Mary C. Foltz – författare

Contributions by Suzanne M. Edwards, Mary C. Foltz, Randi K. Gill-Sadler, Lauren Gilmore, Mahaliah Ayana Little, Michelle Loris, Maxine Lavon Montgomery, Kiana T. Murphy, Jennifer O’Reilly, Isaiah Frost Rivera, Elizabeth Rivlin, Annie Strausa, and Jennifer D. Williams Although she is best known through her published novels, acclaimed author Gloria Naylor (1950–2016) also worked behind the scenes as an archivist, curating an expansive record of the cultural, professional, and personal influences relevant to her literary production. She preserved drafts of works-in-progress, research materials, correspondence with fans and literary luminaries, travel itineraries, journal entries, photographs, newspaper clippings, and ephemera. The Gloria Naylor Archive (GNA) was founded in 2009 when Gloria Naylor donated her collected papers to Sacred Heart University. It offers rich insights into her writing process, the intellectual histories with which she was in dialogue, and late twentieth-century global literary networks that inspired her creative production. Gloria Naylor in the Archives examines how the archival sensibility in her novels connects with her own complementary curatorial praxis. Together, the essays in this volume position Naylor’s archival praxis as an integral part of her creative vision, important to understanding her interventions into twentieth-century intellectual and literary history. Connecting archival materials to her published novels, Gloria Naylor in the Archives excavates Naylor’s multifaceted strategies of historical recovery in her fiction and her private papers, exploring the varied ways in which they counter the erasure, silence, and misrepresentation of Black communities within institutional, state, and academic archives. In conversation with Naylor’s own record-keeping practices, her novels highlight the importance of archives developed, kept, and preserved by Black women in the service of emancipation.

Contemporary American Literature and Excremental Culture: American Sh*t analyzes post-1960 scatological novels that utilize representations of human waste to address pressing issues, including pollution of waterways, environmental racism, and militarism. Primarily examining postmodern parody, the book shows the value of aesthetic renderings of sanitary engineering for composting ideologies that fuel a ruinous impact on the world. Drawing on late twentieth-century psychoanalytic thinkers Norman O. Brown, Frantz Fanon, and Leo Bersani, American Sh*t shows the continued relevance of psychoanalytic interpretations of contemporary fiction for understanding post-45 authors’ engagement with waste. Ultimately, the monograph reveals how novelists Ishmael Reed, Jonathan Franzen, Gloria Naylor, Don DeLillo, and Samuel R. Delany critique subjects who abnegate their status as waste-producing beings and bring readers back to embraceWinner of the 2019 Northeast Modern Language Association Book Award for Literary Criticism of English Language Literature