with Queens of the Stone Age and his super group side project Them Crooked Vultures, this is an utterly comprehensive, insightful chronicle of Dave Grohl''s remarkable life. Drawing on new interviews with key figures in the Grohl story, this definitive biography includes the stories of the 2007 multi-platinum opus Echoes, Silence, Patience & Grace, 2011''s Wasting Light, which saw Grohl reunited with Nirvana producer Butch Vig, and Sonic Highways, their homage to classic rock.

Jungle and Drum & Bass was like nothing else the world had experienced before - simultaneously black and white, urban and suburban, old skool attitude and new school innovation. Originally published in 1997, State of Bass explores the scene's roots through its social, cultural and musical antecedents and on to its emergence via the debate that surrounded the apparent split between jungle and drum & bass. Drawing on interviews with some of the key figures in the early years, State of Bass explores the sonic shifts and splinters of new variants, styles and subgenres as it charts the journey from the early days to its position as a global phenomenon.

During the second half of the 1990s, Paris experienced a dance music revolution thanks to groundbreaking artists like Daft Punk, Air, Super Discount, Motorbass, Cassius, Dimitri from Paris, Bob Sinclar and many, many more. It was a scene that became known as French Touch and was heralded throughout the world as the epitome of dance music cool, forever placing Paris on the dance culture map. Journalist and author Martin James was there right from the start, documenting the scene from its inspirations to its earliest moments and onto its global breakthrough. In the process, he inadvertently provided the French Touch moniker that became adopted throughout the world. Drawing on a dazzling array of exclusive interviews with the biggest names in French electronic music history, French Connections explores France s significant contribution to dance music culture that paved the way for the French Touch explosion.

Everyone knows music is big business, but do you really understand how ideas and inspiration become songs, products, downloads, concerts and careers? This textbook guides students to a full understanding of the processes that drive the music industries. More than just an expose or 'how to' guide, this book gives students the tools to make sense of technological change, socio-cultural processes, and the constantly shifting music business environment, putting them in the front line of innovation and entrepreneurship in the future.

Packed with case studies, this book:

• Takes the reader on a journey from Glastonbury and the X-Factor to house concerts and crowd-funded releases;

• Demystifies management, publishing and recording contracts, and the world of copyright, intellectual property and music piracy;

• Explains how digital technologies have changed almost all aspects of music making, performing, promotion and consumption;

• Explores all levels of the music industries, from micro-independent businesses to corporate conglomerates;

• Enables students to meet the challenge of the transforming music industries.

This is the must-have primer for understanding and getting ahead in the music industries. It is essential reading for students of popular music in media studies, sociology and musicology.