Matthew Sturgis – författare

The first major biography of Oscar Wilde in thirty years, and the most complete telling of his life and times to date. NOMINATED FOR THE WOLFSON HISTORY PRIZE 2019 'The Book of the Year, perhaps of the decade' TLS 'Simply the best modern biography of Wilde... A terrific achievement' Evening Standard 'Page-turning... Vivid and desperately moving. However much you think you know Wilde, this book will absorb and entertain you' The Sunday TimesBooks of the YearOscar Wilde's life – like his wit – was alive with paradox. He was both an early exponent and a victim of 'celebrity culture': famous for being famous, he was lauded and ridiculed in equal measure. His achievements were frequently downplayed, his successes resented. He had a genius for comedy but strove to write tragedies. He was an unabashed snob who nevertheless delighted in exposing the faults of society. He affected a dandified disdain but was prone to great acts of kindness. Although happily married, he became a passionate lover of men and – at the very peak of his success – brought disaster upon himself. He disparaged authority, yet went to the law to defend his love for Lord Alfred Douglas. Having delighted in fashionable throngs, Wilde died almost alone. Above all, his flamboyant refusal to conform to the social and sexual orthodoxies of his day make him a hero and an inspiration to all who seek to challenge convention. Matthew Sturgis draws on a wealth of new material and fresh research, bringing alive the distinctive mood and characters of the fin de siècle in the richest and most compelling portrait of Wilde to date.

The first major life of the outstanding British painter – and Jack the Ripper suspect – Walter Sickert (1860-1942), by the highly acclaimed biographer of Aubrey Beardsley.Walter Richard Sickert is perhaps the outstanding figure of British art during the last hundred years. Many contemporary painters, from Hodgkin and Bacon to Auerbach and Kossof, acknowledge a debt to his influence. His career spanned six decades of unceasing experiment and achievement. As a young artist, he was welcomed and encouraged by Degas. He was the disciple of Whistler and mentor of Beardsley. He founded the London Impressionists and the Camden Town Group. He was taken up by both the Woolfs and the Sitwells. He gave painting lessons to Winston Churchill.His energy was prodigious and his personality fascinating: he was also an illustrator, cartoonist, writer, polemicist, teacher and wit. He relished controversy: his early paintings of London music halls and his late works, based on 18th-century etchings and contemporary news photographs, provoked outraged criticism from conventional commentators.Sturgis also devotes an appendix to charting in detail Sickert's posthumous life as a player in the 'Jack the Ripper' circus, assessing (and demolishing) the arguments of Patricia Cornwell and others in the light of his own discoveries.

This edition does not include illustrations.The first major life of the outstanding British painter – and Jack the Ripper suspect – Walter Sickert (1860-1942), by the highly acclaimed biographer of Aubrey Beardsley.Walter Richard Sickert is perhaps the outstanding figure of British art during the last hundred years. Many contemporary painters, from Hodgkin and Bacon to Auerbach and Kossof, acknowledge a debt to his influence. His career spanned six decades of unceasing experiment and achievement. As a young artist, he was welcomed and encouraged by Degas. He was the disciple of Whistler and mentor of Beardsley. He founded the London Impressionists and the Camden Town Group. He was taken up by both the Woolfs and the Sitwells. He gave painting lessons to Winston Churchill.His energy was prodigious and his personality fascinating: he was also an illustrator, cartoonist, writer, polemicist, teacher and wit. He relished controversy: his early paintings of London music halls and his late works, based on 18th-century etchings and contemporary news photographs, provoked outraged criticism from conventional commentators.Sturgis also devotes an appendix to charting in detail Sickert's posthumous life as a player in the 'Jack the Ripper' circus, assessing (and demolishing) the arguments of Patricia Cornwell and others in the light of his own discoveries.

The official companion to all three seasons.The Great War has ended, but Downton Abbey is far from peaceful…A changing world has brought new challenges and new guests. Inside the walls of the Great House there is more intrigue, rivalry and romance than ever.The Chronicles of Downton Abbey take you deep into the lives of the Crawleys, their servants, lovers, friends and guests. So wander the crowded servants' quarters and peek into luxurious bed chambers. Go beneath the surface, and experience every aspect of their lives – from daily routines, dressing tables and treasure chests to their most secret hopes and fears.This definitive book explores the lives of every important member of the Downton estate. Focusing on each character individually, it examines their motivations, their actions and the inspirations behind them. An evocative source of story and background, it will take you even deeper into the secret, beating heart of the house.

