Matthew Engel – författare

Britain gave railways to the world, yet its own network is the dearest (definitely) and the worst (probably) in Western Europe. Trains are deeply embedded in the national psyche and folklore - yet it is considered uncool to care about them.For Matthew Engel the railway system is the ultimate expression of Britishness. It represents all the nation's ingenuity, incompetence, nostalgia, corruption, humour, capacity for suffering and even sexual repression. To uncover its mysteries, Engel has travelled the system from Penzance to Thurso, exploring its history and talking to people from politicians to platform staff.Along the way Engel ('half-John Betjeman, half-Victor Meldrew') finds the most charmingly bizarre train in Britain, the most beautiful branch line, the rudest railwayman, and - after a quest lasting decades - an Individual Pot of Strawberry Jam. Eleven Minutes Late is both a polemic and a paean, and it is also very funny.

Britain gave railways to the world, yet its own network is the dearest (definitely) and the worst (probably) in Western Europe. Trains are deeply embedded in the national psyche and folklore - yet it is considered uncool to care about them.For Matthew Engel the railway system is the ultimate expression of Britishness. It represents all the nation's ingenuity, incompetence, nostalgia, corruption, humour, capacity for suffering and even sexual repression. To uncover its mysteries, Engel has travelled the system from Penzance to Thurso, exploring its history and talking to people from politicians to platform staff.Along the way Engel ('half-John Betjeman, half-Victor Meldrew') finds the most charmingly bizarre train in Britain, the most beautiful branch line, the rudest railwayman, and - after a quest lasting decades - an Individual Pot of Strawberry Jam. Eleven Minutes Late is both a polemic and a paean, and it is also very funny.

Among the mysteries of cricket is the fact that, of all games, it acts as a magnet for amazing, eccentric, humorous and downright weird happenings. For the past quarter-century the Chronicle section of Wisden has been collecting news of cricket''s strangest goings-on. This is just a selection...It''s normal for rain to stop play in cricket. But that''s not all: flying objects, passing dictators, animals of all kinds including a very improbable tiger – they have all had the same effect. But even when the game keeps going, cricket is a magnet for the weird and wonderful.For the past quarter-century the Chronicle section of Wisden has been collecting the most remarkable events in the game: the eccentric, the extraordinary and the excruciatingly funny.This is the cricket that reference books would normally ignore, from the village greens of England to the back alleys of Asia. This selection is about Tendulkar-worshippers and angry neighbours; about scoring a thousand and being all out for nought. There are politicians and protesters; celebs and streakers; judges and jobsworths ... and batsmen who really do murder the bowlers.

Are we tired of hearing that fall is a season, sick of being offered fries and told about the latest movie? Yeah. Have we noticed the sly interpolation of Americanisms into our everyday speech? You betcha. And are we outraged? Hell, yes. But do we do anything? Too much hassle. Until now.In That's The Way It Crumbles Matthew Engel presents a call to arms against the linguistic impoverishment that happens when one language dominates another. With dismay and wry amusement, he traces the American invasion of our language from the early days of the New World, via the influence of Edison, the dance hall and the talkies, right up to the Apple and Microsoft-dominated present day, and explores the fate of other languages trying to fend off linguistic takeover bids. It is not the Americans' fault, more the result of their talent for innovation and our own indifference.He explains how America's cultural supremacy affects British gestures, celebrations and way of life, and how every paragraph and conversation includes words the British no longer even think of as Americanisms. Part battle cry, part love song, part elegy, this book celebrates the strange, the banal, the precious and the endangered parts of our uncommon common language.

Are we tired of hearing that fall is a season, sick of being offered fries and told about the latest movie? Yeah. Have we noticed the sly interpolation of Americanisms into our everyday speech? You betcha. And are we outraged? Hell, yes. But do we do anything? Too much hassle. Until now.In That''s The Way It Crumbles Matthew Engel presents a call to arms against the linguistic impoverishment that happens when one language dominates another. With dismay and wry amusement, he traces the American invasion of our language from the early days of the New World, via the influence of Edison, the dance hall and the talkies, right up to the Apple and Microsoft-dominated present day, and explores the fate of other languages trying to fend off linguistic takeover bids. It is not the Americans'' fault, more the result of their talent for innovation and our own indifference.He explains how America''s cultural supremacy affects British gestures, celebrations and way of life, and how every paragraph and conversation includes words the British no longer even think of as Americanisms. Part battle cry, part love song, part elegy, this book celebrates the strange, the banal, the precious and the endangered parts of our uncommon common language.

The first part of Matthew Engel's sweeping social history of modern Britain during the reign of Elizabeth II.

Book of the Year in the Daily Mail, Daily Telegraph and New Statesman'A powerful illumination of a lost world that is nevertheless part of living memory.' Simon Heffer, 'Books of the Year' , Daily Telegraph'A joyous new book on post-war Britain.' Daily MailWhen Queen Elizabeth II came to the throne in 1952, Britain had a far-flung empire, Winston Churchill was prime minister, sweets were rationed, mums stayed at home and kids played on bombsites. In the years that followed everything changed utterly. Through original research, interviews with people who were there and his own memories of the time, Matthew Engel traces this transformation of British society as never before.Beginning with the death of King George VI and ending on the eve of Margaret Thatcher's election, Engel not only covers all the major historical events but also explores everyday life - from the food we ate and where we shopped, to what we watched on television and the newspapers we read. In doing so, he brings these three decades to life with his own light touch and a wealth of fascinating, forgotten, often funny detail. Previously published as The Reign - Life in Elizabeth's Britain.

England, says Matthew Engel, is the most complicated place in the world. And, as he travels through each of the historic English counties, he discovers that's just the start of it. Every county is fascinating, the product of a millennium or more of history: still a unique slice of a nation that has not quite lost its ancient diversity.He finds the well-dressers of Derbyshire and the pyromaniacs of Sussex; the Hindus and huntsmen of Leicestershire; the goddess-worshippers of Somerset. He tracks down the real Lancashire, hedonistic Essex, and the most mysterious house in Middlesex. In Durham he goes straight from choral evensong to the dog track. As he seeks out the essence of each county - from Yorkshire's broad acres to the microdot of Rutland - Engel always finds the unexpected .Engel's England is a totally original look at a confused country: a guidebook for people who don't think they need a guidebook. It is always quirky, sometimes poignant and often extremely funny.

England, says Matthew Engel, is the most complicated place in the world. And, as he travels through each of the historic English counties, he discovers that''s just the start of it. Every county is fascinating, the product of a millennium or more of history: still a unique slice of a nation that has not quite lost its ancient diversity.He finds the well-dressers of Derbyshire and the pyromaniacs of Sussex; the Hindus and huntsmen of Leicestershire; the goddess-worshippers of Somerset. He tracks down the real Lancashire, hedonistic Essex, and the most mysterious house in Middlesex. In Durham he goes straight from choral evensong to the dog track. As he seeks out the essence of each county - from Yorkshire''s broad acres to the microdot of Rutland - Engel always finds the unexpected .Engel''s England is a totally original look at a confused country: a guidebook for people who don''t think they need a guidebook. It is always quirky, sometimes poignant and often extremely funny.