Mary-Ann Constantine – författare

This book takes a radical approach to the study of traditional songs. Folk song scholarship was originally obsessed with notions of completeness and narrative coherence; even now long narratives hold a privileged place in most folk song canons. Yet field notebooks and recordings (and, increasingly, publications) overwhelmingly suggest that apparently 'broken' and drastically shortened versions are not perceived as incomplete by those who sing them. Dealing with a wide range of traditions and languages, this study turns the focus on these 'dog-ends' of oral tradition, and looks closely at how very short texts convey meaning in performance by working the audience's knowledge of a highly allusive idiom. What emerges is the tenacity of meaning in the connotative and metaphorical language of traditional song, and the extraordinary adaptability of songs in different cultural contexts. Such pieces have a strong metonymic force: they should not be seen as residual 'last leaves' of a once-complete tradition, but as dynamic elements in the process of oral transmission.Not all song fragments remain in their natural environment, and this book also explores relocations and dislocations as songs are adapted to new contexts: a ballad of love and death is used to count pins in lace-making, song-snippets trail subversive meanings in the novels of Charles Dickens. Because they are variable and elusive to dating, songs have had little attention from the literary establishment: the authors show both how certain critical approaches can be fruitfully applied to song texts, and how concepts from studies in oral traditions prefigure aspects of contemporary critical theory. Like the songs themselves, this book crosses and recrosses the perceived divide between the literary and the oral. Coverage includes English, Welsh, Breton, American, and Finnish songs.

This is a vivid introduction, by two of the foremost scholars in the field, to one of the most fascinating and little-known song traditions in Europe, the Breton gwerz, or ballad. These narrative songs, collected in Western Brittany from the 19th century to the present day, recount a wealth of stories based on tragic local events or legends. They tell of shipwrecks, abductions, accidents and murders, miraculous rescues, penitent souls, and strange journeys. Quite unlike songs from the neighbouring French tradition, and distinct from anything else in the other Celtic languages, these ballads unfold in clear, spare verses, filled with striking imagery: they are often highly dramatic in nature.Historians of popular culture will find much to explore here, as will medievalists interested in tracing themes and legends across different European cultures, or linguists looking for rare material in Breton. But the gwerziou speak to readers and listeners of all kinds, with stories of violence, love, and grief that touch us directly today. This generous selection of songs is presented here for the first time in the original Breton with English translations and musical notation; an accompanying CD showcases some of the most famous Breton traditional singers. A comprehensive introductory essay offers insights into the history of ballad collection in Brittany, the nature of the songs, and the contexts in which they have been performed.

Curious Travellers: Writing the Welsh Tour, 1760-1820 provides the first extensive literary study of British tours of Wales in the Romantic period (c.1760-1820). It examines writers' responses to Welsh landscapes and communities at a time of drastic economic, environmental, and political change. Opening with an overview of Welsh tours up to the early 1700s, Mary-Ann Constantine shows how the intensely intertextual nature of the genre imbued particular sites and locations with meaning. She next draws upon a range of manuscript and published sources to trace a circular tour of the country, unpicking moments of cultural entanglement and revealing how travel-writing shaped understanding of Wales and Welshness within the wider British polity. Wales became a popular destination for visitors following the publication of Thomas Pennant's Tours in Wales in the late 1770s. Hundreds of travel-accounts from the period are extant, yet few (particularly those by women) have been studied in depth. Wales proves, in these narratives, as much a place of disturbance as a picturesque haven--a potent mixture of medieval past and industrial present, exposed down its west coast to the threat of invasion during the Napoleonic Wars. From castles to copper-mines, Constantine explores the full potential of tour writing as an idiosyncratic genre at the interface of literature and history, arguing for its vital importance to broader cultural and environmental studies.

During Iolo Morganwg's lifetime Britain was obsessed with literary forgery. This book reveals the unexpected connections and hidden influences behind Britain's most successful (and hence, perhaps, least visible) Romantic forger. It explores Iolo's own strongly-held ideas about the Truth-historical, literary and religious.

The late eighteenth century was one of the most exciting and unsettling periods in European history, with the shock-waves of the French Revolution rippling around the world. As this collection of essays by leading scholars shows, Wales was no exception. From political pamphlets to a Denbighshire folk-play, from bardic poetry to the remodelling of the Welsh landscape itself, responses to the revolutionary ferment of ideas took many forms. We see how Welsh poets and preachers negotiated complex London - Wales networks of patronage and even more complex issues of national and cultural loyalty; and how the landscape itself is reimagined in fiction, remodelled a la Rousseau, while it rapidly emptied as impoverished farming families emigrated to the New World. Drawing on a wealth of vibrant material in both Welsh and English, much of it unpublished, this collection marks another important contribution to 'four nations' criticism, and offers new insights into the tensions and flashpoints of Romantic-period Wales.

Drawing on the age-old appeal of folklore (and a good ghost story), this new collection of short fiction is centred around the act of collecting and recovering the past. As the rich, haunting stories unfold, there are dangerous obsessions with iconic, sacrosanct objects, and puzzling and poignant conversations with the other side.Then, in the central novella 'The Collectors', two doctors and a folklorist meet in northern Brittany in 1898, determined to prove that the scourge of leprosy still exists. But their search soon draws them into a dark, watchful landscape where superstition is rife."A considerable achievement."Stevie Davies, New Welsh Review on The BreathingMary-Ann Constantine is a research fellow at Aberystwyth, specialising in Welsh and Breton Romanticism. Her short stories have appeared over a number of years in the New Welsh Review and Planet, and her first collection, The Breathing, was published by Planet in 2008.

‘Weaving together science, history, antiquarianism and art, this stimulating collection of essays amply demonstrates Thomas Pennant’s centrality to a broad range of British Enlightenment debates and discourses, especially those relating to Britain’s so-called “Celtic Fringe”. At the same time, it underscores the epistemological importance of travel and travel writing in the late eighteenth century.’—Carl Thompson, Senior Lecturer in English, St Mary’s University, UK

‘Weaving together science, history, antiquarianism and art, this stimulating collection of essays amply demonstrates Thomas Pennant’s centrality to a broad range of British Enlightenment debates and discourses, especially those relating to Britain’s so-called “Celtic Fringe”. At the same time, it underscores the epistemological importance of travel and travel writing in the late eighteenth century.’—Carl Thompson, Senior Lecturer in English, St Mary’s University, UK