Mary Ruefle – författare

In Golden Crumbs, Mary Ruefle, a master of the absurd aphorism and philosophical curio, shows us ancient anchovies, poets aspiring to be birds, a cryalogue, powdered glass for dinner, friends who don't read your poems, lovers, big houses, blue houses, big mountains and more, in a voice that is irreverent, philosophical, inimitable: world-making and world-breaking. The kinship between people, animals and landscapes is lightly, thoughtfully, crisply rendered, with emotional depths that she drops through, with ease, like a penny in a well. These texts are fun, funny, moving, melancholic and full of games, Ruefle’s voice and style enacting a playful magic that allows us to query art and ourselves in equal measure. Bringing together for the first time three of Mary Ruefle's collections of prose – The Most of It, My Private Property and The Book – Golden Crumbs is a first UK publication for one of America's greatest living poets and essayists.

Selectively painting over much of a forgotten nineteenth-century book, Ruefle's ninth publication brings new meaning to an old story. What remains visible is delicate poetry: artfully rendered, haunted by its former self, yet completely new. A high-quality replica of the original aged, delicate book in which Ruefle "erased" the text, this book will appeal to fans of poetry as well as visual art. Mary Ruefle is the author of Madness, Rack, and Honey: Collected Lectures, a finalist for the 2012 National Book Critics Circle Award in criticism (Wave Books, 2012), and Selected Poems (Wave Books, 2010), winner of the William Carlos Williams Award. She has published ten other books of poetry, a book of prose (The Most of It, Wave Books, 2008), and a comic book, Go Home and Go to Bed!, (Pilot Books/Orange Table Comics, 2007); she is also an erasure artist, whose treatments of nineteenth century texts have been exhibited in museums and galleries, and include the publication of A Little White Shadow (Wave Books, 2006).Ruefle is the recipient of numerous honors, including an Award in Literature from the American Academy of Arts and Letters, a Guggenheim fellowship, a National Endowment for the Arts fellowship, and a Whiting Award. She lives in Bennington, Vermont, and teaches in the MFA program at Vermont College.

"[Mary] Ruefle ...brings us an often unnerving, but always fresh and exhilarating view of our common experience of the world."-Charles Simic Fans of Lydia Davis and Miranda July will delight in this short prose from a beloved and cutting-edge poet. Here are thirty stories that deliver the soft touch and the sucker punch with stunning aplomb. Ducks, physicists, detectives, and The New York Times all make appearances. From "The Dart and the Drill": I do not believe that when my brother pierced my skull with a succession of darts thrown from across our paneled rec room on the night of November 18th in my sixth year on earth, he was trying to transcend the notions of time and space as contained and protected by the human skull. But who can fathom the complexities of the human brain? Ten years later-this would have been in 1967-the New York Times reported a twenty-four year old man, who held an honor degree in law, died in the process of using a dentist's drill on his own skull, positioned an inch above his right ear, in an attempt to prove that time and space could be conquered ...Mary Ruefle's poems and prose have appeared in Harper's Magazine, The Best American Poetry, and The Next American Essay.Her many awards include NEA and Guggenheim fellowships. She is a frequent visiting professor at the University of Iowa, and she lives and teaches in Vermont.

This is one of the wisest books I've read in years...--New York Times Book Review No writer I know of comes close to even trying to articulate the weird magic of poetry as Ruefle does. She acknowledges and celebrates in the odd mystery and mysticism of the act--the fact that poetry must both guard and reveal, hint at and pull back...Also, and maybe most crucially, Ruefle's work is never once stuffy or overdone: she writes this stuff with a level of seriousness-as-play that's vital and welcome, that doesn't make writing poetry sound anything but wild, strange, life-enlargening fun. -The Kenyon Review Profound, unpredictable, charming, and outright funny...These informal talks have far more staying power and verve than most of their kind. Readers may come away dazzled, as well as amused...--Publishers Weekly This is a book not just for poets but for anyone interested in the human heart, the inner-life, the breath exhaling a completion of an idea that will make you feel changed in some way. This is a desert island book. --Matthew Dickman The accomplished poet is humorous and self-deprecating in this collection of illuminating essays on poetry, aesthetics and literature...--San Francisco Examiner Over the course of fifteen years, Mary Ruefle delivered a lecture every six months to a group of poetry graduate students. Collected here for the first time, these lectures include "Poetry and the Moon," "Someone Reading a Book Is a Sign of Order in the World," and "Lectures I Will Never Give." Intellectually virtuosic, instructive, and experiential, Madness, Rack, and Honey resists definition, demanding instead an utter--and utterly pleasurable--immersion. Finalist for the 2012 National Book Critics Circle Award. Mary Ruefle has published more than a dozen books of poetry, prose, and erasures. She lives in Vermont.

