Martin White – författare

Renaissance Drama in Action is a fascinating exploration of Renaissance theatre practice and staging. Covering questions of contemporary playhouse design, verse and language, staging and rehearsal practices, and acting styles, Martin White relates the characteristics of Renaissance theatre to the issues involved in staging the plays today.This refreshingly accessible volume:* examines the history of the plays on the English stage from the seventeenth century to the present day* explores questions arising from reconstructions, with particular reference to the new Globe Theatre* includes interviews with, and draws on the work and experience of modern theatre practitioners including Harriet Walter, Matthew Warchus, Trevor Nunn, Stephen Jeffreys, Adrian Noble and Helen Mirren* includes discussions of familiar plays such as The Duchess of Malfi and 'Tis Pity She's A Whore, as well as many lesser known play-textsRenaissance Drama in Action offers undergraduates and A-level students an invaluable guide to the characteristics of Elizabethan and Jacobean drama, and its relationship to contemporary theatre and staging.

Renaissance Drama in Action is a fascinating exploration of Renaissance theatre practice and staging. Covering questions of contemporary playhouse design, verse and language, staging and rehearsal practices, and acting styles, Martin White relates the characteristics of Renaissance theatre to the issues involved in staging the plays today.This refreshingly accessible volume:* examines the history of the plays on the English stage from the seventeenth century to the present day* explores questions arising from reconstructions, with particular reference to the new Globe Theatre* includes interviews with, and draws on the work and experience of modern theatre practitioners including Harriet Walter, Matthew Warchus, Trevor Nunn, Stephen Jeffreys, Adrian Noble and Helen Mirren* includes discussions of familiar plays such as The Duchess of Malfi and 'Tis Pity She's A Whore, as well as many lesser known play-textsRenaissance Drama in Action offers undergraduates and A-level students an invaluable guide to the characteristics of Elizabethan and Jacobean drama, and its relationship to contemporary theatre and staging.

This 'lamentable and true tragedy', as it is announced on its title page, dramatises a domestic murder of the sort that nowadays scandalises and thrills the readers of tabloid newspapers. Although the title advertises 'the great malice and dissimulation of a wicked woman' and her 'unsatiable desire of filthie lust', the unknown playwright with great dramatic skill and psychological insight manages to balance the motivations of all the main characters. Thomas Arden, one of the rapacious landlords so reviled in mid-Elizabethan social drama, was murdered at his own house in Faversham, Kent, in 1551. His murderers, it turned out, had been hired by his wife Alice, thrall to Mosby, who hoped to rise socially by marrying a rich widow. As the introduction to this edition shows, sexual and material covetousness is the central theme running through the play, which is commonly rated 'unquestionably the best of all Elizabethan domestic tragedies'.

Philip Massinger’s tragedy The Roman Actor, was first performed in 1626, as King James I’s reign came to an end and his son Charles I acceded to the throne. Three years later, when the play was published, relations between the king and many in parliament and the country had worsened. The Roman Actor – until recently neglected in the theatre but regarded by many critics, and Massinger himself, as his finest play – explores the balance between private and public moralities, effectively condemns tyranny, and defends plays, anatomising both the theatre of power and the power of theatre. This new Revels Plays volume provides a modernised text, with a thorough introduction that sets out Massinger’s intervention in the political tensions of his own time and examines his clear-eyed portrayal of the pleasures and perils of performance. It also includes a detailed commentary on the play designed to be of value to students, specialist readers and performers, and an appendix discussing the play’s textual history. The edition focuses on the play’s theatrical life in its own time and ours and, in addition to a detailed stage history, includes an interview with Sir Antony Sher, who played the role of the tyrannical Roman emperor, Domitian, in the Royal Shakespeare Company’s acclaimed production in 2002.

