Martin Murphy - Böcker

Primarily focusing on the organization of production and labor use practices in the Caribbean's second largest sugar industry, this work's historical, macroeconomic, political, and sociocultural components depict the reality of today's Dominican sugar economy. The Dominican Republic has been radically altered by its internationally oriented sugar economy--its society and national culture transformed and its political, legal, and economic structures modified. This book describes the progressive replacement of national labor in the sugar industry by foreign workers. Comparing the three distinct sugar corporations, it concludes that all three exploited foreign labor. The study refutes modern slavery charges through social science theory and extensive field research. Depicting living and working conditions in the fields, it concludes that slavery charges are the result of superficial analyses of symbols. More in-depth analyses display one of the most extreme forms of superexploitation in the twentieth century.Addressing present-day labor utilization strategies in the Dominican Republic sugar plantation system, Martin Murphy focuses on three areas: the logic of production, foreign labor integration, and a comparative analysis of three corporations. His first two chapters provide an overview of the historic and contemporary Dominican sugar industry. Historical patterns of labor recruitment and use are then presented in Chapter 3. Chapter 4 describes the basic logic of production and use of various types of labor for the plantations of the 1980s. Murphy's last four chapters address the question of heavy reliance on Haitian labor: Chapter 5 provides a history of Haitian migration; Chapter 6 discusses factors of expulsion and attraction which condition present-day Haitian migration to Dominican fields; Chapters 7 and 8 conclude with questions of Haitian ethnicity and its relationship to production organization.

I remember the first time I met her. By her you know who I meanTired of her highly paid sales job, Rachel makes a move into social work only to find herself involved in a controversial case bringing her into the media’s unforgiving gaze. Villain tells the story of a woman who wants to make a difference, a tragedy of trying to help innocent victims but ending up looking like the villain.Villain premiered at the Edinburgh Fringe Festival 2016 to critical acclaim. This edition was published to coincide with the first revival at the King’s Head Theatre, London, in February 2017.

Performed as a one-woman show, Victim follows the power struggle between prison guard Tracey and criminal Siobhan as they come face-to-face with a notorious inmate. As they both muse on their lives outside the prison walls, we come to learn of their anxieties and their hardships as they confront the realities of prison life. Darkly comic and at times chilling, Victim is a thoughtful reflection on modern life and how easily it can be turned upside down.This edition was published to coincide with Bruised Sky's production at Pleasance Courtyard, Edinburgh, August 2017.

A complete account of my search for my father would take a lifetime to tell because that’s how long I’ve been looking.Spurs and Scotland star John White was one of the best footballers of the 1960s. However, in July 1964 he was struck by lightning and killed at 27 years-old. From humble beginnings growing up just outside Edinburgh, through to football fame and his tragic death, the play shares John's cheeky humour. It also follows the story of his son Rob White, who was just five months old when his dad died. The play shines a light on the mental health challenges both father and son face and the way we deal with grief and loss.Martin Murphy's The Ghost of White Hart Lane was originally produced by Bruised Sky Productions and supported by Tottenham Hotspur FC. It was commissioned by John White’s son Rob and follows on from his and Julie Welch’s Sunday Times bestselling biography The Ghost of White Hart Lane - 'In Search of My Father the Football Legend'.This edition was published to coincide with the world premiere at Tottenham Hotspur Stadium in July 2024 before the subsequent run at Edinburgh Fringe Festival at Underbelly in August 2024.