Maryla Szymiczkowa – författare

‘An ingenious marriage of comedy and crime.’ Olga Tokarczuk, 2018 winner of the Nobel Prize in Literature‘The sprightly narrative and vivid evocation of turn-of-the-century Poland make for an enjoyable tale.’ Guardian‘It’s fun and sparky and the glimpse of  turn-of-the-century Polish manners and mores is beguiling.’ Daily Mail‘The story fuses high comedy with an evocative portrayal of the period.’ Sunday ExpressFor fans of The Thursday Murder Club and Frank Tallis's Vienna Blood comes the thrilling opener to a new Agatha Christie-style mystery series set in PolandCracow, 1893. Desperate to relieve her boredom and improve her social standing, Zofia Turbotynska decides to organise a charity raffle. In a bid to recruit the patronage of elderly aristocratic ladies, she visits Helcel House, a retirement home run by nuns.But when two of the residents are found dead, Zofia discovers that her real talents lie in solving mysteries. Inspired by Agatha Christie and filled with period character and zesty charm, series opener Mrs Mohr Goes Missing vividly recreates life in turn-of-the-century Poland, confronting a range of issues from class prejudice to women's rights, and proves that everyone is capable of finding their passion in life, however unlikely that passion may seem.

A bored socialite becomes a cunning amateur sleuth in this wildly entertaining, Agatha Christie¬inspired mystery of murder and mayhem set in nineteenth-century Poland"An ingenious marriage of comedy and crime."—Olga Tokarczuk, Nobel laureate and author of the Man Booker International Prize winner FlightsCracow, 1893: Zofia Turbotynska—professor''s wife, socialite, and bored homemaker—has little more to do than plan a charity auction sponsored by the wealthy residents of a local nursing home and the nuns who work there. But when one of those residents is found dead, Zofia finds a calling: solving crime. Ridiculed by the police, who have declared the deaths of natural cause, she starts her own murder investigation, unbeknownst to anyone but her loyal cook Franciszka and one reluctant nun. With her husband blissfully unaware of her secret, Zofia remakes herself into one the most surprising, and maybe even effective, detectives combing the city streets. But what will it take for her to find the killer. . .before she becomes the next victim?

"An ingenious marriage of comedy and crime" (Olga Tokarczuk, Nobel laureate): when amateur sleuth and cunning socialite Zofia Turbotyńska''s beloved maid goes missing, she dives deep into Cracow''s web of crime, with only her trusted cook for company.Cracow, 1895. Zofia and her maid Franciszka have their hands full organizing Easter festivities, especially with the household short one servant—where has the capable Karolina disappeared to?Shortly after, Zofia hears that the body of a young woman, violated and stabbed, has washed up on a bank of the River Vistula. Domestic work can wait—Zofia must go investigate. Shockingly, the body turns out to be none other than Karolina. Working with the police, Zofia''s investigations take her deep into the city''s underbelly—a far cry from the socialite''s Cracow she''s familiar with. Desperate to unearth what happened to Karolina, though, she pushes her prejudice aside, immersing herself among prostitutes, gangsters, and duplicitous politicians to unravel a twisted tale of love and deceit. "Written with abundant wit and flair,"* Cracow''s finest, and most iconoclastic, amateur sleuth returns in a highly politicized feminist murder mystery.*Kirkus Reviews

“An ingenious marriage of comedy and crime” (Olga Tokarczuk, Nobel laureate): when amateur sleuth and cunning socialite Zofia Turbotyńska’s beloved maid goes missing, she dives deep into Cracow’s web of crime, with only her trusted cook for company. Cracow, 1895. Zofia and her maid Franciszka have their hands full organizing Easter festivities, especially with the household short one servant—where has the capable Karolina disappeared to? Shortly after, Zofia hears that the body of a young woman, violated and stabbed, has washed up on a bank of the River Vistula. Domestic work can wait—Zofia must go investigate. Shockingly, the body turns out to be none other than Karolina. Working with the police, Zofia’s investigations take her deep into the city’s underbelly—a far cry from the socialite’s Cracow she’s familiar with. Desperate to unearth what happened to Karolina, though, she pushes her prejudice aside, immersing herself among prostitutes, gangsters, and duplicitous politicians to unravel a twisted tale of love and deceit.  “Written with abundant wit and flair,”* Cracow’s finest, and most iconoclastic, amateur sleuth returns in a highly politicized feminist murder mystery. *Kirkus Reviews

