Matteo Burioni – författare

This volume proposes a shift in the way we study historic spaces, moving from predominantly visual hermeneutics towards a cognitively informed, multisensory approach that considers light, sound, climate and movement as integral aspects of architectural experience. The premise is simple yet far-reaching. Historic rooms and ensembles were not merely passive containers for artworks or rituals; rather, they were dynamic perceptual spaces whose effects emerged from the interaction of material form and the people who experienced them. Recent advances in digital recording, simulation and sensor-based measurement enable us to describe these interactions with a precision that was previously unavailable to the humanities. New research approaches based on 3D, light, and sound simulationInterdisciplinary contributions from international researchers

Die zweite von drei Lieferungen vereint zweiundzwanzig Künstler, die im 15. und beginnenden 16. Jahrhundert wirkten.Enthaltene Künstler: Antonio Filarete, Benozzo Gozzoli, Francesco di Giorgio, Lorenzetto Vecchietta, Paolo Romano, Mino und Chimente Camicia, Mino da Fiesole, Simone Scultore, Ercole Ferrarese, Cecca, Jacopo Indaco, Dello Delli, Parri Spinelli, Lazzaro Vasari, Bellano da Padua, Francesco di Giorgio, Lorenzetto Vecchietta, Lorenzo Costa, Bartolomeo della Gatta, Francesco Francia, Vittore Carpaccio und andere venezianische und lombardische Maler.