Martin Minchom – författare
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6 produkter
6 produkter
Inbunden, Engelska, 2019
2 402 kr
Skickas inom 10-15 vardagar
This book describes the established pattern of regional studies of colonial Spanish America with a study of the social history of colonial Quito rooted in the experience of its lower strata. It shows what the James Orton described as a colonial history "as lifeless as the history of Sahara".
Häftad, Engelska, 2021
661 kr
Skickas inom 10-15 vardagar
This book describes the established pattern of regional studies of colonial Spanish America with a study of the social history of colonial Quito rooted in the experience of its lower strata. It shows what the James Orton described as a colonial history "as lifeless as the history of Sahara".
E-bok
PDF, Engelska, 2019788 kr
Läs direkt efter köp
This book describes the established pattern of regional studies of colonial Spanish America with a study of the social history of colonial Quito rooted in the experience of its lower strata. It shows what the James Orton described as a colonial history "as lifeless as the history of Sahara".
E-bok
Engelska, 2019812 kr
Läs direkt efter köp
This book describes the established pattern of regional studies of colonial Spanish America with a study of the social history of colonial Quito rooted in the experience of its lower strata. It shows what the James Orton described as a colonial history "as lifeless as the history of Sahara".
Inbunden, Engelska, 2024
2 156 kr
Skickas inom 5-8 vardagar
This book examines coverage of the Spanish Civil War by the leading French and British newspapers, and agencies like Havas and Reuters. Their foundational reporting created a bedrock of ‘shared news’, which reverberated in places as geographically and ideologically remote as Moscow or Berlin.It focuses on how key events like the mass killings in Badajoz, the siege of the Alcázar of Toledo, the Battle of Madrid, and the bombing of Guernica broke as immensely impactful news stories. By returning to first news, we can view familiar events with fresh eyes. For example, reporting on the siege of the Alcázar was shaped by Republican control of Toledo and had little in common with later Nationalist triumphalism. Guernica is studied as a breaking news story, but also as the culmination of a series of destructive aerial bombardments, including Madrid and Basque towns, which all fed into Picasso’s masterpiece. This book charts the links and transitions between day-to-day reporting, journalistic reportage, and transformative mythmaking.Minchom utilizes a wide range of material from newspaper libraries, digital resources and extensive archival research. The author draws on his interviews and correspondence with Sir Geoffrey Cox (1910–2008), News Chronicle’s Madrid correspondent in November 1936.
Inbunden, Engelska, 2015
1 898 kr
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Spain's Martyred Cities studies international reactions to the Spanish Civil War between the Battle of Madrid in November 1936 and the bombing of Guernica in April 1937. Many of the iconic events of the war belong to this key period, when international perceptions of the conflict were decisively shaped. The subject is approached through French and British newspapers and pamphlets, and events are linked to both their immediate press coverage and subsequent literary and artistic representations. For contemporaries, the aerial bombardments of Madrid, Guernica and other cities formed part of a single unbroken narrative. It was only later that Guernica acquired its perceived symbolic primacy. The 'language of martyrdom' was sometimes evoked in pro-Republican writing as a means of challenging Francoist claims to the religious and moral high ground. But the ur-text was The Martyrdom of Madrid (1937), a compilation of the posthumous, censored reports of the French correspondent Louis Delaprée on the bombing of Madrid. Delaprée's earliest reporting (July-October 1936) was from both the Nationalist and Republican zones, and is used to provide an introductory overview of the early stages of the war; he was an eyewitness of the aerial bombardments of Madrid in November 1936; subsequently, the posthumous publication of his writings created a major stir in Paris. Delaprée's powerful and emotive writing provides a platform from which to discuss issues of press censorship and journalistic practice. It is notable for its initial impact, when publication in no less than five languages enabled it to reach writers as different as Virginia Woolf and André Malraux. This book shows that Delaprée's reports were also an important catalyst in Picasso's artistic involvement in the war, culminating in his Guernica. Published in association with the Canada Blanch Centre for Contemporary Spanish Studies