Mary Crawford – författare

This volume in the "Counterpoints Series" summarizes and addresses the validity of research into gender differences. It also questions the ideology behind this research, and its consequences. The work is intended for researchers and students in the field of cognitive psychology and women's studies, and psychologists interested in gender issues.

This book is a critical feminist analysis of sex trafficking. Arguing that trafficking in girls and women is a product of the social construction of gender and other dimensions of power and status within a particular culture and at a particular historical moment, this book offers the necessary locally grounded analysis. Focusing on the case of Nepal, from where 5,000 to 7,000 thousands of Nepali girls and women are trafficked each year primarily to India, Mary Crawford assesses how the social construction of trafficking - the concept and its representation in discourse - are influenced by the dynamics of gender, caste, and the development establishment. The defining figure is an innocent, naïve young girl being lured or duped into leaving the safety of her village. The trafficking victim is portrayed as "backward"; however, she is "backward" in specific ways that resonate with Nepal’s struggle to resist and yet encompass Western influence. This view may lead to paradoxical effects in which efforts to protect girls and women instead restrict their human rights. Rather than seeing women as universalized victims, Crawford assesses how the social construction of trafficking in a particular society affects girls and women who live in that society. In this book, the author’s voice as a woman, a feminist, and a social scientist immersed in a "foreign" way of life, illuminates aspects of this process and highlights the subjectivity of urban women. It makes the connection between Nepali subjectivities and a problem of international significance, the trafficking of girls and women. The book provides a model for other locally grounded accounts of sex trafficking to counter the universalizing rhetoric of the mass media and some anti-trafficking activists, filling a niche in South Asian Studies and Women’s Studies.

This book is a critical feminist analysis of sex trafficking. Arguing that trafficking in girls and women is a product of the social construction of gender and other dimensions of power and status within a particular culture and at a particular historical moment, this book offers the necessary locally grounded analysis. Focusing on the case of Nepal, from where 5,000 to 7,000 thousands of Nepali girls and women are trafficked each year primarily to India, Mary Crawford assesses how the social construction of trafficking - the concept and its representation in discourse - are influenced by the dynamics of gender, caste, and the development establishment. The defining figure is an innocent, naïve young girl being lured or duped into leaving the safety of her village. The trafficking victim is portrayed as "backward"; however, she is "backward" in specific ways that resonate with Nepal’s struggle to resist and yet encompass Western influence. This view may lead to paradoxical effects in which efforts to protect girls and women instead restrict their human rights. Rather than seeing women as universalized victims, Crawford assesses how the social construction of trafficking in a particular society affects girls and women who live in that society. In this book, the author’s voice as a woman, a feminist, and a social scientist immersed in a "foreign" way of life, illuminates aspects of this process and highlights the subjectivity of urban women. It makes the connection between Nepali subjectivities and a problem of international significance, the trafficking of girls and women. The book provides a model for other locally grounded accounts of sex trafficking to counter the universalizing rhetoric of the mass media and some anti-trafficking activists, filling a niche in South Asian Studies and Women’s Studies.

What are the best ways to do research on the psychology of women and gender? Within feminist psychology, there is a great deal of methodological creativity and diversity. This volume, first published in 2000, highlights how familiar methods such as focus groups can be brought to bear on feminist issues. It demonstrates less common methods, such as Q-sort, phenomenological analysis, concept mapping, and discourse analysis. Moreover, it explores the role of personal values, interpersonal dynamics, and sociopolitical influences on the research process. Over 60 international contributors share insights into adolescent girls' and adult women's sexuality, violence and its prevention, life patterns and narratives, the teaching-research nexus, gender and race in clinical practice, and more. Included is a comprehensive resource guide for research, publication and teaching on methodological diversity.

