Matali Crasset – författare

An innovatively designed monograph on the work of Matali Crasset, one of France’s leading product designers. A darling of French industrial design, Matali Crasset has earned critical praise internationally with her unique spaces and products. Ranging from simple, ergonomic kitchen utensils to architecture, her work engages its end users by asking questions on the role design plays in their everyday lives. Crasset was awarded International Interior Designer of the Year at the British Interior Design Awards in 2004, received the Grand Prize for Design from the city of Paris in 1997, and was a previous recipient of the Premier Prix de Concours Louis Vuitton. Her work includes products and interventions for Philippe Starck (whom she worked with for five years), Established and Sons, Hermès, Swarovski, Authentics, Domeau & Pérès, Alessi, Meta/Mallet, Artemide, and others. She has also engaged in architecture in the round, including hotels in Nice and Tunisia. Raised in a small village in the north of France, where work and life were intimately bound, the designer’s formative experiences clearly inform her view on contemporary design. The uncluttered rhythms of life in the country are reflected in the simple—but often colorful—forms that have earned Crasset a name for herself in the realms of product design, interiors, architecture, and art installations. Lavishly depicted with more than three hundred sketches, concept renderings, and photographs in a unique and brightly hued book format, the projects are organized thematically, with a special emphasis on materials and process.

This catalog presents a series of vases produced by designer matali crasset during a residence at the national porcelain manufactory of Sèvres, in France. Polaroids of vases photographed by Julien Carreyn, drawings by crasset and miscellaneous documents. Matali Crasset and Julien Carreyn have known each other for years. During a residency at the Manufacture in Sèvres, France, the designer invited the artist and photographer Julien Carreyn to capture his current project, the capes, a collection of porcelain vases. This book proposes a dialogue and a game of four hands around these vases, the first vases of matali crasset, and drawings made for an exhibition in Monaco. A series of polaroids and digital photographs of Julien Carreyn come to dialogue with these drawings of matali crasset, as well as with sketch drawings from the catalog of the Manufacture. The absence of text feeds on a railway that develops a narration between these elements. More than reveal the vases, the images turn, they are keys, clues that are given.