Martin Travers – författare

European Literature from Romanticism to Postmodernism provides for the first time an anthology in which the major representatives of the schools and movements of recent European literature explain the assumptions and practices that characterise their writing. Each chapter is devoted to one particular school or movement from within that broad body of literature, from romanticism, realism and modernism through to the literature of political enagement of the 1920's and 1930's, and the more recent initiative of postmodernism. The introductions to each chapter outline the key thematic and stylistic features of these movements, as well as the historical factors that helpes shape the broader direction of European literature at this time. The extracts have been taken from the major theoretical texts associated with these writers, from manifestos, essays, letters and other sources (often translated here for the first time). These texts are approached both on their own terms as formulations of the goals and procedures (literary, aesthetic and political) that characterised the work of individual writers, and as key documents of the literary scholls and movements to which they belonged.Martin Travers is Senior Lecturer in Literary Studies in the School of Humanities at Griffith University, Australia.He has published widely in the area of European literature.

Four Scottish teenagers. Two interlocking stories. One ideology tears them apart. Talented kickboxers and A-grade pupils Fatma and Britney have been best friends for ever. That is until now. Britney’s views about everything are changing dramatically. She’s getting drawn into the alt right online. When Fatma is sent something sinister through the post it triggers a series of decisions that will destroy their lives and their teacher’s life for ever. Britney’s brother Jordan is pals with Quinn. Quinn is proud to be right wing. That is until he falls deeply into its darkness and finds he’s in over his head with a blade in his pocket. All four teenagers lives are changed forever - engulfed in the fallout of when damaging influence leads to damaging actions.This is an unflinching exploration of how young people today are prey to a range of extreme ideologies and how helpless people in their real lives are to stop them imploding.The Kids Are Alt Right is a cautionary tale of how social media and YouTube content can lead to actions and consequences that can never be undone.

Winner of the Writers’ Guild Best Play for Young Audiences Award 2022We’re a punk band. A politically motivated Marxist punk band thit waants tae bring doun the rich by any means necessary!It’s 1978. Unemployment and violence darken every Glasgow close; Scotland have been knocked out of the World Cup; Grease is at the top of the charts and seminal Scottish punk band The Jaggy Nettles are imploding.The Jaggy Nettles will be reuniting on stage to perform brand new punk-inspired songs, keeping the spirit of ‘78 alive.Whatever Happened to the Jaggy Nettles? redefines young punks of the 1970s as naive, asexual, idealistic, poetic, wonderful and doomed. It is a play about empowerment and feeling the future is there to be changed; a story as relevant today as ever.This edition was published to coincide with the February 2020 run at Scottish Youth Theatre.

What money?! This ends when you end. This experiment is about the survival of the fittest. Nothing more – nothing less.Imprisoned in an abandoned warehouse, a desperate group of failing actors are trapped in a dark experiment. After months of endlessly rehearsing George Bernard Shaw’s Pygmalion with no director to guide them, some of the ensemble have disappeared leaving the others paranoid and subservient. Sleep-deprived and half-starved, their fragile social bonds shatter and implode as a stranger breaks in and incites them to rebel. This new dystopian thriller about a group of aspiring actors trapped in a dark social experiment is a collaboration from writers Martin Travers and Chloe Wyper. This edition was published to coincide with the run presented by the Citizens Theatre’s WAC Ensemble in April 2022.

Saicrets? Aye. We hae saicrets.Leadhills, August 1803. Dorothy Wordsworth seeks shelter in a humble lodging house and discovers something no outsider was ever meant to see.Accompanying her famous brother on a bracing tour of Scotland, she's eager to collect blood-curdling myths, legends and curiosities. The poisonous Grey Glen, where animals run mad and miners convulse, fascinates her as much as the progressive library they've travelled so far to visit.But as her landlady rants and the curfew bell tolls, Dorothy realises things beyond imagination are unburying themselves. If she listens closely, this place will give up its dark secrets. From Martin Travers, the award-winning writer of Scarfed for Life and The Kids are Alt Right, comes the magical and mysterious Secret Wrapped in Lead, an unmissable piece of Scots language theatre.This edition was published to coincide with the Braw Clan tour in July 2023.

Ye’r a jinx! Ye hae ayeweys buin a jinx. Pat in this earth tae wrack fowk’s lifes. March, 1924. In a rundown cottage near Crawfordjohn, a wedding dress hangs on the wall. Nancy's life is as cold as the Clyde in winter, but she knows she's going to be a star.Desperate to escape the poverty of her childhood, Nancy Gibbs dreams of being an actress. Her anxious, spiteful mother expects her to marry a farmer and take care of her family.Nancy lives for romance and imagination. She's plotting to get away. But her mother has secrets of her own and they're gathering like wolves. Braw Clan returns with another Scots language play after the success of Secret Wrapped in Lead, with So Long, Wee Moon by Martin Travers.This edition was published to coincide with the world premiere Scottish tour starting in September 2024.