"One of the wisest books I've read in years, and it would be a shame to think that only poets will read it."--David Kirby, The New York Times Book Review, on Madness, Rack, and Honey "What a civil, undomesticable, and heartening poet is Mary Ruefle ...any Ruefle poem is an occasion of resonant wit and language, subject to an exacting intelligence."--Rodney Jones, Poetry Society of America, William Carlos Williams Award citation Trances of the Blast is a major new collection from recent National Book Critics Circle Award finalist Mary Ruefle. Full of Ruefle's particular wisdom and wit, the poems deliver her imaginative take on the world's rifts--its paradoxes, failures, and loss--and help us better appreciate its redeeming strangeness. If only I'd understood that loneliness was just loneliness, only loneliness and nothing more. But I was blind. Little did I know. If only I'd invented salt. I might have died happy. I wish I loved you, but you can't have everything. Mary Ruefle is the author of many books of prose, poetry, and erasures.She is the recipient of the William Carlos Williams Award, an Award in Literature from the American Academy of Arts and Letters, a Guggenheim fellowship, a National Endowment for the Arts fellowship, and a Whiting Award. Her book of lectures, Madness, Rack, and Honey, was named a finalist for the 2012 National Book Critics Circle Award. She lives and teaches in Vermont.

"We emerge from these poems, scathed and awakened."--Poetry "An excellent choice for any collection looking to expand poetry beyond the obvious."--Library Journal, starred review Trances of the Blast is a major new collection from beloved and award-winning poet Mary Ruefle. Full of the peculiarity and wit characteristic of Ruefle's work, the poems deliver her imaginative take on the world's rifts--its paradoxes, failures, and loss--and help us to better appreciate its redeeming strangeness. From "Goodnight Irene": I think the tree is very much turned on I can feel its sticky sap rising in my eyes Its sticky sap is in my eyes I do not think the tree wishes it were dead I think the baby is very much turned on Look baby a birdie in the tree Say bye-bye birdie now go out and get a job My job is writing poems and reading them to a cloud Mary Ruefle is the author of many books of prose, poetry, and erasures. She is the recipient of the William Carlos Williams award, an Award in Literature from the American Academy of Arts and Letters, a Guggenheim fellowship, a National Endowment for the Arts fellowship, and a Whiting Award.Her book of lectures, Madness, Rack, and Honey, was named a finalist for the National Books Critic Circle award. She lives and teaches in Vermont.

Author of Madness, Rack, and Honey ("One of the wisest books I've read in years," according to the New York Times) and Trances of the Blast, Mary Ruefle continues to be one of the most dazzling poets in America. My Private Property, comprised of short prose pieces, is a brilliant and charming display of her humor, deep imagination, mindfulness, and play in a finely crafted edition. Personalia When I was young, a fortune-teller told me that an old woman who wanted to die had accidentally become lodged in my body. Slowly, over time, and taking great care in following esoteric instructions, including lavender baths and the ritual burial of keys in the backyard, I rid myself of her presence. Now I am an old woman who wants to die and lodged inside me is a young woman dying to live; I work on her. Mary Ruefle is the author of Trances of the Blast; Madness, Rack, and Honey: Collected Lectures, a finalist for the 2013 National Book Critics Circle Award in criticism; and Selected Poems, winner of the William Carlos Williams Award. She has published ten other books of poetry, a book of prose (The Most of It), and a comic book, Go Home and Go to Bed!; she is also an erasure artist whose treatments of nineteenth-century texts have been exhibited in museums and galleries as well as published in the book A Little White Shadow.Ruefle is the recipient of numerous honors, including an Award in Literature from the American Academy of Arts and Letters, a Guggenheim fellowship, a National Endowment for the Arts fellowship, and a Whiting Award. She lives in Bennington, Vermont and teaches in the MFA program at Vermont College.

"Ruefle can seem like a supernally well-read person who has grown bored with what smartness looks like, and has grown attracted to the other side. . . . She is not writing with a prescription, or at least not one for this earth. Nor is she celebrating the commonplace. She is concentrating on one thing at a time."—New York Times "The property that Ruefle deems private is the impalpable nature of the inner life we all share; it is at once ours and everyone's. . . . Ruefle has shown a talent for elevating her acute observations and narrative inclination well above mere anecdote to create quietly disquieting moments—a literature of barbed ambiguity and unresolved disruption." —BookforumAuthor of Madness, Rack, and Honey and Trances of the Blast, Mary Ruefle continues to be one of the most dazzling poets in America. My Private Property, comprised of short prose pieces, is a brilliant and charming display of her humor, deep imagination, mindfulness, and play.Mary Ruefle is the author of many books, including Trances of the Blast; Madness, Rack, and Honey: Collected Lectures, a finalist for the 2013 National Book Critics Circle Award in criticism; and Selected Poems, winner of the William Carlos Williams Award. Ruefle is the recipient of numerous honors, including an Award in Literature from the American Academy of Arts and Letters, a Guggenheim fellowship, a National Endowment for the Arts fellowship, and a Whiting Award. She lives in Bennington, Vermont.

