Mary E. Triece – författare

Urban Renewal and Resistance: Race, Space, and the City in the Late Twentieth to Early Twenty-First Century examines how urban spaces are rhetorically constructed through discourses that variously justify or resist processes of urban growth and renewal. This book combines insights from critical geography, urban studies, and communication to explore how urban spaces, like Detroit and Harlem, are rhetorically structured through neoliberal discourses that mask the racialized nature of housing and health in American cities. The analysis focuses on city planning documents, web sites, media accounts, and draws on insights from personal interviews in order to pull together a story of city growth and its consequences, while keeping an eye on the ways city residents continue to confront and resist control over their communities through counter-narratives that challenge geographies of injustice. Recommended for scholars of communication studies, journalism, sociology, geography, and political science.

Urban Renewal and Resistance: Race, Space, and the City in the Late Twentieth to Early Twenty-First Century examines how urban spaces are rhetorically constructed through discourses that variously justify or resist processes of urban growth and renewal. This book combines insights from critical geography, urban studies, and communication to explore how urban spaces, like Detroit and Harlem, are rhetorically structured through neoliberal discourses that mask the racialized nature of housing and health in American cities. The analysis focuses on city planning documents, web sites, media accounts, and draws on insights from personal interviews in order to pull together a story of city growth and its consequences, while keeping an eye on the ways city residents continue to confront and resist control over their communities through counter-narratives that challenge geographies of injustice. Recommended for scholars of communication studies, journalism, sociology, geography, and political science.

Pinpoints the persuasive strategies that typified Wells’s efforts to shape broader cultural conversations concerning the causes—racial, social, and gender equity.

Pinpoints the persuasive strategies that typified Wells’s efforts to shape broader cultural conversations concerning the causes—racial, social, and gender equity.

In the early twentieth century, white-controlled magazines and Black magazines told very different stories about the dynamics of race, sex, and power in the United States. Memory Work: White Ignorance and Black Resistance in Popular Magazines, 1900–1910 examines how popular magazines employed rhetorical strategies to remember, forget, and frame America’s racist past. White-controlled magazines such as the Independent, Outlook, Arena, and McClure’s carried stories of southern nostalgia, union reconciliation, and white purity. Relying on willful ignorance to misremember past experiences of suffering, these texts severed violent histories from present-day policies and often simply remained silent. Meanwhile, in Black magazines such as the Colored American Magazine and the Voice of the Negro, women writers leveraged countermemory. Bringing Black women’s accomplishments into focus, these writers inverted popular white narratives that erased and obscured Black women’s experiences, including those of sexual violence.Mary E. Triece traces how white and Black magazines—often in dialogue with one another—differently engaged memory work to either reinforce or upend white supremacy during a period of both Black advancement and white backlash. Further, the book suggests lines of connection between the construction of public memory in the past to those taking place today across an array of media platforms. Popular debates—whether appearing in early 1900s magazines or on twenty-first-century social media sites—shape a culture’s collective knowledge of what counts as true, important, and worthy of attention.

In the early twentieth century, white-controlled magazines and Black magazines told very different stories about the dynamics of race, sex, and power in the United States. Memory Work: White Ignorance and Black Resistance in Popular Magazines, 1900–1910 examines how popular magazines employed rhetorical strategies to remember, forget, and frame America’s racist past. White-controlled magazines such as the Independent, Outlook, Arena, and McClure’s carried stories of southern nostalgia, union reconciliation, and white purity. Relying on willful ignorance to misremember past experiences of suffering, these texts severed violent histories from present-day policies and often simply remained silent. Meanwhile, in Black magazines such as the Colored American Magazine and the Voice of the Negro, women writers leveraged countermemory. Bringing Black women’s accomplishments into focus, these writers inverted popular white narratives that erased and obscured Black women’s experiences, including those of sexual violence.Mary E. Triece traces how white and Black magazines—often in dialogue with one another—differently engaged memory work to either reinforce or upend white supremacy during a period of both Black advancement and white backlash. Further, the book suggests lines of connection between the construction of public memory in the past to those taking place today across an array of media platforms. Popular debates—whether appearing in early 1900s magazines or on twenty-first-century social media sites—shape a culture’s collective knowledge of what counts as true, important, and worthy of attention.

