Mary D. Garrard – författare

Visar alla böcker från författaren Mary D. Garrard. Handla med fri frakt och snabb leverans.

6 produkter

Kategorier

6 produkter

Del 15 - Renaissance Lives
Artemisia Gentileschi and Feminism in Early Modern Europe
AvMary D. Garrard
Häftad, Engelska, 2023
215 kr
Skickas inom 5-8 vardagar
Artemisia Gentileschi is by far the most famous woman artist of the pre-modern era. Her art addresses issues that resonate today, such as sexual violence and women’s problematic access to political power. Her forceful paintings with their vigorous female protagonists have excited modern audiences, especially feminists.This book breaks new ground by placing the artist in the context of women’s political history, and the feminist protest that was bubbling in early modern Europe. Mary D. Garrard discusses recently discovered paintings, offers fresh perspectives on known works and examines the artist anew in the context of early modern feminism. This beautifully illustrated book, now in paperback, gives a full portrait of a strong woman and a great artist who fought back through her art.
Artemisia Gentileschi
The Image of the Female Hero in Italian Baroque Art
AvMary D. Garrard
Häftad, Engelska, 1991
768 kr
Skickas inom 5-8 vardagar
Artemisia Gentileschi, widely regarded as the most important woman artist before the modern period, was a major Italian Baroque painter of the seventeenth century and the only female follower of Caravaggio. This first full-length study of her life and work shows that her powerfully original treatments of mythic-heroic female subjects depart radically from traditional interpretations of the same themes.
Artemisia Gentileschi around 1622
The Shaping and Reshaping of an Artistic Identity
AvMary D. Garrard
Häftad, Engelska, 2001
439 kr
Skickas inom 5-8 vardagar
Mary D. Garrard, author of the acclaimed Artemisia Gentileschi, furthers her study of the seventeenth-century artist in this groundbreaking investigation of two little-known paintings. Taking as case studies the Seville Mary Magdalene and the Burghley House Susanna and the Elders, paintings of circa 1621-22 attributed to Artemisia, Garrard examines the ways that identity, gender, and market pressures interact both in the artist's work and in the criticism and connoisseurship that have surrounded it.
Reclaiming Female Agency
Feminist Art History after Postmodernism
AvNorma Broude,Mary D. Garrard
Häftad, Engelska, 2005
481 kr
Skickas inom 5-8 vardagar
This volume is the third in an influential series of anthologies by editors Norma Broude and Mary D. Garrard that challenge art history from a feminist perspective. Following their "Feminism and Art History: Questioning the Litany" (1982) and "The Expanding Discourse: Feminism and Art History" (1992), this new volume identifies female agency as a central theme of recent feminist scholarship. Framed by a lucid and stimulating critical introduction, twenty-three essays on artists and issues from the Renaissance to the present, written in the 1990s and after, offer a nuanced critique of the poststructuralist premises of 1980s feminist art history.The contributors include: Allison Arieff, Janis Bergman-Carton, Babette Bohn, Norma Broude, Anna C. Chave, Julie Cole, Bridget Elliott, Mary D. Garrard, Sheila ffolliott, Darcy Grimaldo Grigsby, Ruth E. Iskin, Geraldline A. Johnson, Amelia Jones, Maud Lavin, Julie Nicoletta, Carol Ockman, Erica Rand, John B. Ravenal, Lisa Saltzman, and Mary D. Sheriff.
Brunelleschi's Egg
Nature, Art, and Gender in Renaissance Italy
AvMary D. Garrard
Inbunden, Engelska, 2010
740 kr
Skickas inom 5-8 vardagar
Feminist historians of science and philosophy have shown that during the Italian Renaissance, the profound shift in the concept of nature - from an organic worldview to the scientific - was assisted by the gender metaphor that defined nature as female. In this provocative and groundbreaking book, Mary D. Garrard extends this analysis to the history of art and proposes that the larger shift was both anticipated and mediated by the visual arts. In case studies of such major figures as Brunelleschi, Masaccio, Botticelli, Leonardo da Vinci, Michelangelo, Pontormo, Giorgione, and Titian, Garrard examines the changing relationship of art and nature in the Renaissance, and shows how they were cast by artists and theorists as gendered competitors in a steadily escalating rhetoric.
Dangerous Women
AvKimberly L. Dennis,Mary D. Garrard
Inbunden, Engelska, 2018
211 kr
Skickas
Dangerous Women presents works from the rich holdings of the John and Mable Ringling Museum of Art that explore different artists' responses to the women of the Bible. The Old and New Testaments are full of compelling female characters: good wives and bad, courageous heroines, and deceptive - sometimes deadly - femmes fatales. Dangerous Women presents works from the rich holdings of the John and Mable Ringling Museum of Art that explore different artists' responses to the women of the Bible. Paintings by Pietro da Cortona, Francesco Cairo, and Fede Galizia and others stand as a reminder of how dangerous biblical women have continued to loom large in the modern imagination. These stories in this volume show how narratives of power are constructed, interpreted, and continue to evolve over the course of time. While some women saved their people, were paragons of virtue, or repented, others were purveyors of sin, harlots, and seductresses. Even if it was through their misbehaviour, all of these women - from Mary Magdalene, to Judith and Esther, to Salome and Potiphar's Wife - shaped biblical history. Contents: Acknowledgements; Why Are These Women Dangerous?; The Danger of Biblical Women; Plates

Mary D. Garrard – författare

Visar alla böcker från författaren Mary D. Garrard. Handla med fri frakt och snabb leverans.

