Mary Kelly – författare

Taking Your Library Career to the Next Level: Participating, Publishing, and Presenting helps librarians establish a brand and name recognition in their area of expertise, suggesting how to write winning proposals for both publication and presentation and places to publish. In addition, it covers how to conquer fears of public speaking and how to make presentations more dynamic. As professional development is important in most library settings to earn or maintain credentials, this book helps academic librarians look for opportunities to earn tenure, also helping special librarians look for ways to focus their training on a narrow subject area.

Regardless of their reason for looking for professional development opportunities, librarians of all types will find satisfaction in contributing to the profession at a higher level. Participating in professional conversations and decision-making that impacts others in the field, and sharing knowledge through publishing and presenting are great ways to become better librarians.

Completely rewritten, the Third Edition of this successful guide to European media systems has also been expanded to include Central and Eastern Europe as well as Western Europe.

Covering 23 countries, the volume highlights and explains key issues of debate and current tendencies in media policy and provides basic statistics relating to each case study.The chapters are written by an expert from the country concerned. Most of these are members of the Euromedia Research Group, a research collective that has been active for more than 20 years and has produced a series of assessments of media policy developments in Europe.

This book is the first full-length study dedicated to French women Orientalist artists.

Mary Kelly has gathered primary documentation relating to seventy-two women artists whose works of art can be placed in the canon of French Orientalism between 1861 and 1956. Bringing these artists together for the first time and presenting close contextual analyses of works of art, attention is given to artists’ cross-cultural interactions with painted/sculpted representations of the Maghreb particularly in Algeria, Tunisia and Morocco. Using an interdisciplinary ‘open platform of discussion’ approach, Kelly builds on established theory which places emphases on the gendered gaze. This entails a discussion on women’s painted perspectives of and contacts with Muslim women as well as various Maghrebi cultures and land—all the while remaining mindful of the subject position of the French artist and the problematic issues which can arise when discussing European-made ‘ethnographic’ scenes. Kelly argues that French women’s perspectives of the Maghreb differed from the male gaze and were informed by their artistic training and social positions in Europe. In so doing, French women’s socio-cultural modernity is also examined. Moreover, executed between 1861 and 1956, the works of art presented show influences of Modernism; therefore, this book also pays close attention to progressive Realism and Naturalism in art and the Orientalist shift into Modernist subject matter and form. Through this research into French women Orientalists, Kelly engages with important discussions on the crossing view of the historical female other with the cultural other, artistic hybridity and influence in art as well as the postcolonial response to French activities in colonial Algeria and the protectorates of Tunisia and Morocco. On giving focus to women’s art and the impact of cross-cultural interchanges, this book rethinks Orientalism in French art.

This book will be of particular interest to scholars in the history of art, gender studies, history, and Middle Eastern and North African studies.

This book is the first full-length study dedicated to French women Orientalist artists.

Mary Kelly has gathered primary documentation relating to seventy-two women artists whose works of art can be placed in the canon of French Orientalism between 1861 and 1956. Bringing these artists together for the first time and presenting close contextual analyses of works of art, attention is given to artists’ cross-cultural interactions with painted/sculpted representations of the Maghreb particularly in Algeria, Tunisia and Morocco. Using an interdisciplinary ‘open platform of discussion’ approach, Kelly builds on established theory which places emphases on the gendered gaze. This entails a discussion on women’s painted perspectives of and contacts with Muslim women as well as various Maghrebi cultures and land—all the while remaining mindful of the subject position of the French artist and the problematic issues which can arise when discussing European-made ‘ethnographic’ scenes. Kelly argues that French women’s perspectives of the Maghreb differed from the male gaze and were informed by their artistic training and social positions in Europe. In so doing, French women’s socio-cultural modernity is also examined. Moreover, executed between 1861 and 1956, the works of art presented show influences of Modernism; therefore, this book also pays close attention to progressive Realism and Naturalism in art and the Orientalist shift into Modernist subject matter and form. Through this research into French women Orientalists, Kelly engages with important discussions on the crossing view of the historical female other with the cultural other, artistic hybridity and influence in art as well as the postcolonial response to French activities in colonial Algeria and the protectorates of Tunisia and Morocco. On giving focus to women’s art and the impact of cross-cultural interchanges, this book rethinks Orientalism in French art.

This book will be of particular interest to scholars in the history of art, gender studies, history, and Middle Eastern and North African studies.

This volume takes inspiration from Professor Catherine Shannon’s scholarship on Modern Irish and Irish American history and her advocacy for peace in Northern Ireland and features original research by distinguished scholars and social-justice activists on both sides of the Atlantic. The essays illuminate the historical relationship between Ireland and North America over past centuries. They offer new readings of the transatlantic crosscurrents that shape our understanding of Irish emigration and North American settlement, and constructions of ethnic Irish identities. This collection brings together respected Irish, British, American, and Canadian historians, literary scholars, and social-justice activists to address the following thematic approaches to the Irish and Irish American historical experience:

• Famine impact and legacy

• Boston Irish political culture

• Irish Revolution-era nationalist activism

• Northern Ireland conflict

Considered from a range of historical, literary, political, and cultural perspectives, the essays collected here examine crucial forces connecting the ancestral home and the adopted homeland over centuries of Irish migration and North American settlement. They revise traditional depictions of ethnic Irishness in explorations of the Famine’s consequence, ethnic Irish prominence in Boston, the 1916-era watershed, and Northern Ireland’s troubled political and cultural landscape--lenses that expose crucial historical navigations across the Irish Atlantic. These new readings of the evolution of the ethnic identity collectively generate a major contribution to modern Irish and Irish American historical scholarship.