In the early twentieth century, white-controlled magazines and Black magazines told very different stories about the dynamics of race, sex, and power in the United States. Memory Work: White Ignorance and Black Resistance in Popular Magazines, 1900–1910 examines how popular magazines employed rhetorical strategies to remember, forget, and frame America’s racist past. White-controlled magazines such as the Independent, Outlook, Arena, and McClure’s carried stories of southern nostalgia, union reconciliation, and white purity. Relying on willful ignorance to misremember past experiences of suffering, these texts severed violent histories from present-day policies and often simply remained silent. Meanwhile, in Black magazines such as the Colored American Magazine and the Voice of the Negro, women writers leveraged countermemory. Bringing Black women’s accomplishments into focus, these writers inverted popular white narratives that erased and obscured Black women’s experiences, including those of sexual violence. Mary E. Triece traces how white and Black magazines—often in dialogue with one another—differently engaged memory work to either reinforce or upend white supremacy during a period of both Black advancement and white backlash. Further, the book suggests lines of connection between the construction of public memory in the past to those taking place today across an array of media platforms. Popular debates—whether appearing in early 1900s magazines or on twenty-first-century social media sites—shape a culture’s collective knowledge of what counts as true, important, and worthy of attention.

In the early twentieth century, white-controlled magazines and Black magazines told very different stories about the dynamics of race, sex, and power in the United States. Memory Work: White Ignorance and Black Resistance in Popular Magazines, 1900–1910 examines how popular magazines employed rhetorical strategies to remember, forget, and frame America’s racist past. White-controlled magazines such as the Independent, Outlook, Arena, and McClure’s carried stories of southern nostalgia, union reconciliation, and white purity. Relying on willful ignorance to misremember past experiences of suffering, these texts severed violent histories from present-day policies and often simply remained silent. Meanwhile, in Black magazines such as the Colored American Magazine and the Voice of the Negro, women writers leveraged countermemory. Bringing Black women’s accomplishments into focus, these writers inverted popular white narratives that erased and obscured Black women’s experiences, including those of sexual violence. Mary E. Triece traces how white and Black magazines—often in dialogue with one another—differently engaged memory work to either reinforce or upend white supremacy during a period of both Black advancement and white backlash. Further, the book suggests lines of connection between the construction of public memory in the past to those taking place today across an array of media platforms. Popular debates—whether appearing in early 1900s magazines or on twenty-first-century social media sites—shape a culture’s collective knowledge of what counts as true, important, and worthy of attention.

Theories of Rhetoric: An Anthology offers students a critical/cultural lens through which to view the history and definition of rhetoric and how it functions in society. The scholarly readings included in this volume illuminate the effects of gender, race, and power on the understandings of rhetoric throughout various historical periods. Students are introduced to theories that have been obscured or ignored through history but are critical for understanding the historicity of rhetoric and its relationship to power.The anthology is divided into five units. Unit I introduces students to the critical/cultural approach to theories of rhetoric, emphasizing the roles of politics and power on rhetoric. Units II through IV proceed chronologically. They provide readers with background on life during the respective time period and compelling readings that speak to the lost voices of the Classical Era, the gendered history of public speaking, the influence of Christianity on rhetoric during medieval times, visionary writing, the problematic belief systems of the Enlightenment, and more. The final unit challenges students to rethink and revise rhetorical theories according to the economic, political, and cultural influences of contemporary times.Aptly demonstrating how rhetoric has evolved over time in accordance with society and its beliefs, Theories of Rhetoric is an ideal text for courses in rhetoric and rhetorical theory.