6 produkter

Kategorier

6 produkter

Del 15 - Renaissance Lives
Artemisia Gentileschi and Feminism in Early Modern Europe
AvMary D. Garrard
Häftad, Engelska, 2023
215 kr
Skickas inom 5-8 vardagar
Artemisia Gentileschi is by far the most famous woman artist of the pre-modern era. Her art addresses issues that resonate today, such as sexual violence and women’s problematic access to political power. Her forceful paintings with their vigorous female protagonists have excited modern audiences, especially feminists.This book breaks new ground by placing the artist in the context of women’s political history, and the feminist protest that was bubbling in early modern Europe. Mary D. Garrard discusses recently discovered paintings, offers fresh perspectives on known works and examines the artist anew in the context of early modern feminism. This beautifully illustrated book, now in paperback, gives a full portrait of a strong woman and a great artist who fought back through her art.
Artemisia Gentileschi
The Image of the Female Hero in Italian Baroque Art
AvMary D. Garrard
Häftad, Engelska, 1991
768 kr
Skickas inom 5-8 vardagar
Artemisia Gentileschi, widely regarded as the most important woman artist before the modern period, was a major Italian Baroque painter of the seventeenth century and the only female follower of Caravaggio. This first full-length study of her life and work shows that her powerfully original treatments of mythic-heroic female subjects depart radically from traditional interpretations of the same themes.
Artemisia Gentileschi around 1622
The Shaping and Reshaping of an Artistic Identity
AvMary D. Garrard
Häftad, Engelska, 2001
439 kr
Skickas inom 5-8 vardagar
Mary D. Garrard, author of the acclaimed Artemisia Gentileschi, furthers her study of the seventeenth-century artist in this groundbreaking investigation of two little-known paintings. Taking as case studies the Seville Mary Magdalene and the Burghley House Susanna and the Elders, paintings of circa 1621-22 attributed to Artemisia, Garrard examines the ways that identity, gender, and market pressures interact both in the artist's work and in the criticism and connoisseurship that have surrounded it.
Reclaiming Female Agency
Feminist Art History after Postmodernism
AvNorma Broude,Mary D. Garrard
Häftad, Engelska, 2005
481 kr
Skickas inom 5-8 vardagar
This volume is the third in an influential series of anthologies by editors Norma Broude and Mary D. Garrard that challenge art history from a feminist perspective. Following their "Feminism and Art History: Questioning the Litany" (1982) and "The Expanding Discourse: Feminism and Art History" (1992), this new volume identifies female agency as a central theme of recent feminist scholarship. Framed by a lucid and stimulating critical introduction, twenty-three essays on artists and issues from the Renaissance to the present, written in the 1990s and after, offer a nuanced critique of the poststructuralist premises of 1980s feminist art history.The contributors include: Allison Arieff, Janis Bergman-Carton, Babette Bohn, Norma Broude, Anna C. Chave, Julie Cole, Bridget Elliott, Mary D. Garrard, Sheila ffolliott, Darcy Grimaldo Grigsby, Ruth E. Iskin, Geraldline A. Johnson, Amelia Jones, Maud Lavin, Julie Nicoletta, Carol Ockman, Erica Rand, John B. Ravenal, Lisa Saltzman, and Mary D. Sheriff.
Brunelleschi's Egg
Nature, Art, and Gender in Renaissance Italy
AvMary D. Garrard
Inbunden, Engelska, 2010
740 kr
Skickas inom 5-8 vardagar
Feminist historians of science and philosophy have shown that during the Italian Renaissance, the profound shift in the concept of nature - from an organic worldview to the scientific - was assisted by the gender metaphor that defined nature as female. In this provocative and groundbreaking book, Mary D. Garrard extends this analysis to the history of art and proposes that the larger shift was both anticipated and mediated by the visual arts. In case studies of such major figures as Brunelleschi, Masaccio, Botticelli, Leonardo da Vinci, Michelangelo, Pontormo, Giorgione, and Titian, Garrard examines the changing relationship of art and nature in the Renaissance, and shows how they were cast by artists and theorists as gendered competitors in a steadily escalating rhetoric.
Dangerous Women
AvKimberly L. Dennis,Mary D. Garrard
Inbunden, Engelska, 2018
211 kr
Skickas
Dangerous Women presents works from the rich holdings of the John and Mable Ringling Museum of Art that explore different artists' responses to the women of the Bible. The Old and New Testaments are full of compelling female characters: good wives and bad, courageous heroines, and deceptive - sometimes deadly - femmes fatales. Dangerous Women presents works from the rich holdings of the John and Mable Ringling Museum of Art that explore different artists' responses to the women of the Bible. Paintings by Pietro da Cortona, Francesco Cairo, and Fede Galizia and others stand as a reminder of how dangerous biblical women have continued to loom large in the modern imagination. These stories in this volume show how narratives of power are constructed, interpreted, and continue to evolve over the course of time. While some women saved their people, were paragons of virtue, or repented, others were purveyors of sin, harlots, and seductresses. Even if it was through their misbehaviour, all of these women - from Mary Magdalene, to Judith and Esther, to Salome and Potiphar's Wife - shaped biblical history. Contents: Acknowledgements; Why Are These Women Dangerous?; The Danger of Biblical Women; Plates

Mary D. Garrard – författare

Artemisia Gentileschi and Feminism in Early Modern Europe

Artemisia Gentileschi

Artemisia Gentileschi around 1622

Reclaiming Female Agency

Brunelleschi's Egg

Dangerous Women

Mary D. Garrard – författare

Artemisia Gentileschi and Feminism in Early Modern Europe

Artemisia Gentileschi

Artemisia Gentileschi around 1622

Reclaiming Female Agency

Brunelleschi's Egg

Dangerous Women