Matthew Harle – författare

WINNER OF THE SOCCER BOOK AWARD GRAND PRIZEArsenal is special. Its multicultural fandom reflects a changing city and a unique relationship with Black British popular culture. Thanks to its decades of fielding iconic Black players on the pitch and the storied and diverse histories of its terraces, Arsenal has emerged as a powerful symbol of what an organic and convivial multiculture can be.From the earliest hints in the late 1960s that something remarkable was happening, up to Arsenal's ascendence as a global organisation, Black Arsenal is the first dedicated exploration of the club's relationship to contemporary Black identity and culture. It sees the club's affinity with Black identity transcend football and spread across cultures: in the media, music, fashion, politics and everyday social experiences. Explored through a combination of stunning photography and rare archival images, Black Arsenal examines how a new Black iconography emerged at Arsenal at key moments in British history that became crucial to the creation of new forms of Black identification.With contributions including former legends Ian Wright and Paul Davis, critical appraisals from Paul Gilroy, Gail Lewis and Clive Chijioke Nwonka, and personal responses from Clive Palmer, Ezra Collective, Amy Lawrence and others, Black Arsenal encounter the moments, stories and experiences of how Arsenal became an important and underexamined feature of modern Black British culture and identity.

Afterlives of Abandoned Work considers the relevance of unfinished projects to literary history and criticism, looking beyond famous posthumous work to investigate the abandoned everyday, from scrapped plans and rejected ideas to half-written novels or unfinished artistic works. It traces how the reading of abandoned creative endeavor—whether arriving in the form of a rejection letter, a disagreement with a collaborator, or the simple act of walking away from one’s desk—can change the way we think about cultural production, the creative process, and the intellectual construction of everyday life. Over five distinct journeys through a variety of archives, from major research libraries to the unique collections of individual enthusiasts, Matthew Harle draws surprising connections between literary studies, media studies, and visual arts, exploring unfinished projects from Thomas Pynchon, Muriel Spark, B.S. Johnson, Harold Pinter, and others. Rooted in literary criticism, Afterlives of Abandoned Work reads unbuilt buildings, unfilmed screenplays, and unpublished novels and radio sketches as forms of text that can help us consider the enduring fragmentation and anecdotal construction of cultural form, as well as expand literary criticism’s approach to the archive.

Afterlives of Abandoned Work considers the relevance of unfinished projects to literary history and criticism, looking beyond famous posthumous work to investigate the abandoned everyday, from scrapped plans and rejected ideas to half-written novels or unfinished artistic works. It traces how the reading of abandoned creative endeavor-whether arriving in the form of a rejection letter, a disagreement with a collaborator, or the simple act of walking away from one's desk-can change the way we think about cultural production, the creative process, and the intellectual construction of everyday life. Over five distinct journeys through a variety of archives, from major research libraries to the unique collections of individual enthusiasts, Matthew Harle draws surprising connections between literary studies, media studies, and visual arts, exploring unfinished projects from Thomas Pynchon, Muriel Spark, B.S. Johnson, Harold Pinter, and others. Rooted in literary criticism, Afterlives of Abandoned Work reads unbuilt buildings, unfilmed screenplays, and unpublished novels and radio sketches as forms of text that can help us consider the enduring fragmentation and anecdotal construction of cultural form, as well as expand literary criticism's approach to the archive.

Afterlives of Abandoned Work considers the relevance of unfinished projects to literary history and criticism, looking beyond famous posthumous work to investigate the abandoned everyday, from scrapped plans and rejected ideas to half-written novels or unfinished artistic works. It traces how the reading of abandoned creative endeavor-whether arriving in the form of a rejection letter, a disagreement with a collaborator, or the simple act of walking away from one's desk-can change the way we think about cultural production, the creative process, and the intellectual construction of everyday life. Over five distinct journeys through a variety of archives, from major research libraries to the unique collections of individual enthusiasts, Matthew Harle draws surprising connections between literary studies, media studies, and visual arts, exploring unfinished projects from Thomas Pynchon, Muriel Spark, B.S. Johnson, Harold Pinter, and others. Rooted in literary criticism, Afterlives of Abandoned Work reads unbuilt buildings, unfilmed screenplays, and unpublished novels and radio sketches as forms of text that can help us consider the enduring fragmentation and anecdotal construction of cultural form, as well as expand literary criticism's approach to the archive.

Afterlives of Abandoned Work considers the relevance of unfinished projects to literary history and criticism, looking beyond famous posthumous work to investigate the abandoned everyday, from scrapped plans and rejected ideas to half-written novels or unfinished artistic works. It traces how the reading of abandoned creative endeavor—whether arriving in the form of a rejection letter, a disagreement with a collaborator, or the simple act of walking away from one’s desk—can change the way we think about cultural production, the creative process, and the intellectual construction of everyday life. Over five distinct journeys through a variety of archives, from major research libraries to the unique collections of individual enthusiasts, Matthew Harle draws surprising connections between literary studies, media studies, and visual arts, exploring unfinished projects from Thomas Pynchon, Muriel Spark, B.S. Johnson, Harold Pinter, and others. Rooted in literary criticism, Afterlives of Abandoned Work reads unbuilt buildings, unfilmed screenplays, and unpublished novels and radio sketches as forms of text that can help us consider the enduring fragmentation and anecdotal construction of cultural form, as well as expand literary criticism’s approach to the archive.

The Underground Sea is a succinct, urgent collection of writing from John Berger's archive. It brings together for the first time his work on mineworkers and the miners' strikes and has been edited as a set of actions for today. Publication of The Underground Sea marks the 40th Anniversary of the 1984-5 Strike, at a time when people are rediscovering the necessity, power and possibilities of collective action.Including transcripts and image-essay of his rarely-seen BBC programme, Germinal; interviews and his essay 'Miners', it places itself in the heart of a Derbyshire mining village, with reflections on the everyday life of a typical pit community. Berger grapples with the politics of witness as he studies the miners' labour and the wider community shaped in service to this work. Reflecting on their precarity, he goes back to Zola's novel for hope that 'a new world is germinating underneath the ground. And when it arrives, it will crack open the earth.'

The Underground Sea is a succinct, urgent collection of writing from John Berger's archive. It brings together for the first time his work on mineworkers and the miners' strikes and has been edited as a set of actions for today: a time when people are rediscovering the necessity, power and possibilities of collective action.Including essays, transcripts, interviews and images, it places itself in the heart of a Derbyshire mining village, with reflections on the everyday life of a typical pit community.