Mary Noonan – författare
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8 produkter
8 produkter
Häftad, Engelska, 2020
751 kr
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This book examines the plays of four women—Nathalie Sarraute, Marguerite Duras, Helene Cixous and Noelle Renaude—writing in the latter years of the twentieth century and the early years of the twenty-first century.
E-bok
Engelska, 2017832 kr
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Helene Cixous (1937-), distinguished not least as a playwright herself, told Le Monde in 1977 that she no longer went to the theatre: it presented women only as reflections of men, used for their visual effect. The theatre she wanted would stress the auditory, giving voice to ways of being that had previously been silenced. She was by no means alone in this. Cixous''s plays, along with those of Nathalie Sarraute (1900-99), Marguerite Duras (1914-96), and Noelle Renaude (1949-), among others, have proved potent in drawing participants into a dynamic ''space of the voice''. If, as psychoanalysis suggests, voice represents a transitional condition between body and language, such plays may draw their audiences in to understandings previously never spoken. In this ground-breaking study, Noonan explores the rich possibilities of this new audio-vocal form of theatre, and what it can reveal of the auditory self.
E-bok
PDF, Engelska, 2017802 kr
Läs direkt efter köp
Helene Cixous (1937-), distinguished not least as a playwright herself, told Le Monde in 1977 that she no longer went to the theatre: it presented women only as reflections of men, used for their visual effect. The theatre she wanted would stress the auditory, giving voice to ways of being that had previously been silenced. She was by no means alone in this. Cixous''s plays, along with those of Nathalie Sarraute (1900-99), Marguerite Duras (1914-96), and Noelle Renaude (1949-), among others, have proved potent in drawing participants into a dynamic ''space of the voice''. If, as psychoanalysis suggests, voice represents a transitional condition between body and language, such plays may draw their audiences in to understandings previously never spoken. In this ground-breaking study, Noonan explores the rich possibilities of this new audio-vocal form of theatre, and what it can reveal of the auditory self.
Häftad, Engelska, 2012
171 kr
Skickas inom 5-8 vardagar
Inbunden, Engelska, 2014
1 549 kr
Skickas inom 10-15 vardagar
This book examines the plays of four women—Nathalie Sarraute, Marguerite Duras, Helene Cixous and Noelle Renaude—writing in the latter years of the twentieth century and the early years of the twenty-first century.
Häftad, Engelska, 2019
192 kr
Skickas inom 5-8 vardagar
Inbunden, Engelska, 2019
296 kr
Skickas inom 5-8 vardagar
Del 420 - Faux Titre
Marguerite Duras
Un théâtre de voix / A Theatre of Voices
Inbunden, Engelska, 2018
2 012 kr
Skickas inom 5-8 vardagar
Marguerite Duras. Un théâtre de voix / A Theatre of Voices propose une relecture originale du théâtre de Marguerite Duras dans sa dimension à la fois textuelle et scénique. Les articles ici réunis sont écrits par plusieurs des meilleurs spécialistes du théâtre français ou par des praticiens de la scène. Ils témoignent des dernières avancées de la recherche, particulièrement dans les domaines de la voix et du son. Les auteurs démontrent, par des analyses précises et approfondies d’un large éventail des pièces de Duras, que ses innovations scéniques ont eu un impact radical sur le développement de la forme théâtrale. L'ouvrage offre également la lecture d'un entretien inédit en français de Duras sur son théâtre en 1985. Ce livre est donc une ressource indispensable pour les étudiants de la littérature française, ainsi que pour les étudiants du théâtre contemporain.Marguerite Duras. Un théâtre de voix / A Theatre of Voices presents a radical reappraisal of the plays of Marguerite Duras. The essays are written by some of the leading scholars in French theatre studies today. A number of the approaches, particularly in the areas of voice and the auditory, are at the cutting-edge of contemporary performance research. The authors demonstrate, by precise and detailed analysis of the full range of her plays, that Duras was a trailblazer, and that the startling ways in which she manipulated the languages of the stage have shaped the development of the form. The book is a therefore a vital resource for students of French literature and culture, and for students of contemporary theatre.