John Ford's tragedy, first printed in 1633, is the first major English play to take as its theme a subject still rarely handled: fulfilled incest between brother and sister. This Revels Plays edition is a scholarly, modern-spelling edition of one of the most studied and performed of all plays of the period. White’s critical introduction explores the textual and theatrical histories of the play, exploring closely its relationship to the particular stage and audience for which it was written. This Revels edition allows the modern reader to become, in Ford’s words, an ‘actor that but reads’.

This introductory guide to one Shakespeare's most read and performed plays offers a scene-by-scene theatrically aware commentary, a brief history of the text and first performances, case studies of key performances and productions, a survey of film and TV adaptations, and a wide sampling of critical opinion and annotated further reading.

This introductory guide to one Shakespeare's most read and performed plays offers a scene-by-scene theatrically aware commentary, a brief history of the text and first performances, case studies of key performances and productions, a survey of film and TV adaptations, and a wide sampling of critical opinion and annotated further reading.

John Ford's tragedy, first printed in 1633, is the first major English play to take as its theme a subject still rarely handled: fulfilled incest between brother and sister. This Revels Plays edition is a scholarly, modern-spelling edition of one of the most studied and performed of all plays of the period. White’s critical introduction explores the textual and theatrical histories of the play, exploring closely its relationship to the particular stage and audience for which it was written. This Revels edition allows the modern reader to become, in Ford’s words, an ‘actor that but reads’.

Enterprise search engines locate information from internal servers and external information services and provide solutions for all organisations (including not-for-profit). This unique book is designed to help organizations to understand, specify and implement desktop, website, intranet and enterprise search applications, focusing on the practical aspects, rather than the theory of information retrieval. It will enable you to understand the benefits and issues with each solution whether from the traditional high-end range or the newer plug-and-play solutions. The book covers:the technology of searchingdefining search requirementsusability of the search interfacedeveloping the business caseselecting a search engineimplementing a search engine. Readership: If you are responsible for implementing your organization's internal search strategy this book will give you crucial guidance to be found nowhere else. It also provides essential awareness of the issues for all those on information science courses around the world.

This is the first book to offer practical advice on intranet management, based on the work of the author as an intranet consultant over the past fifteen years. Key areas include:managing intranets: opportunities and challengesdefining user requirementsmaking a business casedeveloping a content strategyenhancing collaborationmanaging technologyspecifying and selecting softwareusing Microsoft SharePoint for intranetsoperational planningestablishing the intranet teammanaging intranet projectsevaluating risksenhancing the user experiencemarketing the intranetmeasuring user satisfactioncreating the governance frameworkwriting an intranet strategyintranets and information management. An appendix offers guidelines for social media use. Readership: Information professionals involved in the development of an intranet for their organization, managers with responsibility for internal communications, personal management, risk management, information management and information technology.

All chapters address challenges related to characterizing the behaviour of non-ideal fluids, where state-of-the-art models are used to predict the thermo-physical properties of both pure and multi-phase fluids.

All chapters address challenges related to characterizing the behaviour of non-ideal fluids, where state-of-the-art models are used to predict the thermo-physical properties of both pure and multi-phase fluids.

This book presents a collection of key contributions from the fifth edition of the NICFD conference, organized by the ERCOFTAC Special Interest Group on Non-Ideal Compressible Fluid Dynamics (SIG-49). The book is intended to provide insight on the latest research findings in the field of NICFD that are relevant to a number of engineering applications related to the conversion of renewable and waste energy sources, like, e.g., organic Rankine cycles, super-critical CO2 cycle power plants, combustors operating with supercritical fluids, and heat-pumps. The various chapters of the book document research encompassing theoretical, computational, and experimental aspects of the gas-dynamics of non-ideal reactive and non-reactive flows and their impact for the design of internal-flow components (turbomachinery, heat exchangers, combustors). Since the accurate calculation of fluid thermo- physical properties is of great concern in NICFD, all the chapters address this problem by describing state-of-the-art models for the characterization of the properties of pure fluids and mixtures.