The Text in the Community brings together essays by a diverse group of medievalists to consider the multiple ways in which readers approach texts and manuscripts as part of "communities" of readers, authors, scribes, and scholars. The central premise of this volume is that texts do not exist in isolation. Each written work is embedded in contexts—literary, historical, geographical, social, political, and religious—and derives its meaning in part from the intersection of those contexts in the reader's experience of the text.This collection is distinguished by a variety of approaches to the study of medieval texts and manuscripts and by the capacious time frame in which they are located, extending from the Anglo-Saxon period to the fifteenth century. Contributors demonstrate ways in which the insights gained from careful attention to the multiple dimensions, material as well as verbal, of medieval texts can extend and complicate our notions of the literary tradition, medieval reading practices and audiences, and modes of composition.

The Text in the Community brings together essays by a diverse group of medievalists to consider the multiple ways in which readers approach texts and manuscripts as part of "communities" of readers, authors, scribes, and scholars. The central premise of this volume is that texts do not exist in isolation. Each written work is embedded in contexts—literary, historical, geographical, social, political, and religious—and derives its meaning in part from the intersection of those contexts in the reader's experience of the text.This collection is distinguished by a variety of approaches to the study of medieval texts and manuscripts and by the capacious time frame in which they are located, extending from the Anglo-Saxon period to the fifteenth century. Contributors demonstrate ways in which the insights gained from careful attention to the multiple dimensions, material as well as verbal, of medieval texts can extend and complicate our notions of the literary tradition, medieval reading practices and audiences, and modes of composition.

Inspired by the example of his predecessors Chaucer and Gower, John Lydgate articulated in his poetry, prose and translations many of the most serious political questions of his day. In the fifteenth century Lydgate was the most famous poet in England, filling commissions for the court, the aristocracy, and the guilds. He wrote for an elite London readership that was historically very small, but that saw itself as dominating the cultural life of the nation. Thus the new literary forms and modes developed by Lydgate and his contemporaries helped shape the development of English public culture in the fifteenth century. Maura Nolan offers a major re-interpretation of Lydgate's work and of his central role in the developing literary culture of his time. Moreover, she provides a wholly new perspective on Lydgate's relationship to Chaucer, as he followed Chaucerian traditions while creating innovative new ways of addressing the public.

The Text in the Community brings together essays by a diverse group of medievalists to consider the multiple ways in which readers approach texts and manuscripts as part of "communities" of readers, authors, scribes, and scholars. The central premise of this volume is that texts do not exist in isolation. Each written work is embedded in contexts—literary, historical, geographical, social, political, and religious—and derives its meaning in part from the intersection of those contexts in the reader's experience of the text.This collection is distinguished by a variety of approaches to the study of medieval texts and manuscripts and by the capacious time frame in which they are located, extending from the Anglo-Saxon period to the fifteenth century. Contributors demonstrate ways in which the insights gained from careful attention to the multiple dimensions, material as well as verbal, of medieval texts can extend and complicate our notions of the literary tradition, medieval reading practices and audiences, and modes of composition.

The Text in the Community brings together essays by a diverse group of medievalists to consider the multiple ways in which readers approach texts and manuscripts as part of "communities" of readers, authors, scribes, and scholars. The central premise of this volume is that texts do not exist in isolation. Each written work is embedded in contexts—literary, historical, geographical, social, political, and religious—and derives its meaning in part from the intersection of those contexts in the reader's experience of the text.This collection is distinguished by a variety of approaches to the study of medieval texts and manuscripts and by the capacious time frame in which they are located, extending from the Anglo-Saxon period to the fifteenth century. Contributors demonstrate ways in which the insights gained from careful attention to the multiple dimensions, material as well as verbal, of medieval texts can extend and complicate our notions of the literary tradition, medieval reading practices and audiences, and modes of composition.

Inspired by the example of his predecessors Chaucer and Gower, John Lydgate articulated in his poetry, prose and translations many of the most serious political questions of his day. In the fifteenth century Lydgate was the most famous poet in England, filling commissions for the court, the aristocracy, and the guilds. He wrote for an elite London readership that was historically very small, but that saw itself as dominating the cultural life of the nation. Thus the new literary forms and modes developed by Lydgate and his contemporaries helped shape the development of English public culture in the fifteenth century. Maura Nolan offers a major re-interpretation of Lydgate's work and of his central role in the developing literary culture of his time. Moreover, she provides a wholly new perspective on Lydgate's relationship to Chaucer, as he followed Chaucerian traditions while creating innovative new ways of addressing the public.