Martin McDonagh – författare

The Beauty Queen of Leenane was first presented as a Druid Theatre/Royal Court Theatre co-production in January 1996. Set in the mountains of Connemara, County Galway, The Beauty Queen of Leenane tells the darkly comic tale of Maureen Folan, a plain and lonely woman in her early forties, and Mag her manipulative ageing mother whose interference in Maureen's first and potentially last loving relationship sets in motion a train of events that is as gothically funny as it is horrific.

Martin McDonagh's plays have been produced in Galway, Dublin, London and New York. They have created excitement and have won numerous awards. In individual editions the plays have been among Methuen's most popular sellers. 'Martin McDonagh's The Leenane Trilogy, one of the great events of the contemporary Irish theatre' (Irish Times). This volume contains: The Beauty Queen of Leenane - 'McDonagh's writing is pitiless but compassionate: he casts a cold, hard, but understanding eye on relationships made of mistrust, hesitation, resentment and malevolence' (Sunday Times); A Skull in Connemara - 'Here, McDonagh's gift is at its most naked and infectious ...it leaves you giddy with gruesome exhilaration' (Financial Times); The Lonesome West: 'The play combines manic energy and physical violence in a way that is both hilarious and viscerally exciting' (Daily Telegraph)"A star is born, bright and blazing, confident, individual and shockingly accomplished" (Sunday Times)

"Mr McDonagh is destined to be one of the theatrical luminaries of the 21st century" (The New Republic) In 1934, the people of Inishman learn that the Hollywood director Robert Flaherty is coming to the neighbouring island to film his documentary Man of Aran. No-one is more excited than Cripple Billy, an unloved boy whose chief occupation has been gazing at cows and yearning for a girl who wants no part of him. For Billy is determined to cross the sea and audition for the Yank. And as news of his audacity ripples thorugh his rumour-starved community, The Cripple of Inishmaan becomes a merciless portrayal of a world so comically cramped and mean-spirited that hope is an affront to its order. With this bleak yet uproariously funny play, the young Anglo-Irish dramatist Martin McDonagh fulfills the promise of his award-winning The Beauty Queen of Leenane while confirming his place in a tradition that extends from Synge to O'Casey and Brendan Behan.

Winner 1996 Evening Standard Award for Most Promising Playwright; Winner 1996 George Devine Award for Most Promising Playwright For one week each autumn, Mick Dowd is hired to disinter the bones in certain sections of his local cemetery, to make way for new arrivals. As the time approaches for him to dig up those of his own late wife, strange rumours regarding his involvement in her sudden death seven years ago gradually begin to resurface.

The Lonesome West was first presented as a Druid Theatre company and Royal Court co-production in the summer of 1997. 'The play combines manic energy and physical violence in a way that is both hilarious and viscerally exciting' Daily Telegraph Valene and Coleman, two brothers living alone in their father's house after his recent death, find it impossible to exist without massive and violent disputes over the most mundane and innocent of topics. Only father Welsh, the local young priest, is prepared to try to reconcile the two before their petty squabblings spiral into vicious and bloody carnage.

With an introduction by Graham Whybrow, literary manager of the Royal Court Theatre, this anthology collects the defining plays of the 1980s and 1990s in one volume - Top Girls 'The best British play ever from a woman dramatist' (The Guardian) Hysteria 'One of the most brilliantly original and entertaining new plays I have seen in years' (The Sunday Times) Blasted 'Her dialogue is both sparse and stunning. They will call her mad, but then they said that about Strindberg' (Mail on Sunday) Shopping and F***ing 'A real coup de theatre' (Evening Standard) The Beauty Queen of Leenane 'The most wickedly funny, brilliantly abrasive young dramatist ...a born storyteller' (New York Times)The result is a collection of "must reads" that's excellent value for students and theatre fans alike.

A farcical look at political violence as it's played out during the Troubles in Northern Ireland against the drab backdrop of a bare, rustic Irish cottage and unending boredom in an inhospitable environment in which a mutilated cat sets off a murderous cycle of revenge. Wee Thomas was a friendly cat. He would always say hello to you were you to see him sitting on a wall. (Pause.) He won't be saying hello no more, God bless him. Not with that lump of a brain gone. Who knocked Wee Thomas over on the lonely road on the island of Inishmore, and was it an accident? "Mad Padraig" will want to know when he gets back from a stint of torture and chip shop bombing in Northern Ireland: he loves that cat more than life itself.

