Maurits van Bever Donker – författare

This book situates the nuanced intervention of the Black Consciousness Movement in South Africa within the international conjuncture of anti-colonial thought and decolonization. It argues that the Black Consciousness Movement, in addition to its urgent political focus, should also be read as a philosophical intervention on the problem of Man that haunts the idea of race. As Steve Biko once famously said, apartheid will end; the real question is what comes after apartheid.Maurits van Bever Donker argues that the Black Consciousness Movement found intellectual and conceptual allies in the writings of Frantz Fanon and Aimé Césaire, tracing the problem of race as foundational to what is called ‘the script of Man’ and, in the process, inventing the possibility of a new sense of Man, one with ‘a more human face’. While the work of figures like Biko, Fanon and Césaire tends to be read as discrete political texts in a broader field of negritude and radical black thought, Texturing Difference explores what becomes possible when this network of texts is read from the perspective of South Africa. This intervention has significance, not only for how race is approached and understood in South Africa, but for the global workings of race in our time.

This book situates the nuanced intervention of the Black Consciousness Movement in South Africa within the international conjuncture of anti-colonial thought and decolonization. It argues that the Black Consciousness Movement, in addition to its urgent political focus, should also be read as a philosophical intervention on the problem of Man that haunts the idea of race. As Steve Biko once famously said, apartheid will end; the real question is what comes after apartheid.Maurits van Bever Donker argues that the Black Consciousness Movement found intellectual and conceptual allies in the writings of Frantz Fanon and Aimé Césaire, tracing the problem of race as foundational to what is called ‘the script of Man’ and, in the process, inventing the possibility of a new sense of Man, one with ‘a more human face’. While the work of figures like Biko, Fanon and Césaire tends to be read as discrete political texts in a broader field of negritude and radical black thought, Texturing Difference explores what becomes possible when this network of texts is read from the perspective of South Africa. This intervention has significance, not only for how race is approached and understood in South Africa, but for the global workings of race in our time.

This book situates the nuanced intervention of the Black Consciousness Movement in South Africa within the international conjuncture of anti-colonial thought and decolonization. It argues that the Black Consciousness Movement, in addition to its urgent political focus, should also be read as a philosophical intervention on the problem of Man that haunts the idea of race. As Steve Biko once famously said, apartheid will end; the real question is what comes after apartheid.

Maurits van Bever Donker argues that the Black Consciousness Movement found intellectual and conceptual allies in the writings of Frantz Fanon and Aimé Césaire, tracing the problem of race as foundational to what is called ‘the script of Man’ and, in the process, inventing the possibility of a new sense of Man, one with ‘a more human face’. While the work of figures like Biko, Fanon and Césaire tends to be read as discrete political texts in a broader field of negritude and radical black thought, Texturing Difference explores what becomes possible when this network of texts is read from the perspective of South Africa. This intervention has significance, not only for how race is approached and understood in South Africa, but for the global workings of race in our time.

This book situates the nuanced intervention of the Black Consciousness Movement in South Africa within the international conjuncture of anti-colonial thought and decolonization. It argues that the Black Consciousness Movement, in addition to its urgent political focus, should also be read as a philosophical intervention on the problem of Man that haunts the idea of race. As Steve Biko once famously said, apartheid will end; the real question is what comes after apartheid.

Maurits van Bever Donker argues that the Black Consciousness Movement found intellectual and conceptual allies in the writings of Frantz Fanon and Aimé Césaire, tracing the problem of race as foundational to what is called ‘the script of Man’ and, in the process, inventing the possibility of a new sense of Man, one with ‘a more human face’. While the work of figures like Biko, Fanon and Césaire tends to be read as discrete political texts in a broader field of negritude and radical black thought, Texturing Difference explores what becomes possible when this network of texts is read from the perspective of South Africa. This intervention has significance, not only for how race is approached and understood in South Africa, but for the global workings of race in our time.

Remains of the Social is an interdisciplinary volume of essays that engages with what ‘the social’ might mean after apartheid; a condition referred to as ‘the post-apartheid social’. The volume grapples with apartheid as a global phenomenon that extends beyond the borders of South Africa between 1948 and 1994 and foregrounds the tension between the weight of lived experience that was and is apartheid, the structures that condition that experience and a desire for a ‘post-apartheid social’ (think unity through difference). Collectively, the contributors argue for a recognition of the ‘the post-apartheid’ as a condition that names the labour of coming to terms with the ordering principles that apartheid both set in place and foreclosed. The volume seeks to provide a sense of the terrain on which ‘the post-apartheid’ – as a desire for a difference that is not apartheid’s difference – unfolds, falters and is worked through.