Examines both Western and Japanese epic traditions to argue for a new concept of the epic—an epic of peace, toward which the genre is evolving globally.Epic Grandeur: Toward a Comparative Poetics of the Epic proposes a new concept of the epic. The book is based on the belief that the genre has been transforming itself throughout its history from conventional, war-oriented types to a new kind that promotes peace without having recourse to violent motifs. To prove this point, the book takes a new thematic approach which centers on the three elements of epic grandeur: the hero's attitude toward his mortality, his commitment to the community, and the dual dimension of time and space.The book also examines two relatively recent works: John Keats's The Fall of Hyperion and Miyazawa Kenji's Gingatetsudo no Yoru (A Night on the Galaxy Railroad). These works are used as examples of the "transitional epic" that departs from the conventional norms of the epic, and give the reader insight into underlying cultural differences and similarities between the East and West.

Haruki Murakami and His Early Work first discusses Murakami Haruki’s real-life activities and interests, such as his self-identity as a Japanese novelist, his position in the Japanese literary canon, music, translation and running. In this context, three short stories as pivotal to his early writing career are examined, including “The Second Bakery Attack,” “The Elephant Vanishes,” and “TV People.” Written in an easy style to read, and with the content full of references to select contemporary popular culture and consumer products, his fiction in general tends to invite criticism of irrelevance and frivolity. Against their nonsensical, even humorous appearance, however, the book’s close analysis reveals his persistent concern with the plight of today’s humanity in postindustrial reality. Through the bewildering stories, Murakami delivers a covert critique of aspects of the sociopolitical system, including unbridled consumerism, relentless pursuit of efficiency, and electronic media saturation, that brings people into total submission without their realization of the plight in which they are placed. In this respect, these short stories rival his acclaimed novels while showing his essential concerns and literary creativity more succinctly.

Haruki Murakami and His Early Work first discusses Murakami Haruki’s real-life activities and interests, such as his self-identity as a Japanese novelist, his position in the Japanese literary canon, music, translation and running. In this context, three short stories as pivotal to his early writing career are examined, including “The Second Bakery Attack,” “The Elephant Vanishes,” and “TV People.” Written in an easy style to read, and with the content full of references to select contemporary popular culture and consumer products, his fiction in general tends to invite criticism of irrelevance and frivolity. Against their nonsensical, even humorous appearance, however, the book’s close analysis reveals his persistent concern with the plight of today’s humanity in postindustrial reality. Through the bewildering stories, Murakami delivers a covert critique of aspects of the sociopolitical system, including unbridled consumerism, relentless pursuit of efficiency, and electronic media saturation, that brings people into total submission without their realization of the plight in which they are placed. In this respect, these short stories rival his acclaimed novels while showing his essential concerns and literary creativity more succinctly.

Examines both Western and Japanese epic traditions to argue for a new concept of the epic—an epic of peace, toward which the genre is evolving globally.Epic Grandeur: Toward a Comparative Poetics of the Epic proposes a new concept of the epic. The book is based on the belief that the genre has been transforming itself throughout its history from conventional, war-oriented types to a new kind that promotes peace without having recourse to violent motifs. To prove this point, the book takes a new thematic approach which centers on the three elements of epic grandeur: the hero's attitude toward his mortality, his commitment to the community, and the dual dimension of time and space.The book also examines two relatively recent works: John Keats's The Fall of Hyperion and Miyazawa Kenji's Gingatetsudo no Yoru (A Night on the Galaxy Railroad). These works are used as examples of the "transitional epic" that departs from the conventional norms of the epic, and give the reader insight into underlying cultural differences and similarities between the East and West.

Haruki Murakami and His Early Work first discusses Murakami Haruki’s real-life activities and interests, such as his self-identity as a Japanese novelist, his position in the Japanese literary canon, music, translation and running. In this context, three short stories as pivotal to his early writing career are examined, including “The Second Bakery Attack,” “The Elephant Vanishes,” and “TV People.” Written in an easy style to read, and with the content full of references to select contemporary popular culture and consumer products, his fiction in general tends to invite criticism of irrelevance and frivolity. Against their nonsensical, even humorous appearance, however, the book’s close analysis reveals his persistent concern with the plight of today’s humanity in postindustrial reality. Through the bewildering stories, Murakami delivers a covert critique of aspects of the sociopolitical system, including unbridled consumerism, relentless pursuit of efficiency, and electronic media saturation, that brings people into total submission without their realization of the plight in which they are placed. In this respect, these short stories rival his acclaimed novels while showing his essential concerns and literary creativity more succinctly.

Haruki Murakami and His Early Work first discusses Murakami Haruki’s real-life activities and interests, such as his self-identity as a Japanese novelist, his position in the Japanese literary canon, music, translation and running. In this context, three short stories as pivotal to his early writing career are examined, including “The Second Bakery Attack,” “The Elephant Vanishes,” and “TV People.” Written in an easy style to read, and with the content full of references to select contemporary popular culture and consumer products, his fiction in general tends to invite criticism of irrelevance and frivolity. Against their nonsensical, even humorous appearance, however, the book’s close analysis reveals his persistent concern with the plight of today’s humanity in postindustrial reality. Through the bewildering stories, Murakami delivers a covert critique of aspects of the sociopolitical system, including unbridled consumerism, relentless pursuit of efficiency, and electronic media saturation, that brings people into total submission without their realization of the plight in which they are placed. In this respect, these short stories rival his acclaimed novels while showing his essential concerns and literary creativity more succinctly.