Mary Clearman Blew – författare

Mary Clearman Blew’s education began at home, on a remote cattle ranch in Montana. She graduated to a one-room rural school, then escaped, via scholarship, to the University of Montana, where, still in her teens, she met and married her first husband. This Is Not the Ivy League is her account of what it was to be that girl, and then that woman-pressured by husband and parents to be the conventional wife of the 1950s, persisting in her pursuit of an education, trailed by a reluctant husband and small children through graduate school, and finally entering the job market with a PhD in English only to find a whole new set of pressures and prejudices.   This memoir is Blew’s behind-the-scenes account of pursuing a career at a time when a woman’s place in the world was supposed to have limits. It is a story of both the narrowing perspective of the social norm and the ever-expanding possibilities of a woman who refuses to be told what she can and cannot be.

The departed men in her life still have plenty to say to Corey. Her father, a legendary rodeo cowboy who punctuated his lifelong pronouncements with a bullet to his head, may be the loudest. But in this story of Montana—a story in which the old West meets the new and tradition has its way with just about everyone—it is Corey's voice we listen to. In this tour-de-force of voices big and small, sure and faltering, hers comes across resonant and clear, directing us to the heart of the matter. Played out against the mythology of the Old West—a powerful amalgam of ranching history, Marlboro Men, and train robbery reenactments—the story of the newly orphaned, spinsterish Corey is a sometimes comical, sometimes poignant tale of coming-of-age a little late. As she tries to recapture an old dream of becoming a painter—of preserving some modicum of true art amid the virtual reality of modern Montana—Corey finds herself figuring in other dramas as well, other, younger lives already at least as lost as her own.

Mary Clearman Blew’s education began at home, on a remote cattle ranch in Montana. She graduated to a one-room rural school, then escaped, via scholarship, to the University of Montana, where, still in her teens, she met and married her first husband. This Is Not the Ivy League is her account of what it was to be that girl, and then that woman-pressured by husband and parents to be the conventional wife of the 1950s, persisting in her pursuit of an education, trailed by a reluctant husband and small children through graduate school, and finally entering the job market with a PhD in English only to find a whole new set of pressures and prejudices.   This memoir is Blew’s behind-the-scenes account of pursuing a career at a time when a woman’s place in the world was supposed to have limits. It is a story of both the narrowing perspective of the social norm and the ever-expanding possibilities of a woman who refuses to be told what she can and cannot be.

Lost for almost half a century and never before published, When Montana and I Were Young is a remarkable primary account of a child's life in the early part of the twentieth century. Margaret Bell (1888–1982) was a rancher and horse breaker whose memoir tells the story of a frontier childhood on the high plains of Montana and Canada. Hers was not a typical childhood. Bell was barely seven when her mother died, and her stepfather, Hedge Wolfe, moved Bell and her three younger half-sisters far from their nurturing grandmother to the Canadian plains and a life of extreme poverty, hardship, and abuse.

In language reminiscent of the wild beauty of Big Sky Country, Mary Clearman Blew gives us a glimpse into the lives of her family as she traces their connection to Montana's natural and human landscape. Beginning with her great-grandparents' arrival in 1882 in Montana--still a territory then--Blew relates the stories that make up her life.

Melding past and present into a moving narrative, Mary Clearman Blew imaginatively recreates the dry, dusty, sparsely populated Montana of the early homesteaders and of her aunt Imogene's young womanhood. Striving to understand why her aunt chose a life alone, away from the ranch where she grew up, Blew evokes the rigors of her own growing-up years. We witness her yearnings for independence and escape; her own choices regarding marriage, divorce, and single parenthood; and the poignant reconnection with her daughter. A rich and unforgettable blend of intimate reflection, diaries, history, and local legend, Balsamroot reveals one of our top writers at her most personal and compelling.

The short fiction of Mary Clearman Blew, set in Montana, reflects the brutality of the region as seen in the mountains, the severe weather, and the personal hardships of the people living there. In each of these seven stories, the characters, driven to hurt or be hurt, reflect a range of violence--in their interaction with each other, their relationships with animals, or the effect the harsh environment has on their lives. Whether the turmoil is external (the snowstorm in ""Lambing Out"") or internal (the sisters' memories in ""Paths unto the Dead""), its toll on the person touched is clear and sharp. The result is an acceptance of--even a love for--the cruelty of the harsh environment.

