Matthieu Orlean – författare
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2 produkter
2 produkter
329 kr
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'Sometimes the movie knows you better than you know yourself, and you reveal your point of view about the world without ever even intending to.’ – Wes Anderson An archive is always a time-machine, but the archives of Wes Anderson take us on a journey not just through time, but through layers of stories and the experiences of storytelling – on paper and on film. This book is dedicated to these stories and celebrates Anderson’s over 30 years in cinema. From the start of his career, Anderson has maintained a rich library of notebooks, drawings, paintings, polaroids, props, puppets, sets, and costumes from his films. The objects shown here are enhanced and illuminated by Anderson’s long-time collaborators: Owen Wilson, Jason Schwartzman, Scarlett Johansson, Tilda Swinton; composer Alexandre Desplat; musician Seu Jorge; and music supervisor Randall Poster. Also included: an extensive interview with Anderson himself, reflecting on his films and working process. Wes Anderson: The Archives accompanies the first retrospective exhibition of Anderson’s work, curated by la Cinémathèque française in Paris and the Design Museum in London in partnership with Wes Anderson Edited by Johanna Agerman Ross, Matthieu Orléan and Lucia Savi.
153 kr
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This reference work presents the full range of the filmmaker’s artistry (photography, painting and music) through the optic of his films. It is an original work combining all facets of his creation for the first time, bringing a fresh vision of his cinematographic work. At the heart of the book is the exhibition curator Matthieu Orléan’s unpublished interview with Gus Van Sant in Portland in June 2015, discussing the whole scope of his work and inspirations through a network of images organized into themes. The work also explores the work of other artists whose heritage Gus Van Sant believes he is continuing: heritage beat, pop, rock, and experimental filmmakers, writers and visual artists like William Burroughs, William Eggleston, Harmony Korine and Ed Ruscha. There is also critical analysis of the many themes Gus Van Sant tackles in his work related to his own personal reflections on life, accompanied by first-hand anecdotes and an in-depth appraisal of the production processes used in each movie, from the experimental shorts of the 70s to Sea of Trees, presented at the Cannes Festival in May 2015, soon to be released in cinemas. The monograph also feature essays by Stéphane Bouquet, Benjamin Thorel, Bertrand Schefer and Stefano Boni, who provide their own interpretations of his protean work. Each essay tackles specific aspects of Gus Van Sant’s creation through reflections on the heterogenous nature of his methods and approach.