Originally published in 1983, Martin Stanton has written an intriguing and original guide to French styles of psychoanalysis. He describes the development of psychoanalytic technique and shows how it has transformed the contemporary French literary and philosophical thought and writing, as well as making inroads in the English-speaking cultural world. He argues that psychoanalysis has outgrown the individual setting and needs to evolve new methods of group work – in this respect, he believes, it has a special role to play in educational institutions.

The book examines the grounds on which analysis has evolved subversive and deconstructive strategies and created radical alternatives. It relates the ‘Lacan effect’ on the psychoanalytic movement to long-standing debates on patriarchy and authoritarianism, and considers, in a clinical section, variant diagnoses of paranoia and schizophrenia. It also discusses the future direction of psychoanalysis in the light of contemporary French research.

Originally published in 1983, Martin Stanton has written an intriguing and original guide to French styles of psychoanalysis. He describes the development of psychoanalytic technique and shows how it has transformed the contemporary French literary and philosophical thought and writing, as well as making inroads in the English-speaking cultural world. He argues that psychoanalysis has outgrown the individual setting and needs to evolve new methods of group work – in this respect, he believes, it has a special role to play in educational institutions.

The book examines the grounds on which analysis has evolved subversive and deconstructive strategies and created radical alternatives. It relates the ‘Lacan effect’ on the psychoanalytic movement to long-standing debates on patriarchy and authoritarianism, and considers, in a clinical section, variant diagnoses of paranoia and schizophrenia. It also discusses the future direction of psychoanalysis in the light of contemporary French research.

A literary masterpiece from world-renowned psychoanalyst and distinguished writer, Professor Martin Stanton that picks up the baton from R. D. Laing. Spanning a novel, travel-guide, documentary, self-help book, play, photo album, film script, and work of art, Making Sense is a cultural phenomenon – a long overdue wake-up call – railing at society’s idealisation and narcissism. Martin Stanton has created a guide for a postmodern world that is constructed through social media, and communicates principally through tweets, texts and selfies.

Like Homer’s Odyssey, this is an epoch-changing classic that takes a timely quantum leap from a cognitive world of straight-line argument and causal interpretation, into a parallel unconscious universe of uncontrolled feeling, which traps fragments of fantasy in the retreating tides of reality. Making Sense collects together a group of major and minor characters, some real, some imaginary, who set out to make sense of life together by opening the social media gate between Reality and Fantasy. A survey of Martin Stanton’s own thinking and feeling on his original psychoanalytic odyssey across becalmed seas, random conversations with a therapeutic parrot, stranded for a while with Socrates on the black sandy beach of Paradise, he explores how a bezoar stone, a caddis insect, and a karaoke moment can linger through his life, and make sense for him as a primary source; as unconscious effects which sustain, enlighten, and entertain him through darker times.

This book scrawls a message of hope in the sand once the outgoing tide has retreated. ‘Enjoy life’, it says. ‘Celebrate it in yourself and in others.’

A literary masterpiece from world-renowned psychoanalyst and distinguished writer, Professor Martin Stanton that picks up the baton from R. D. Laing. Spanning a novel, travel-guide, documentary, self-help book, play, photo album, film script, and work of art, Making Sense is a cultural phenomenon – a long overdue wake-up call – railing at society’s idealisation and narcissism. Martin Stanton has created a guide for a postmodern world that is constructed through social media, and communicates principally through tweets, texts and selfies.

Like Homer’s Odyssey, this is an epoch-changing classic that takes a timely quantum leap from a cognitive world of straight-line argument and causal interpretation, into a parallel unconscious universe of uncontrolled feeling, which traps fragments of fantasy in the retreating tides of reality. Making Sense collects together a group of major and minor characters, some real, some imaginary, who set out to make sense of life together by opening the social media gate between Reality and Fantasy. A survey of Martin Stanton’s own thinking and feeling on his original psychoanalytic odyssey across becalmed seas, random conversations with a therapeutic parrot, stranded for a while with Socrates on the black sandy beach of Paradise, he explores how a bezoar stone, a caddis insect, and a karaoke moment can linger through his life, and make sense for him as a primary source; as unconscious effects which sustain, enlighten, and entertain him through darker times.

This book scrawls a message of hope in the sand once the outgoing tide has retreated. ‘Enjoy life’, it says. ‘Celebrate it in yourself and in others.’