This richly illustrated short, extracted from the official book The Chronicles of Downton Abbey, focuses on the characters individually, examining their motivations, their actions and the inspirations behind them. Forwarded by Downton Abbey creator Julian Fellowes.`There’s an independence about Mary,” says Michelle Dockery, the actress who plays her. “She’s not influenced by anyone and she’s very much her own person, she makes her own decisions. I understand her because I’m one of three girls too and I’ve always been defiant that I didn’t want to do what they did.’Having her heart both broken and put back together by her true love, Matthew, has rounded the edges off Mary. Now, we find she has her backbone of steel but she is kinder, nicer and altogether more forgiving of human fallibilities – even her own.Matthew is a lucky man to have survived the war. What’s more, he has the possibility of gaining a large fortune, and is due to marry the woman he loves. Yet, he is not a man at ease. His conscience is easily pricked by the requirements that lie ahead of him in the role of Earl of Grantham.Purchase this ebook short and the others in the series to get closer still to the characters at Downton Abbey and to understand more about their social context – from the changing role of the aristocracy to fashion and beauty, American Anglophiles, the Suffragette movement and life below stairs in a big country house like Downton.Search for The Chronicles of Downton Abbey to purchase all shorts combined.

This richly illustrated short, extracted from the official book The Chronicles of Downton Abbey, focuses on the characters individually, examining their motivations, their actions and the inspirations behind them. Forwarded by Downton Abbey creator Julian Fellowes.When Cora’s mother, Martha Levinson, comes to stay, it’s clear that she is more than a match for Violet. Equally confident in their age, status and belief that their way is the right way, the two could easily quarrel.Intransigent, intractable Violet is the definitive dowager. Largely based on Julian Fellowes’s own great-aunt, Isie Stephenson, `in whom there was a mix of severity and a kind heart’, Violet represents the last of an era; one of the few remaining Victorians who believed absolutely in the necessity of moral exactitude, the importance of family and the oblige of the noblesse.Martha may have once been awed by the English upper classes (this, after all, was why she brought her daughter over to be presented at the London Season), but she welcomes the post-war changes that are being brought to England, even if they seem slower in coming to Downton Abbey.Shirley MacLaine, the actress who plays Martha, believes that her character’s attitude comes not so much from her money as her politics: `Her confidence comes from being a democratic American – she is so centred in her fairness and considers America to be fair, and tradition is not fair.’Purchase this ebook short and the others in the series to get closer still to the characters at Downton Abbey and to understand more about their social context – from the changing role of the aristocracy to fashion and beauty, American Anglophiles, the Suffragette movement and life below stairs in a big country house like Downton.Search for The Chronicles of Downton Abbey to purchase all shorts combined.

This richly illustrated short, extracted from the official book The Chronicles of Downton Abbey, focuses on the characters individually, examining their motivations, their actions and the inspirations behind them. Forwarded by Downton Abbey creator Julian Fellowes.Isobel Crawley is a woman with a cause. The cause may change, but she likes to make sure she’s always got one on the go. An educated, forward-thinking woman who lived amongst the professional middle classes of Manchester, she suddenly found herself the mother of an earl-in-waiting. Thrust into this position, she determined that she and Matthew should not be cowed by their new situation.Penelope Wilton, the actress portraying Isobel, explains the subtleties of her character’s motives: `She is not the least resentful – or disapproving – of the Downton world. Though she is critical of the wider society and wants to improve it. But she is not a radical socialist. Her desire to help is conceived within the existing structures of her world.’Purchase this ebook short and the others in the series to get closer still to the characters at Downton Abbey and to understand more about their social context – from the changing role of the aristocracy to fashion and beauty, American Anglophiles, the Suffragette movement and life below stairs in a big country house like Downton.Search for The Chronicles of Downton Abbey to purchase all shorts combined.

This richly illustrated short, extracted from the official book The Chronicles of Downton Abbey, focuses on the characters individually, examining their motivations, their actions and the inspirations behind them. Forwarded by Downton Abbey creator Julian Fellowes.It is a strange life for the likes of Carson and Mrs Hughes, sitting between the family and the servants and never completely belonging to either group. It’s easy to understand why the two of them seek refuge in each other, even in their own rather stilted fashion.`Carson comes from a family of soldiers and servants,’ says Julian Fellowes. `His grandfather was a head groom and so he’s middle-middle class – they certainly weren’t scrabbling in the gutter for food.’Mrs Hughes gave up the idea of marriage and a family for her career as Downton’s housekeeper. This does not mean she was without ambition: a career in service was something to be proud of; the job was steady, she had respect from her colleagues and she could look forward to a reasonably comfortable retirement provided by the Downton Abbey estate, if she served the family for many years.Purchase this ebook short and the others in the series to get closer still to the characters at Downton Abbey and to understand more about their social context – from the changing role of the aristocracy to fashion and beauty, American Anglophiles, the Suffragette movement and life below stairs in a big country house like Downton.Search for The Chronicles of Downton Abbey to purchase all shorts combined.

