Mathew J. Bartkowiak – författare
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4 produkter
4 produkter
534 kr
Skickas inom 3-6 vardagar
The MC5's 1969 live album Kick Out the Jams was a new measure of the relationship between music and cultural and political change. As the "house band" and central organizing force for the White Panther Party, which advocated an end to capitalism and supported the Black Panther Party's initiatives and aims, the MC5 formalized the threat, promise, and parity of music within larger societal spheres. Using the band's career as a case study in evaluating the relationship between rock music and social change, this book examines how the inherent rebelliousness of rock afforded both media producers and consumers a safe space in which to question social mores and ideas.
364 kr
Skickas inom 5-8 vardagar
Covering titles ranging from Rocketship X-M (1950) to Wall-E (2008), these insightful essays measure the relationship between music and science fiction film from a variety of academic perspectives. Thematic sections survey specific compositions utilized in science fiction movies; Broadway's relationship with the genre; science fiction elements in popular songs; the conveyance of subjectivity and identity through music; and such individual composers as Richard Strauss (2001: A Space Odyssey) and Bernard Herrmann (The Day the Earth Stood Still).
490 kr
Skickas inom 5-8 vardagar
Walk through any major or minor league park today and the sights, sounds, and smells of baseball overwhelm. Teams long ago figured out that this immersive quality is a powerful draw, and the "fan experience" has been a major force in their marketing plans.In recent years, advancing technology has altered not only that experience, which now includes LED video boards and blasts of digital music, but the marketing and revenue opportunities for the game. Fans all over the world can subscribe to video and audio streams, acquire credit cards emblazoned with team logos, and follow their favorite players through league-sanctioned blogs. Baseball's ambition and reach are now truly global.Focusing on the game's dual identities as pastime and economic engine, the authors examine the ways that baseball is packaged, promoted and consumed in the United States and, increasingly, abroad.
364 kr
Skickas inom 5-8 vardagar
Films produced in late 1960s and early 1970s America--along with later films focusing on that period--continue to frame our understanding of the counterculture era. The popular and experimental music of the day is central to the counterculture narrative on film, from the utopian Monterey Pop (1968) to the disenchantment of Gimme Shelter (1970). But the musical side of the movement was not monolithic, and a study of contemporary film soundtracks reveals a great deal of complexity. The coinciding struggles to define collective and individual identities based on race, class, gender and generation are well documented in the music of counterculture cinema.