Hit’s no the ayebidin damnation A’m wirried aboot. Hit’s the needle. Pittin hit intae ma airm. A micht be needin a haund tae dae hit.Lanark, June 1934. Despite her brutal upbringing, Rebecca McCrea has always believed in doing what’s right. Now everything is going wrong. As housekeeper of Castlepark, home of the wealthy Galbraith family, Rebeccahas learned to manage the whims of her employers. She cooks, cleans and tries to make peace between matriarch Jessie and her bitterly estranged son, Duncan. But when Clydesdale is gripped by a vicious heatwave and Jessie’s health suddenly declines, terrible secrets erupt - and even Rebecca has something to hide. The bleak future she’s worked so hard to escape is suddenly on the doorstep, and she must make an unthinkable choice. This edition was published to coincide with Braw Clan’s tour of Clydesdale in September 2025.

Nominated for ten UK book awards, Theresa Breslin's hit novel tells of how two young boys - one Rangers fan, one Celtic fan - are drawn into a secret pact to help a young asylum seeker in a city divided by prejudice. Now adapted for the stage by Martin Travers, the play has already been produced to great acclaim at Glasgow's Citizens Theatre.Graham and Joe just want to play football and be selected for the new city team, but a violent attack on Kyoul, an asylum seeker, changes everything when they find themselves drawn into a secret pact to help the victim and his girlfriend Leanne. Set in Glasgow at the time of the Orange Order walks, Divided City is a gripping tale about two boys and how they must find their own way forward in a world divided by difference.This educational edition has been prepared by national Drama in Secondary English experts Ruth Moore and Paul Bunyan. Published in Methuen Drama's Critical Scripts series the book:- meets the curriculum requirements for English at KS3, GCSE and Scottish CfE.- features detailed, structured schemes of work utilising drama approaches to improve literary and language analysis - places pupils' understanding of the learning process at the heart of the activities - will help pupils to boost English GCSE success and develop high-level skills at KS3 - will save teachers considerable time devising their own resources.

A modern parable set against the backdrop of the first Old Firm clash of the season. Funny, hard-hitting and thought-provoking, the second edition of Scarfed for Life tells the story of two teenage friends caught in the crossfire of polite suburban prejudice and garden equipment. Ideal for secondary school students, the play draws on what sectarianism and prejudice actually mean to young Glaswegians, and how it affects them and their peers. Scarfed for Life is a hard-hitting play based on the experiences of discrimination and prejudice among the young people of Glasgow.The play toured secondary schools in Scotland in 2011 and Scottish prisons in 2013. The language in this edition has been revised specifically with school-age students in mind, and is an ideal, issue-led play for students 14+.

A new translation of Rilke's great work with close readings of each of the ten elegies elucidating how their poetic attributes constitute their meaning.Rilke continues to be the most read and discussed German poet of the modern period. The Duino Elegies, together with the Sonnets to Orpheus, remain his greatest achievement. The themes of the ten elegies - and the conceptual world unique to Rilke from which they emerge - can best be understood through their poetic form: their imagery and neologistic formations, their angular syntax, their abrupt changes of tone and linguistic register, their use of multiple personae and speaking voices, and the often-ironic self-presentation of the author. Commentators, however, have often treated these features as mere formal devices that we can somehow see through to get to what really matters, that is, to what Rilke has to say about the human condition or the meaning of life, to his philosophy or worldview. On the contrary, they are constitutive of meaning in the elegies, and understanding them is crucial to our experience of reading Rilke's work. The purpose of this book is to make such features visible and to explain them to the reader as clearly as possible. This is the first full-length book in English devoted to the elegies in over thirty years. It offers an entirely new translation of each elegy, paired with the original German text, and a close reading of each.

Martin Heidegger was engaged in a continual struggle to find words – new words, both descriptive and analytical – for his radical form of philosophy. This tendency can be traced from Being and Time, where he elaborated an entirely new vocabulary for his ontological enquiry; to Contributions to Philosophy, which saw him committed to a transformation of language; to later essays on poets such as Rilke and Trakl in On the Way to Language. The Writing of Aletheia is the first study to appear in either English or German that provides a full account of Heidegger’s language and writing style. Focusing not only on his major philsophical works but also on his lectures, public talks and poetry, this book explores the complex textuality of Heidegger’s writing: the elaborate chains of wordplay and neologistic formations; the often oblique, circuitous and regressive exposition of his ideas; the infamous tautologies; the startling modification of grammatical rules and syntax; the idiosyncratic typography of his texts; the rhetorical devices, imagery and symbolism; and the tone and voice of his writing. All of these aspects betray not only his will to structure and his assertiveness but also his ongoing self-questioning and reflectiveness about the ultimate goal of his philosophical quest.

The Hour That Breaks is the first biography of Gottfried Benn to appear in English. The author of this study charts in impressive detail the complex paths of Benn’s life, through the demands of his medical practice and military involvement in two world wars, his brief political advocacy of Hitler and Nazism in 1933, to his final «comeback» in post Second World War Germany. The author also engages with Benn’s extensive body of poetry which, inventive, challenging and formally wrought, was the product of mind that was both radical and conservative. The same propensity to invention and transformation also informed Benn’s personal and professional life, giving rise to a practice of role-playing and dissimulation that the poet termed a «double life». As Travers shows in this well-written and informative biography, this was a strategy of survival of which Benn, ultimately, was as much the victim as the master. This biography also offers fresh translations of many of Benn’s poems, a number of which appear here in English for the first time.