A bored socialite becomes a cunning amateur sleuth in this wildly entertaining, Agatha Christie¬inspired mystery of murder and mayhem set in nineteenth-century Poland¶“An ingenious marriage of comedy and crime.”—Olga Tokarczuk, Nobel laureate and author of the Man Booker International Prize winner Flights¶ Cracow, 1893: Zofia Turbotynska—professor’s wife, socialite, and bored homemaker—has little more to do than plan a charity auction sponsored by the wealthy residents of a local nursing home and the nuns who work there. But when one of those residents is found dead, Zofia finds a calling: solving crime. Ridiculed by the police, who have declared the deaths of natural cause, she starts her own murder investigation, unbeknownst to anyone but her loyal cook Franciszka and one reluctant nun. With her husband blissfully unaware of her secret, Zofia remakes herself into one the most surprising, and maybe even effective, detectives combing the city streets. But what will it take for her to find the killer. . .before she becomes the next victim?

‘An ingenious marriage of comedy and crime.’ Olga Tokarczuk, 2018 winner of the Nobel Prize in Literature ‘The sprightly narrative and vivid evocation of turn-of-the-century Poland make for an enjoyable tale.’ Guardian ‘It’s fun and sparky and the glimpse of turn-of-the-century Polish manners and mores is beguiling.’ Daily Mail ‘The story fuses high comedy with an evocative portrayal of the period.’ Sunday Express For fans of The Thursday Murder Club and Frank Tallis''s Vienna Blood comes the thrilling opener to a new Agatha Christie-style mystery series set in Poland Cracow, 1893. Desperate to relieve her boredom and improve her social standing, Zofia Turbotynska decides to organise a charity raffle. In a bid to recruit the patronage of elderly aristocratic ladies, she visits Helcel House, a retirement home run by nuns. But when two of the residents are found dead, Zofia discovers that her real talents lie in solving mysteries. Inspired by Agatha Christie and filled with period character and zesty charm, series opener Mrs Mohr Goes Missing vividly recreates life in turn-of-the-century Poland, confronting a range of issues from class prejudice to women''s rights, and proves that everyone is capable of finding their passion in life, however unlikely that passion may seem.

‘An ingenious marriage of comedy and crime.’ Olga Tokarczuk, 2018 winner of the Nobel Prize in Literature Shortlisted for the EBRD Literature Prize 2022 For fans of The Thursday Murder Club and Frank Tallis''s Vienna Blood comes the thrilling sequel to the critically-acclaimed Mrs Mohr Goes Missing Easter, 1895. The biggest event in the Catholic calendar is a disaster in Zofia Turbotyńska’s household. Her maid Karolina has handed in her notice and worse, gone missing. When Karolina’s body is discovered, violated and stabbed, Zofia knows she has to investigate. Following a trail that leads her from the poorest districts of Galicia to the highest echelons of society, Zofia uncovers a web of gang crimes, sex-trafficking and corruption that will force her to question everything she knows. Set against the backdrop of the women’s cause, Karolina, or the Torn Curtain refuses to turn a blind eye to the injustices and inequalities of its era – and ours. Praise for the series: ‘The sprightly narrative and vivid evocation of turn-of-the-century Poland make for an enjoyable tale.’ Guardian ‘It’s fun and sparky and the glimpse of turn-of-the-century Polish manners and mores is beguiling.’ Daily Mail ‘The story fuses high comedy with an evocative portrayal of the period.’ Sunday Express