'The first duty of a storyteller is to tell a story.' Or was it 'The only duty of a storyteller is to tell a story'?A writer in a totalitarian state is interrogated about the gruesome content of his short stories and their similarities to a number of child-murders that are happening in his town.'Sometimes you don't even know what you've been craving until the real thing comes along.' New York Times'McDonagh is more than just a very clever theatrical stylist. His tricks and turns have a purpose. They are bridges over a deep pit of sympathy and sorrow, illuminated by a tragic vision of stunted and frustrated lives.' Fintan O'Toole, Irish TimesMartin McDonagh's searingly brilliant play premiered at the National Theatre, London in November 2003. It was revived at the Duke of York's Theatre, London, in June 2023.

After a shooting in London goes hideously wrong, two hitmen, Ray and Ken, are sent to hide out in the strange, Gothic, medieval town of Bruges, Belgium, by their volatile and dangerous boss, Harry Waters.While awaiting instructions from him as to what to do next, the pair attempt to deal both with their feelings over the botched killing and their differing attitudes towards this curious, otherworldly place they've been dumped in ('Bruges is a shithole.' 'Bruges is not a shithole'), until the call from Harry finally comes through, and all three men are enmeshed in a spiral of bloody violence that few will get out of alive.This jet-black comedy marks the feature-film debut of writer/director Martin McDonagh, award-winning author of such plays as The Beauty Queen of Leenane, The Lieutenant of Inishmore and The Pillowman, and the film Six Shooter, which won the Academy Award for the Best Live-Action Short Film.The film stars Colin Farrell as Ray, Brendan Gleeson as Ken, and Ralph Fiennes as Harry.In Bruges was the opening night film at the Sundance Film Festival.

I'm just as good as bloody Pierrepoint.In his small pub in Oldham, Harry is something of a local celebrity. But what's the second-best hangman in England to do on the day they've abolished hanging? Amongst the cub reporters and sycophantic pub regulars, dying to hear Harry's reaction to the news, a peculiar stranger lurks, with a very different motive for his visit.Don't worry. I may have my quirks but I'm not an animal. Or am I? One for the courts to discuss.Martin McDonagh's Hangmen premiered at the Royal Court Theatre, London, in September 2015. It won the Laurence Olivier Award for Best New Play 2016.

After months pass without a culprit in her daughter's murder case, Mildred Hayes pays for three signs challenging the authority of William Willoughby, the town's revered chief of police. When his second-in-command, Officer Dixon, a mother's boy with a penchant for violence, gets involved, the battle between Mildred and Ebbing's law enforcement threatens to engulf the town.Three Billboards Outside Ebbing, Missouri is a darkly comedic drama from Martin McDonagh.The film won Best Motion Picture - Drama and Best Screenplay at the Golden Globes 2018, and the Best Film and Best Original Screenplay awards at the 2018 BAFTAs.

In a townhouse in Copenhagen works Hans Christian Andersen, a teller of exquisite and fantastic children's tales beloved by millions. But the true source of his stories dwells in his attic upstairs, her existence a dark secret kept from the outside world.Dangerous, twisted and funny, Martin McDonagh's new play travels deep into the abysses of the imagination. A Very Very Dark Matter premiered at the Bridge Theatre, London, in October 2018.

The screenplay of the latest macabre and haunting comedy from the writer of In Bruges and Three Billboards Outside Ebbing, Missouri.Winner: Best Screenplay, BAFTAs 2023Winner: Best Screenplay, Golden Globe Awards 2023.Winner: Best Screenplay, Venice Film Festival 2022.What is he, twelve? Why doesn't he want to be friends with you no more?1923. As shots ring out from the warring mainland, on the island of Inisherin it's the rift between old drinking pals Pádraic and Colm that leads both men to ever more alarming action.'Simply perfect . . . a bleakly funny yet often unutterably poignant drama that consistently recalls the best of Beckett. . . . It is proper art.' The Times'Quietly magnificent.' Variety

Introduced by Patrick Lonergan, The Methuen Drama Anthology of Irish Plays brings together five major works from the Irish dramatic canon of the last sixty years in one outstanding collection. Behan's The Hostage, depicting the capture and death of a British soldier by the IRA, was first produced by Joan Littlewood's Theatre Workshop in 1958 and was declared 'a masterpiece' by The Times. Murphy's Bailegangaire (1985) portrays a senile old woman's recitation of an epic tale to her two granddaughters who struggle to free themselves from her and exorcise the past. Reid's The Belle of the Belfast City, winner of the George Devine Award in 1986, examines the tensions present in three generations of women in a Belfast-Protestant family during the week of an anti-Anglo-Irish rally. Sebastian Barry's The Steward of Christendom won the London Critics' Circle Award for Best Play 1995 and was heralded by the Guardian as 'an authentic masterpiece'. McDonagh's 1996 play The Cripple of Inishmaan is a strange comic tale in the great tradition of Irish storytelling. McDonagh was awarded the Evening Standard Award for Most Promising Playwright.