Fire has always gripped our imaginations. To quote Mary Clearman Blew, ""It warms us, frightens us, and entertains us."" In Forged in Fire, Blew and coeditor Phil Druker have assembled twenty gifted writers who explore the element from various perspectives.Living as they do in a state that nearly every summer faces the threat and challenges of wildfire, Idaho writers are exceptionally well equipped to recount firsthand experiences. Featuring essays by both established and novice writers and including two prize-winning stories, Forged in Fire covers topics from escaping forest fires and smoke jumping, to fighting house fires and making campfires. The authors deal with human responses to fire - fear, courage, sadness - and the environmental response of regeneration. As Americans grapple increasingly with the proliferation of forest fires and the environmental consequences, this collection has an especially timely resonance.""These dramatic, self-reflective, and descriptive essays represent new understandings of fire and fire awareness in the American West."" - Andrew Gulliford, author of Sacred Objects and Sacred Places: Preserving Tribal TraditionsMary Clearman Blew is the author of Writing Her Own Life: ImogeneWelch, Western Rural Schoolteacher. She resides in Moscow, Idaho. Phil Druker writes for general audiences in natural history, natural-resource management, earth science, and geology. He resides in Moscow, Idaho.This book sponsored by the Idaho Humanities Council

Music, whether a Debussy Étude or Gram Parsons’s “Hickory Wind,” has been a constant in Ruby Gervais’s life. After Ruby helps fuel a paranoid fervor that spreads like wildfire throughout her rural Montana community, her home life deteriorates. As a sixteen-year-old high school dropout busing tables at the local bar two nights a week, her prospects are uncertain. So when, after her shift one night, the Idaho Rivermen invite her to join their band and head toward fame and fortune, Ruby doesn’t think twice.In Ruby Dreams of Janis Joplin Mary Clearman Blew deftly braids together memories of the past with the present, when the Rivermen have imploded and a severely bruised and disillusioned Ruby returns to her hometown to find everything she ran away from waiting for her. In lyrical yet muscular prose, Blew explores women dealing with the isolation of small towns, the enduring damage done when a community turns against itself, the lasting effects of abuse on the vulnerable, and our capacity to confront the past and heal. Throughout, Ruby Dreams of Janis Joplin is underscored by the music that forms inextricable bonds between Blew’s fascinating characters.

2020 Spur Award Finalist from Western Writers of AmericaDiana Karnov came to Versailles to uncover secrets. Teaching college history in remote northern Montana offers the opportunity to put distance between herself and her overbearing great-aunts and to uncover information about her parents, especially the father she can’t even remember.At first overwhelmed by the brutal winter, Diana throws herself into exploring mysteries her aunts refuse to explain. Eventually, she befriends several locals, including a student, Cheryl Le Tellier, and her brother, Jake. As Diana’s relationship with Jake deepens, he discusses his MÉtis heritage and culture, exposing the enormous gaps in her historical knowledge. Astounded, Diana begins to understand that American narratives, what she learns about her father, and the capacity for women to work and learn is not as set and certain as she was taught. Mary Clearman Blew deftly balances these 1970s pressure points with multifaceted characters and a layered romance to deliver an instant Western classic.

Midwife Mildred Harrington is riding back home one evening after checking on one of her pregnant neighbors when she stumbles upon an injured stranger. She soon realizes it’s her old sweetheart, Pat, from country school-and he may not be telling the full truth about how he was injured.Set in rural Montana in 1925, Waltzing Montana follows Mildred as she grapples with feelings for Pat while also trying to overcome the horrific abuse she suffered as a young teenager. Ultimately Mildred must decide whether to continue her isolated life or accept the hand extended to her.Inspired by the life of midwife Edna McGuire (1885–1969), who operated a sheep ranch in central Montana, Blew has turned the classic Western on its head, focusing on rural women and the gender and diversity challenges they faced during the 1920s.