Matthew Martin – författare

In a series of 24 full-color drawings satirical cartoonist Matthew Martin captures of the essence of Modern Shunga, and updates it with witty and often unlikely cultural and artistic references. Modern Shunga is perfect gift for lovers of, well, high-class dirty pictures.The project began when Martin, a well known Australian cartoonist and illustrator, was asked by a friend to paint the identifying icons on the mens and ladies room doors in a new, upscale Japanese restaurant outside of Sydney. After countless and generally inappropriate attempts, Martin rekindled his great admiration for shunga, and developed the series of drawings in this book. The works were exhibited at a distinguished Sydney gallery to rave reviews and the development of a cult following.

An analysis of Sub-Saharan Africa''s debt negotiations in the 1980s. It provides a framework for assessing the major types of debt negotiation, showing that faulty procedure made agreements vulnerable to failure, so that nobody was winning.

An analysis of Sub-Saharan Africa's debt negotiations in the 1980s. It provides a framework for assessing the major types of debt negotiation, showing that faulty procedure made agreements vulnerable to failure, so that nobody was winning.

Who fought the first duel in Sydney? Where were the city’s first dancing horses? And who was the daredevil who crossed Middle Harbour on a tightrope in 1877?This whimsical, witty history of Sydney will entertain children like nothing else they’ve seen. In a series of unexpected, adventurous and just plain crazy firsts, Hilary Bell and Matthew Martin trace the events, people and places that have shaped their city, however unintentionally. Where else will you find Sydney’s first surfer-girl sharing pages with the astonishing tightrope-walking feats of the marvellous funambulist himself, Henri L’Estrange?

In previous studies of South Asian Tantric ritual, scholars tend to focus on one region or context. For the first time, Tantra, Ritual Performance and Politics in Nepal and Kerala: Embodying the Goddess-clan offers a comparative approach to Tantric mediumship as observed in two locales: Navadurgā rituals in Bhaktapur, Nepal, and Teyyāṭṭam in North Kerala. In this book, Matthew Martin advances a new theory of ritual, which spotlights the way dancer-mediums embody medieval goddess-clans and ancestor deities, through offerings of food and sacrifice, that synchronize their denizens with the land in spiralling web-like ritual networks. Uniquely interdisciplinary in style, this study synthesizes cultural history, ethnography, and theory to explore the continuities – historical, societal, and political – that characterize these ritual traditions across the subcontinent.