This richly illustrated short, extracted from the official book The Chronicles of Downton Abbey, focuses on the characters individually, examining their motivations, their actions and the inspirations behind them. Forwarded by Downton Abbey creator Julian Fellowes.Thomas Barrow is one of the most complicated and intriguing of all the characters at Downton Abbey. As we have got to know him through years of both peace and war, multiple layers have been peeled away to reveal an insecure, jealous, sometimes paranoid, defensive and cowardly man beneath a glossy veneer of good looks and arrogance.`O’Brien realises that she is never going to be rich or successful – although she is quite successful as the lady’s maid of a countess,” says Julian Fellowes. “But she gets her thrills by manipulating and being devious and plotting. Her reward is in having a sense that she has power over people.’Purchase this ebook short and the others in the series to get closer still to the characters at Downton Abbey and to understand more about their social context – from the changing role of the aristocracy to fashion and beauty, American Anglophiles, the Suffragette movement and life below stairs in a big country house like Downton.Search for The Chronicles of Downton Abbey to purchase all shorts combined.

This richly illustrated short, extracted from the official book The Chronicles of Downton Abbey peels back the curtain on the making of Series 3. With a foreword from Downton Abbey creator Julian Fellowes.You’ll have privileged access to the on-set jokes and camaraderie between the actors – including anecdotes about Jim Carter’s (Carson’s) magic tricks and a revelation that two actors liked to burst into an impromptu duet of the Three Degrees classic “When Will I See You Again” between takes – find out who!See also how the sets at Highclere Castle and Ealing Studios were adapted, and hear from the costume and make up artists about the incredible attention to detail they applied to bring the 1920s so vividly to life.Purchase this ebook short and the others in the series to get closer still to the characters at Downton Abbey and to understand more about their social context – from the changing role of the aristocracy to fashion and beauty, American Anglophiles, the Suffragette movement and life below stairs in a big country house like Downton.Search for The Chronicles of Downton Abbey to purchase all shorts combined.

The first major biography of Oscar Wilde in thirty years, and the most complete telling of his life and times to date. NOMINATED FOR THE WOLFSON HISTORY PRIZE 2019 ''The Book of the Year, perhaps of the decade'' TLS ''Simply the best modern biography of Wilde... A terrific achievement'' Evening Standard ''Page-turning... Vivid and desperately moving. However much you think you know Wilde, this book will absorb and entertain you'' The Sunday TimesBooks of the YearOscar Wilde''s life – like his wit – was alive with paradox. He was both an early exponent and a victim of ''celebrity culture'': famous for being famous, he was lauded and ridiculed in equal measure. His achievements were frequently downplayed, his successes resented. He had a genius for comedy but strove to write tragedies. He was an unabashed snob who nevertheless delighted in exposing the faults of society. He affected a dandified disdain but was prone to great acts of kindness. Although happily married, he became a passionate lover of men and – at the very peak of his success – brought disaster upon himself. He disparaged authority, yet went to the law to defend his love for Lord Alfred Douglas. Having delighted in fashionable throngs, Wilde died almost alone. Above all, his flamboyant refusal to conform to the social and sexual orthodoxies of his day make him a hero and an inspiration to all who seek to challenge convention. Matthew Sturgis draws on a wealth of new material and fresh research, bringing alive the distinctive mood and characters of the fin de siècle in the richest and most compelling portrait of Wilde to date.

History remembers the greats but what about those who lived alongside them?In the cultural ferment of late nineteenth-century London, three fascinating but often overlooked figures navigated the world in the shadow of their celebrated brothers. Willie Wilde, the hapless yet charming older sibling of Oscar, never quite matched his brother's literary genius. Mabel Beardsley, the striking and ambitious sister of Aubrey, played a crucial role in his artistic ascent before forging her own path on the stage. And Howard Sturgis, a minor novelist with a sharp wit, watched as his brother Julian achieved the success he himself never quite grasped. Moving through bohemian clubland, West End theatres, literary salons, and the pages of The Yellow Book, these siblings were more than just footnotes to history. Their lives filled with ambition, scandal, devotion, and missteps offer a fresh perspective on the glittering world of the 1890s.Drawing on family history, sharp storytelling, and original research, Matthew Sturgis reveals the vibrant, overlooked figures who shaped their era. For lovers of literary and cultural history, it is an invitation to explore the road less travelled a sidelight that, as Mabel Beardsley knew well, can sometimes be the most illuminating.

