Mary Ann Gillies – författare

This engaging textbook provides a critical assessment of British modernist literature produced between 1900 and 1945.Each chapter focuses on a single decade, a distinct genre and a specific theme: the 1900s - the short story - gender and sexuality; the 1910s - poetry - war, technology and propaganda; the 1920s - the novel - new modes of literary expression; the 1930s - the documentary - political engagement. A final chapter covers the 1940s and beyond looking at new literary and artistic movements and ‘other’ modernisms. Covering canonical texts and lesser-known works, Modernist Literature introduces students to current debates in Modernism and a range of literature in its historical and aesthetic contexts.Features:*Examines four distinct genres - the short story, poetry, novel and documentary - decade-by-decade.*Combines close readings with cultural and political analyses of British modernism.*Includes a Chronology and Further Readings with each chapter.

Focusing on the work of T.E. Hulme, the Men of 1914, the Bloomsbury Group, T.S. Eliot, and John Middleton Murry, Gillies convincingly demonstrates that Bergson's theories underlie the literary aesthetics of the period that forms the intellectual basis of modern literature. She then turns her critical eye to five major modernist writers - T.S. Eliot, Virginia Woolf, James Joyce, Dorothy Richardson, and Joseph Conrad - and provides insightful and detailed Bergsonian readings of their major works. Drawing on material not previously available, Gillies persuasively argues that Bergson was a major intellectual force in British literature during the first thirty years of the twentieth century.

The Pacific Rim is a geographical region made up of all areas bordered by the Pacific Ocean, its span reaching countries as diverse as the Canada, Korea, China, Mexico, and Australia. Tracing vectors of appropriation, migration, and exchange, Pacific Rim Modernisms explores the complex ways that writers, artists, and intellectuals of the Pacific Rim have contributed to modernist culture, literature, and identity.Appropriately, given their wide geographical and temporal sweep, the fourteen essays gathered in this volume reflect a range of scholarly perspectives and methodologies, expressing varied viewpoints, divergent voices, and even contradictory definitions of Modernism itself. By placing geographical rather than political boundaries at the centre of academic inquiry, Pacific Rim Modernisms seeks not only to redraw old boundaries but to open up the modernist landscape to new mappings and new debates.