Originally published in 1983, Martin Stanton has written an intriguing and original guide to French styles of psychoanalysis. He describes the development of psychoanalytic technique and shows how it has transformed the contemporary French literary and philosophical thought and writing, as well as making inroads in the English-speaking cultural world. He argues that psychoanalysis has outgrown the individual setting and needs to evolve new methods of group work – in this respect, he believes, it has a special role to play in educational institutions.

The book examines the grounds on which analysis has evolved subversive and deconstructive strategies and created radical alternatives. It relates the ‘Lacan effect’ on the psychoanalytic movement to long-standing debates on patriarchy and authoritarianism, and considers, in a clinical section, variant diagnoses of paranoia and schizophrenia. It also discusses the future direction of psychoanalysis in the light of contemporary French research.

Originally published in 1983, Martin Stanton has written an intriguing and original guide to French styles of psychoanalysis. He describes the development of psychoanalytic technique and shows how it has transformed the contemporary French literary and philosophical thought and writing, as well as making inroads in the English-speaking cultural world. He argues that psychoanalysis has outgrown the individual setting and needs to evolve new methods of group work – in this respect, he believes, it has a special role to play in educational institutions.

The book examines the grounds on which analysis has evolved subversive and deconstructive strategies and created radical alternatives. It relates the ‘Lacan effect’ on the psychoanalytic movement to long-standing debates on patriarchy and authoritarianism, and considers, in a clinical section, variant diagnoses of paranoia and schizophrenia. It also discusses the future direction of psychoanalysis in the light of contemporary French research.

A literary masterpiece from world-renowned psychoanalyst and distinguished writer, Professor Martin Stanton that picks up the baton from R. D. Laing. Spanning a novel, travel-guide, documentary, self-help book, play, photo album, film script, and work of art, Making Sense is a cultural phenomenon – a long overdue wake-up call – railing at society’s idealisation and narcissism. Martin Stanton has created a guide for a postmodern world that is constructed through social media, and communicates principally through tweets, texts and selfies.

Like Homer’s Odyssey, this is an epoch-changing classic that takes a timely quantum leap from a cognitive world of straight-line argument and causal interpretation, into a parallel unconscious universe of uncontrolled feeling, which traps fragments of fantasy in the retreating tides of reality. Making Sense collects together a group of major and minor characters, some real, some imaginary, who set out to make sense of life together by opening the social media gate between Reality and Fantasy. A survey of Martin Stanton’s own thinking and feeling on his original psychoanalytic odyssey across becalmed seas, random conversations with a therapeutic parrot, stranded for a while with Socrates on the black sandy beach of Paradise, he explores how a bezoar stone, a caddis insect, and a karaoke moment can linger through his life, and make sense for him as a primary source; as unconscious effects which sustain, enlighten, and entertain him through darker times.

This book scrawls a message of hope in the sand once the outgoing tide has retreated. ‘Enjoy life’, it says. ‘Celebrate it in yourself and in others.’

A literary masterpiece from world-renowned psychoanalyst and distinguished writer, Professor Martin Stanton that picks up the baton from R. D. Laing. Spanning a novel, travel-guide, documentary, self-help book, play, photo album, film script, and work of art, Making Sense is a cultural phenomenon – a long overdue wake-up call – railing at society’s idealisation and narcissism. Martin Stanton has created a guide for a postmodern world that is constructed through social media, and communicates principally through tweets, texts and selfies.

Like Homer’s Odyssey, this is an epoch-changing classic that takes a timely quantum leap from a cognitive world of straight-line argument and causal interpretation, into a parallel unconscious universe of uncontrolled feeling, which traps fragments of fantasy in the retreating tides of reality. Making Sense collects together a group of major and minor characters, some real, some imaginary, who set out to make sense of life together by opening the social media gate between Reality and Fantasy. A survey of Martin Stanton’s own thinking and feeling on his original psychoanalytic odyssey across becalmed seas, random conversations with a therapeutic parrot, stranded for a while with Socrates on the black sandy beach of Paradise, he explores how a bezoar stone, a caddis insect, and a karaoke moment can linger through his life, and make sense for him as a primary source; as unconscious effects which sustain, enlighten, and entertain him through darker times.

This book scrawls a message of hope in the sand once the outgoing tide has retreated. ‘Enjoy life’, it says. ‘Celebrate it in yourself and in others.’