In Tell It Like It Is, Mary E. Triece brings to light a lesser known yet influential social movement of the late 1960s and early 1970s—the welfare rights movement, led and run largely by poor black mothers in the National Welfare Rights Organization (NWRO). Her study combines theory and critical analysis to explore rhetorical strategies and direct actions women employed as they argued for fair welfare legislation in both formal policy debates and in the streets. Triece focuses on how welfare recipients spoke for themselves in forums often marked by widely held stereotypes.Triece explains the influence of racism on welfare legislation throughout the early 1900s and explores how welfare recipients cultivated agency while challenging stereotypes such as the ""welfare cheat"" and the ""welfare mother."" To illuminate her study, Triece uses historical documents including pamphlets, flyers, position statements, and convention materials. She examines the official newspaper of the NWRO, the Welfare Fighter, and draws on the congressional testimonies of welfare recipients, providing the first in-depth look at the ways that these women represented themselves in this formal political forum.Tell It Like It Is presents an interdisciplinary study touching on communication, rhetoric, politics, feminist theory, and the intersections of race, class, gender, and sexuality. It also engages in ongoing scholarly debate regarding language, knowledge, reality, and the potential for social change. Triece contributes to each of these disciplines as she explores how a marginalised and beleaguered people managed to mobilise a nationwide movement.

In Tell It Like It Is, Mary E. Triece brings to light a lesser known yet influential social movement of the late 1960s and early 1970s—the welfare rights movement, led and run largely by poor black mothers in the National Welfare Rights Organization (NWRO). Her study combines theory and critical analysis to explore rhetorical strategies and direct actions women employed as they argued for fair welfare legislation in both formal policy debates and in the streets. Triece focuses on how welfare recipients spoke for themselves in forums often marked by widely held stereotypes.Triece explains the influence of racism on welfare legislation throughout the early 1900s and explores how welfare recipients cultivated agency while challenging stereotypes such as the ""welfare cheat"" and the ""welfare mother."" To illuminate her study, Triece uses historical documents including pamphlets, flyers, position statements, and convention materials. She examines the official newspaper of the NWRO, the Welfare Fighter, and draws on the congressional testimonies of welfare recipients, providing the first in-depth look at the ways that these women represented themselves in this formal political forum.Tell It Like It Is presents an interdisciplinary study touching on communication, rhetoric, politics, feminist theory, and the intersections of race, class, gender, and sexuality. It also engages in ongoing scholarly debate regarding language, knowledge, reality, and the potential for social change. Triece contributes to each of these disciplines as she explores how a marginalised and beleaguered people managed to mobilise a nationwide movement.

Race and Hegemonic Struggle in the United States: Pop Culture, Politics, and Protest is a collection of essays that draws on concepts developed by Antonio Gramsci to examine the imagining of race in popular culture productions, political discourses, and resistance rhetoric. The chapters in this volume call for renewed attention to Gramscian political thought to examine, understand, interpret and explain the persistent contradictions, ambivalence, and paradoxes in racial representations and material realities.This book’s contributors rely on Gramsci’s ideas to explore how popular, political, and resistant discourses reproduce or transform our understandings of race and racism, social inequalities, and power relationships in the twentieth and early twenty-first centuries. Together the chapters confront forms of collective and cultural amnesia about race and racism suggested in the phrases “postrace,” “postracial,” and “postracism," while exposing the historical, institutional, social, and political forces and constraints that make antiracism, atonement, and egalitarian change so difficult to achieve.

Race and Hegemonic Struggle in the United States: Pop Culture, Politics, and Protest is a collection of essays that draws on concepts developed by Antonio Gramsci to examine the imagining of race in popular culture productions, political discourses, and resistance rhetoric. The chapters in this volume call for renewed attention to Gramscian political thought to examine, understand, interpret and explain the persistent contradictions, ambivalence, and paradoxes in racial representations and material realities.This book’s contributors rely on Gramsci’s ideas to explore how popular, political, and resistant discourses reproduce or transform our understandings of race and racism, social inequalities, and power relationships in the twentieth and early twenty-first centuries. Together the chapters confront forms of collective and cultural amnesia about race and racism suggested in the phrases “postrace,” “postracial,” and “postracism," while exposing the historical, institutional, social, and political forces and constraints that make antiracism, atonement, and egalitarian change so difficult to achieve.