Martin West – författare

Montaigne Medal Finalist (Eric Hoffer Awards) The stories in Cretacea and Other Stories from the Badlands mostly take place in hot weather, where dust and sweat envelop everyone and everything. A teenage boy spends a summer with his hard-livin', hard-drinkin', messed up uncle and has to fight for a position in his new, temporary "family." A recent widower gets swept up in the world of the local swingers' scene. A band of misfits struggles to survive at a makeshift commune. An eccentric woman with OCD has a strange fetish that involves the prescription delivery boy. For no particular reason, a fossil-collecting, poetry-reading loner decides to turn sniper and shoot up the town - selecting only non-human targets. Asphyxia games with a sexy transvestite go seriously awry. A distraught man enlists his friendly neighbour in a nighttime river search for his lost daughter. Bored and desperate couples in a trailer park find unique ways to work out their kinks. The plans of a primed-for-action threesome are suddenly derailed when a badly beaten dog is spotted tied up to a parking meter. Fossils and prehistoric sleeping creatures, cattle, rivers, dusty highway gas stations, truck stop diners, guys in small towns with dead-end jobs and unfulfilled dreams, the smell of sage and the sound of cicadas in the air, and redemption is nowhere to be found ... This is not the Alberta world of oil and hockey and wheat, but of people at night, living alternate lives, wearing clothes that usually remain hidden in the depths of closets. When they emerge from these closets wearing these clothes, these shopkeepers, lawyers, and students do things to themselves and each other that it would take Freud to explicate. Everywhere in the valley lies the fear of loneliness, the obsession with desire, and the human fixation with the unknown. Praise for Cretacea & Other Stories from the Badlands: "[I]n Martin West's impressive debut short story collection ... readers will encounter echoes of Flannery O'Connor and Barry Hannah."(Foreword Magazine) "the 11 tales in Martin West's debut collection ... often surprise with strange, startling images." (Alberta Views)

Long Ride Yellow is the debut novel from two-time Journey Prize Finalist Martin West. The novel explores the limits of sexual desire and willfully prods the veil at the edge of reality. Nonni is a dominatrix who likes to push the boundaries; she is also easily bored. Her disdain for all that is conventional and "vanilla" launches her on a journey of personal discovery: first via the local swingers' scene, then through the world of clandestine S&M clubs, and on to more adventurous and dangerous "private" diversions. She eventually pushes the envelope so far that she attracts the attention of alien beings she refers to only as the "Woodenheads." They do strange things to her, alchemic things, as she is slowly transformed into wood and steel and electricity. You won't soon forget Nonni; she won't let you. Praise for Cretacea and Other Stories from the Badlands: "[I]n Martin West's impressive debut short story collection ... readers will encounter echoes of Flannery O'Connor and Barry Hannah." (Foreword Magazine) "the 11 tales in Martin West's debut collection ... often surprise with strange, startling images." (Alberta Views)

This is the first modern comprehensive account of the syntax of Old Avestan, the earliest known form of Iranian language, attested in the Gathas of Zarathushtra and the Liturgy in Seven Chapters. It is based on the most up-to-date understanding of the texts, while following traditional principles of grammatical analysis. There are also substantial sections on word order, stylistics, and figures of speech. Translations are provided for almost all passages quoted. The work will be welcomed by Iranianists as well as by historical linguists with wider Indo-European interests.

This is the first modern comprehensive account of the syntax of Old Avestan, the earliest known form of Iranian language, attested in the Gathas of Zarathushtra and the Liturgy in Seven Chapters. It is based on the most up-to-date understanding of the texts, while following traditional principles of grammatical analysis. There are also substantial sections on word order, stylistics, and figures of speech. Translations are provided for almost all passages quoted. The work will be welcomed by Iranianists as well as by historical linguists with wider Indo-European interests.