History remembers the greats – but what about those who lived alongside them?In the cultural ferment of late nineteenth-century London, three fascinating but often overlooked figures navigated the world in the shadow of their celebrated brothers. Willie Wilde, the hapless yet charming older sibling of Oscar, never quite matched his brother’s literary genius. Mabel Beardsley, the striking and ambitious sister of Aubrey, played a crucial role in his artistic ascent before forging her own path on the stage. And Howard Sturgis, a minor novelist with a sharp wit, watched as his brother Julian achieved the success he himself never quite grasped.Moving through bohemian clubland, West End theatres, literary salons, and the pages of The Yellow Book, these siblings were more than just footnotes to history. Their lives – filled with ambition, scandal, devotion, and missteps – offer a fresh perspective on the glittering world of the 1890s.Drawing on family history, sharp storytelling, and original research, Matthew Sturgis reveals the vibrant, overlooked figures who shaped their era. For lovers of literary and cultural history, it is an invitation to explore the road less travelled – a sidelight that, as Mabel Beardsley knew well, can sometimes be the most illuminating.

History remembers the greats – but what about those who lived alongside them?In the cultural ferment of late nineteenth-century London, three fascinating but often overlooked figures navigated the world in the shadow of their celebrated brothers. Willie Wilde, the hapless yet charming older sibling of Oscar, never quite matched his brother’s literary genius. Mabel Beardsley, the striking and ambitious sister of Aubrey, played a crucial role in his artistic ascent before forging her own path on the stage. And Howard Sturgis, a minor novelist with a sharp wit, watched as his brother Julian achieved the success he himself never quite grasped.Moving through bohemian clubland, West End theatres, literary salons, and the pages of The Yellow Book, these siblings were more than just footnotes to history. Their lives – filled with ambition, scandal, devotion, and missteps – offer a fresh perspective on the glittering world of the 1890s.Drawing on family history, sharp storytelling, and original research, Matthew Sturgis reveals the vibrant, overlooked figures who shaped their era. For lovers of literary and cultural history, it is an invitation to explore the road less travelled – a sidelight that, as Mabel Beardsley knew well, can sometimes be the most illuminating.

The 1890s have become legendary: the period of Wilde, Beardsley and the Yellow Book; a decadent twilight at the close of the Victorian century, when young poets weary of life sat about drinking absinthe and talking of strange sins. The provenance of this beguiling picture is peculiar, for the myth of the Decadent Nineties was created during the period itself. It was an age of artistic self-consciousness, during which writers and painters believed that they had to create not only their works but also their personalities. In Passionate Attitudes, Matthew Sturgis examines the varying extents to which ambitious poets, penurious painters, canny publishers and a controversialist press all conspired to promote the notion of decadence. He explores in detail the cataclysmic effect upon English decadence of the spectacular trial and subsequent conviction of Wilde in 1895, a fall which was to cast a blight over the whole generation. As well as the luminaries Wilde, Beardsley and Beerbohm, Sturgis portrays Arthur Symons, the poet of the music halls, who divided his energies between promoting Verlaine and chasing after chorus girls; Ernest Dowson, the demoralised romantic of the Rhymers Club; Count Erik Stenbock, who kept a snake up his sleeve and went mad; and John Gray, who may have been the model for Wilde's Dorian. John Lane published most of their books; Owen Seaman and Ada Leverson parodied their manners. Elegantly written, Passionate Attitudes provides a hugely informative and richly entertaining account of the zeitgeist behind the glorious decade of excess.

When Aubrey Beardsley died in 1898, he was aged only 25. In his short but crowded career he had become one of the defining figures of the fin-de-siècle, a precocious draughtsman who redefined the limits of black-and-white art. His erotic, decadent illustrations for Oscar Wilde's Salome set the tone for his style: by turns shocking, facetious and cruel. Beloved by Burne-Jones, cursed by William Morris, he was the intimate of Wilde, the rival of Whistler, the friend of Beerbohm, Sickert, Ada Leverson and William Rothenstein. His deliberate manipulation of press and public, his awareness of both art and the market-place, made him one of the first truly modern artists.

'To critics who said that the full-lipped so-called 'Beardsley mouth', which adorned many of his women, was 'inexpressive and ugly', the artist countered, 'Well, let them criticise. It's my mouth and not theirs. I like big mouths. People like the little mouth - the "Dolly Varden" mouth, if that describes it better. A big mouth is the sign of character and strength. Look at Ellen Terry with her great, strong mouth. In fact, I haven't any patience with small-mouthed people.' 'The popular idea of a picture is something told in oil or writ in water to be hung on a room's wall or in a picture gallery to perplex an artless public.' 'To my mind, there is nothing so depressing as a Gothic cathedral. I hate to have the sun shut out by the saints.' 'What a nice ample creature George Sand is: like a wonderful old cow with all her calves.' And other witty, urbane insights on life, art, and culture, illustrated with selected drawings from his Grotesques series.

Emma Haworth is a painter of the urban scene. Her art is built upon meticulous observation of the ebb and flow of modern metropolitan life – in the streets, the parks, the squares of London, New York, Paris and other great cities: it is a constantly shifting drama of moving people and changing light, played out in a great arena that is both architectural and natural. In To Everything There is a Season, Emma shows us an overview of her oeuvre and working practices.