`I love the warmth and wit in this book, but I say this in no way to detract from the seriousness of its subject matter and its incisive treatment by Mary Crawford... this is a great book and an important book which articulates current critical thinking about research around gender and language. Mary Crawford writes brilliantly, powerfully and lucidly... I thoroughly recommend it' - British Psychological Society Psychology of Women Section Newsletter

This refreshing re-evaluation of current wisdom - both academic and popular - about men's and women's language critically assesses the abundant social science research of recent years and its representation in the mass media. Exploring a wide range of topics, from talk shows to self-help books, Mary Crawford offers a new understanding of the role of language practices in both maintaining - and disrupting - gender inequality.

The book addresses such provocative questions as: Why has the study of gender and language so often focused on the limitations of women's talk? How do academic practices constrain our understanding of how gender relations are re-created and maintained in language use? Why do assertiveness texts usually ignore indirect modes of speech such as humour and storytelling?

`I love the warmth and wit in this book, but I say this in no way to detract from the seriousness of its subject matter and its incisive treatment by Mary Crawford... this is a great book and an important book which articulates current critical thinking about research around gender and language. Mary Crawford writes brilliantly, powerfully and lucidly... I thoroughly recommend it' - British Psychological Society Psychology of Women Section Newsletter

This refreshing re-evaluation of current wisdom - both academic and popular - about men's and women's language critically assesses the abundant social science research of recent years and its representation in the mass media. Exploring a wide range of topics, from talk shows to self-help books, Mary Crawford offers a new understanding of the role of language practices in both maintaining - and disrupting - gender inequality.

The book addresses such provocative questions as: Why has the study of gender and language so often focused on the limitations of women's talk? How do academic practices constrain our understanding of how gender relations are re-created and maintained in language use? Why do assertiveness texts usually ignore indirect modes of speech such as humour and storytelling?

`I love the warmth and wit in this book, but I say this in no way to detract from the seriousness of its subject matter and its incisive treatment by Mary Crawford... this is a great book and an important book which articulates current critical thinking about research around gender and language. Mary Crawford writes brilliantly, powerfully and lucidly... I thoroughly recommend it' - British Psychological Society Psychology of Women Section Newsletter

This refreshing re-evaluation of current wisdom - both academic and popular - about men's and women's language critically assesses the abundant social science research of recent years and its representation in the mass media. Exploring a wide range of topics, from talk shows to self-help books, Mary Crawford offers a new understanding of the role of language practices in both maintaining - and disrupting - gender inequality.

The book addresses such provocative questions as: Why has the study of gender and language so often focused on the limitations of women's talk? How do academic practices constrain our understanding of how gender relations are re-created and maintained in language use? Why do assertiveness texts usually ignore indirect modes of speech such as humour and storytelling?

In this volume, gender serves as a general framework for analyzing the ways people think about mathematical performance, language, self-concept, social categories, and methods and ways of knowing and creating knowledge. A distinguished group of authors shows how various forces in language, family practices, and education reinforce differentiation among the sex roles. This volume attempts to bridge this gap between difference and equality by revitalizing and reinterpreting the concept of gender differences. Gender and Thought places research on women and gender at the heart of many important areas of scholarly inquiry.

Paper Jane reflects Austen’s heady reputation as a revered canonical author, even while her books are simultaneously enjoyed as "chick lit." Jane Austen's growing fame is measured at fifty-year intervals: in 1825, 1875, 1925, 1975, and 2025.  In the semiquincentennial year of Jane Austen (1775–1817), she is arguably the best-known author in the English language after Shakespeare. However, this reputation was hard-won and was many years in the making. This book traces Jane Austen’s ascendence as a literary celebrity through print—from fine first editions to mass-market paperbacks, supplemented by manuscripts, movie posters, graphic novels, theater bills, play scripts, and paper currency. The temporal dimension makes this not only the story of Austen’s growing fame but also traces the changes in readers and reading culture over the last two centuries and a half. It demonstrates that cheap books are, in fact, the force that made “Miss Austen” canonical. Paper Jane accompanies an exhibition at The Grolier Club, drawing from private collections by Janine Barchas, Mary Crawford, and Sandra Clark.