'There's more than one way to skin a theatrical cat; and McDonagh's chosen weapons are laughter and gore...Pushing theatre to its limits, McDonagh is making a serious point...a work as subversive as those Synge and O'Casey plays that sparked Dublin riots in the last century' Guardian 'A brave satire...Swiftianly savage and parodic...with explicit brutal actino and lines which sing with grace and wit' Observer Who knocked Mad Padraic's cat over on a lonely road on the island of Inishmore and was it an accident? He'll want to know when he gets back from a stint of torture and chip-shop bombing in Northern Ireland: he loves his cat more than life itself. The Lieutenant of Inishmore is a brilliant satire on terrorism, a powerful corrective to the beautification of violence in contemporary culture, and a hilarious farce. It premiered at the RSC's The Other Place, Stratford-upon-Avon, in May 2001. Commentary and notes by Patrick Lonergan

This Student Edition features expert and helpful annotation, including a scene-by-scene summary, a detailed commentary on the dramatic, social and political context, and on the themes, characters, language and structure of the play, as well a list of suggested reading and questions for further study and a review of performance history. The Lonesome West was first presented as a Druid Theatre company and Royal Court co-production in the summer of 1997, and is the final part of McDonagh's Leenane trilogy. This edition explores the play's substantial themes and textured controversy, which make it such a popular choice to study: the Catholic Church is exposed as irrelevant and powerless and the characters have a dangerously skewed sense of morality. The text is full of McDonagh's characteristic combination of farce, aggression and wit. The plot follows two brothers, Valene and Coleman, living alone in their father's house after his recent death. They find it impossible to exist without massive and violent disputes over the most mundane and innocent of topics.Only Father Welsh, the local young priest, is prepared to try to reconcile the two before their petty squabblings spiral into vicious and bloody carnage. Martin McDonagh is the most controversial Irish dramatist working today, with his explorations of Irish national identity which look at the darker side of provincial life. His bleak but blackly comic portrayal of modern, rural Ireland courts debate with its dark farce, caricatures of violence and barbarism and an exaggerated, poeticised dialect of Hiberno-English.

This Student Edition of Martin McDonagh's The Beauty Queen of Leenane features expert and helpful annotation, including a scene-by-scene summary, a detailed commentary on the dramatic, social and political context, and on the themes, characters, language and structure of the play, as well a list of suggested reading and questions for further study and a review of performance history.Set in the mountains of Connemara, County Galway, The Beauty Queen of Leenane tells the darkly comic tale of Maureen Folan, a plain and lonely spinster in her early forties, and Mag her devilishly manipulative ageing mother whose interference in Maureen's first and potentially last loving relationship sets in motion a train of events that is as gothically funny as it is horrific. Maureen might long for the romance that will spirit her away, but if she goes, who will stir the lumps out of Mag's Complan? The Beauty Queen of Leenane was first presented as a Druid Theatre/Royal Court Theatre co-production in January 1996. An instant classic from its first performance, The Beauty Queen of Leenane established Martin McDonagh as the natural successor to Oscar Wilde and Joe Orton. The Oscar and Bafta-winning writer's other films and plays include In Bruges and The Pillowman.

In 1934, the people of Inishmaan learn that the Hollywood director Robert Flaherty is coming to the neighbouring island to film his documentary Man of Aran. No one is more excited than Billy, an unloved and crippled boy whose chief occupation has been gazing at cows and yearning for a girl who wants no part of him. For Billy is determined to cross the sea and audition for the Yank. As news of his audacity ripples through his rumour-starved community, The Cripple of Inishmaan becomes a merciless portrayal of a world so comically cramped and mean-spirited that hope is an affront to its order. With this bleak yet uproariously funny play, Martin McDonagh fulfilled the promise of his award-winning The Beauty Queen of Leenane while confirming his place in a tradition that extends from Synge to O'Casey and Brendan Behan.