Marylu Hill – författare

In the early 1820s, the acclaimed Victorian philosopher, social critic, and essayist Thomas Carlyle achieved a level of expertise in German language and literature that prompted editors to seek him out as a reviewer and launched his career as an essayist. Carlyle has long been credited with establishing the importance of new German writing in Britain at the time, and Essays on German Literature and Culture brings together his complete writings on the topic. This volume will be published in two parts. ​In the essays in part 1, Carlyle ranges broadly over German literature, much of it new to English-speaking audiences, and comments on three writers—Goethe, Richter, and Novalis—who profoundly influenced him.  In keeping with the Norman and Charlotte Strouse Edition of the Writings of Thomas Carlyle, these essays are accompanied by a thorough historical introduction to the material, extensive notes providing historical and cultural context while expanding on references and allusions, and a textual apparatus that carefully details and explains the editorial decisions made in reconciling the editions of each essay.

In the early 1820s, the acclaimed Victorian philosopher, social critic, and essayist Thomas Carlyle achieved a level of expertise in German language and literature that prompted editors to seek him out as a reviewer and launched his career as an essayist. Carlyle has long been credited with establishing the importance of new German writing in Britain at the time, and Essays on German Literature and Culture brings together his complete writings on the topic. This volume will be published in two parts. The essays in part 2 include historical overviews of German literature from the Middle Ages to the present and a series of commentaries marking the passing of Goethe.  In keeping with the Norman and Charlotte Strouse Edition of the Writings of Thomas Carlyle, these essays are accompanied by a thorough historical introduction to the material, extensive notes providing historical and cultural context while expanding on references and allusions, and a textual apparatus that carefully details and explains the editorial decisions made in reconciling the editions of each essay.

This study examines the transformative relationship between Victorian mothers and their modern daughters in the works of six early British modernists (E. M. Forster, Dorothy Richardson, D.H. Lawrence, May Sinclair, Radclyffe Hall, and Virginia Woolf). The emphasis upon a female hero is a significant and largely unremarked similarity in some of the most significant works of these authors. In these novels, the female hero, in order to attain her full potential as an agent of social and artistic changes, must undergo a maturation process that leads from the father's world of language and public action to a new appreciation of the mother's unrecognized, alternative virtues. Exploring the emergence of the young, modern woman as the hero in the works of these formative authors, Hill traces the gendered development of notions of modernity and the negotiation of new forms of mother-daughter relationship at the birth of modernity and modernist art, providing a more richly nuanced understand of the issue of gender in modernism.