FINALIST FOR THE 2020 PULITZER PRIZE IN POETRYA finalist for both the 2019 National Book Critics Circle Award and a the LA Times Book Award, and longlisted for the National Book Award.Through her many projects across numerous genres, Mary Ruefle has proven herself a singular artist, drawing many fans from around the world to her unique vision. With Dunce she returns to the practice that has always been at her core: the making of poems. With her startlingly fresh sensibility, she enraptures us in poem after poem by the intensity of her attention, with the imaginative flourishes of her being-in-the-world, which is always deep with mysteries, unexpected appearances, and abiding yearning.

FINALIST FOR THE 2020 PULITZER PRIZE IN POETRYA finalist for both the 2019 National Book Critics Circle Award and a the LA Times Book Award, and longlisted for the National Book Award.Through her many projects across numerous genres, Mary Ruefle has proven herself a singular artist, drawing many fans from around the world to her unique vision. With Dunce she returns to the practice that has always been at her core: the making of poems. With her startlingly fresh sensibility, she enraptures us in poem after poem by the intensity of her attention, with the imaginative flourishes of her being-in-the-world, which is always deep with mysteries, unexpected appearances, and abiding yearning.

"It is impossible for me to write about the imagination; it is like asking a fish to describe the sea," Mary Ruefle announces at the start of her essay. With wit and intellectual abandon, Ruefle draws inspiration from Wittgenstein, Shakespeare, Jesus, Steve Jobs, Johnny Cash, and Emily Dickson to explore her subject. The chapbook features original interior illustrations.Mary Ruefle is the author of numerous volumes of poetry and prose, including Madness, Rack, and Honey: Collected Lectures, a finalist for the National Book Critics Circle Award in Criticism, and Selected Poems, winner of the William Carlos Williams Award from the Poetry Society of America.

Following the acclaimed Dunce, which was a finalist for the Pulitzer Prize, comes Mary Ruefle’s latest prose publication The Book.True to its bold title, The Book affirms Mary Ruefle’s legacy as (dubbed by Publishers Weekly) “the patron saint of childhood and the everyday.”  With the same curiosity found in Madness, Rack, and Honey and My Private Property, Ruefle’s prose here feels both omniscient and especially intimate. “It seems I believe in a bygone world though I no longer live there,” she writes. “Will I continue to read about all that is dusty?” In the spirit of friendship, Ruefle generously invites us to query ourselves as readers and thinkers in a world that will eventually endure without us.

Women Photographers 1900–1975: A Legacy of Light presents the work and lives of over 80 women whose contributions to photography have been historically underacknowledged Featuring a carefully curated selection of images, essays and poetry, this volume is a rich collective portrait of artists whose vision and influence shaped the medium in profound ways. With images by: Berenice Abbott, Karimeh Abbud, Laure Albin Guillot, Lola Álvarez Bravo, Diane Arbus, Gertrud Arndt, Ellen Auerbach, Lillian Bassman, Hilla Becher, Ruth Bernhard, Ilse Bing, Katt Both, Margaret BourkeWhite, Anne Brigman, Claude Cahun, Lizzie Caswall Smith, Marjory Collins, Olive Cotton, Imogen Cunningham, Louise DahlWolfe, Maggie Diaz, Nora Dumas, Mikki Ferrill, Trude Fleischmann, Sue Ford, Virginia Fraser, Gisèle Freund, Heather George, Viva Gibb, Christine Godden, Fiona Hall, Ponch Hawkes, Annemarie Heinrich, Florence Henri, Kitty Hoffmann, Ruth Hollick, Kati Horna, Dorothy Izard, Lotte Jacobi, Carol Jerrems, Frances Benjamin Johnston, Joan Jonas, Consuelo Kanaga, Gertrude Käsebier, Germaine Krull, Dorothea Lange, Melanie Le Guay, Helen Levitt, Grace Lock, Inez McPhee, Dora Maar, Madame d’Ora, Bea Maddock, Marion Marrison, Lee Miller, Alice Mills, Jacqueline Mitelman, Lisette Model, Tina Modotti, Lucia Moholy, Marcel Moore, May Moore, Mina Moore, Barbara Morgan, Hedda Morrison, Ann Newmarch, Ruth Orkin, Marion Post Wolcott, Leonie Reisberg, Eslanda Cardozo Goode Robeson, Isabel Seymour, Peggy Silinsky, Eve Sonneman, Varvara Stepanova, Grete Stern, Elsa Thiemann, Tokiwa Toyoko, Ingeborg Tyssen, Edna Walling, Francesca Woodman, Yamawaki Michiko, Yamazawa Eiko.