Matthew Chrulew – författare

This agenda-setting collection argues for the importance of fieldwork for philosophy and provides reflections on methods for such ‘field philosophy’ from the interdisciplinary vantage point of the environmental humanities.

Field philosophy has emerged from multiple sources – including approaches focused on public and participatory research – and others focused on ethology, multispecies studies, and the environmental humanities more broadly. These approaches have yet to enter the mainstream of the discipline, however, and ‘field philosophy’ remains an open and uncharted terrain for philosophical pursuits. This book brings together leading and emerging philosophers who have engaged in critical and constructive forms of fieldwork, for some over decades, and who, through these articles, demonstrate new possibilities and new experiments for philosophical practices. This collection will be of interest to scholars working across the disciplines of continental philosophy, environmental humanities, science and technology studies, animal studies, cultural anthropology, art, and more.

The chapters in this book were originally published as a special issue of Parallax.

This agenda-setting collection argues for the importance of fieldwork for philosophy and provides reflections on methods for such ‘field philosophy’ from the interdisciplinary vantage point of the environmental humanities.

Field philosophy has emerged from multiple sources – including approaches focused on public and participatory research – and others focused on ethology, multispecies studies, and the environmental humanities more broadly. These approaches have yet to enter the mainstream of the discipline, however, and ‘field philosophy’ remains an open and uncharted terrain for philosophical pursuits. This book brings together leading and emerging philosophers who have engaged in critical and constructive forms of fieldwork, for some over decades, and who, through these articles, demonstrate new possibilities and new experiments for philosophical practices. This collection will be of interest to scholars working across the disciplines of continental philosophy, environmental humanities, science and technology studies, animal studies, cultural anthropology, art, and more.

The chapters in this book were originally published as a special issue of Parallax.

Roberto Marchesini is an Italian philosopher and ethologist whose work is significant for the rethinking of animality and human–animal relations. Throughout such important books as Il dio Pan (1988), Il concetto di soglia (1996), Post-human (2002), Intelligenze plurime (2008), Epifania animale (2014), and Etologia filosofica (2016), he offers a scathing critique of reductive, mechanistic models of animal behaviour, as well as a positive contribution to zooanthropological and phenomenological methods for understanding animal life.

Centred on the dynamic and performative field of interactions and relations in the world, his critical and speculative approach to the cognitive life sciences offers a vision of animals as acting subjects and bearers of culture, whose action and agency is also indispensable to human culture. In tracing the ways in which we share our lives and histories with animals in different contexts of interaction, Marchesini’s cutting-edge philosophical ethology also contributes to an overarching philosophical anthropology of the human as the animal that most requires the present and input of other animals. This book was originally published as a special issue of Angelaki: Journal of the Theoretical Humanities.

Roberto Marchesini is an Italian philosopher and ethologist whose work is significant for the rethinking of animality and human–animal relations. Throughout such important books as Il dio Pan (1988), Il concetto di soglia (1996), Post-human (2002), Intelligenze plurime (2008), Epifania animale (2014), and Etologia filosofica (2016), he offers a scathing critique of reductive, mechanistic models of animal behaviour, as well as a positive contribution to zooanthropological and phenomenological methods for understanding animal life.

Centred on the dynamic and performative field of interactions and relations in the world, his critical and speculative approach to the cognitive life sciences offers a vision of animals as acting subjects and bearers of culture, whose action and agency is also indispensable to human culture. In tracing the ways in which we share our lives and histories with animals in different contexts of interaction, Marchesini’s cutting-edge philosophical ethology also contributes to an overarching philosophical anthropology of the human as the animal that most requires the present and input of other animals. This book was originally published as a special issue of Angelaki: Journal of the Theoretical Humanities.

Vinciane Despret is a Belgian philosopher whose work proposes new questions and approaches to human-animal relations. Of central importance to her thought is an intellectual and cultural proposal to allow animals to show their agency and allow them to be interesting. With genuine curiosity, Despret looks at how humans and animals transform one another through daily encounters, and she explores these metamorphoses through an engagement with the history of philosophy, literature, science, field research, and art. In a playful though serious tone, Despret claims that animals are always more interesting than we give them credit for, and that the achievements of animals are never far from our own. This book was originally published as a special issue of Angelaki: Journal of the Theoretical Humanities.

Vinciane Despret is a Belgian philosopher whose work proposes new questions and approaches to human-animal relations. Of central importance to her thought is an intellectual and cultural proposal to allow animals to show their agency and allow them to be interesting. With genuine curiosity, Despret looks at how humans and animals transform one another through daily encounters, and she explores these metamorphoses through an engagement with the history of philosophy, literature, science, field research, and art. In a playful though serious tone, Despret claims that animals are always more interesting than we give them credit for, and that the achievements of animals are never far from our own. This book was originally published as a special issue of Angelaki: Journal of the Theoretical Humanities.

Dominique Lestel is a French philosopher whose work is significant for the rethinking of animality and human-animal relations. Throughout such important books as L’Animalité (1996), Les Origines animales de la culture (2001) and L’Animal singulier (2004), he offers a fierce critique of reductive, mechanistic models of animal behaviour, as well as a positive contribution to etho-ethnographic and phenomenological methods for understanding animal life. Centred around hybrid human–animal communities of shared interests, affects and meaning, his critical and speculative approach to the animal sciences offers a vision of animals as acting subjects and bearers of culture, who form their own worlds and transform them in concert with human and other partners. In tracing the ways in which we share our lives with animals in the texture of animality, Lestel’s cutting-edge philosophical ethology also contributes to an overarching philosophical anthropology of the human as the most animal of animals. This book was originally published as a special issue of Angelaki: Journal of the Theoretical Humanities.

Dominique Lestel is a French philosopher whose work is significant for the rethinking of animality and human-animal relations. Throughout such important books as L’Animalité (1996), Les Origines animales de la culture (2001) and L’Animal singulier (2004), he offers a fierce critique of reductive, mechanistic models of animal behaviour, as well as a positive contribution to etho-ethnographic and phenomenological methods for understanding animal life. Centred around hybrid human–animal communities of shared interests, affects and meaning, his critical and speculative approach to the animal sciences offers a vision of animals as acting subjects and bearers of culture, who form their own worlds and transform them in concert with human and other partners. In tracing the ways in which we share our lives with animals in the texture of animality, Lestel’s cutting-edge philosophical ethology also contributes to an overarching philosophical anthropology of the human as the most animal of animals. This book was originally published as a special issue of Angelaki: Journal of the Theoretical Humanities.