Maurizio Ricciardi – författare

Traces of Modernism surveys the competing social and political visions that marked the transition from the nineteenth century to the twentieth, and the complex relationships and connections between these visions. A host of international contributors consider an extensive range of philosophical and artistic ideologies—from Bauhaus and Italian futurism to plans for totalitarian state-building—that bloomed in the wake of the World War One and the ensuing worldwide revolutions. These ideologies developed amid the uneasy backdrop of new kinds of international cooperation that were periodically punctuated by sharp bursts of fervid nationalism. At the center of each essay in Traces of Modernism stands the image of the machine, a metaphor for technological innovation and new systems of order that stood unfortunately ready for corruption by forces of authoritarianism.

Global Marx coheres a collective assessment of Marx's account of capital's domination, through his critique of disciplinary languages, investigation of political structures and analysis of specific political spaces within the world market. His discourse appears here as global not only because global is the geography of the world market but also because Marx redefined the relationships between the spaces on which capital exerts its command. Global Marx proves that Marx's texts do not identify any global working class, nor a centre of power to be conquered, but show that – within and against the world market – there is a social movement that is irreducible to any identity or to a single space from whose perspective one can write a universal history of class struggle. Contributors are: Luca Basso, Michele Basso, Matteo Battistini, Eleonora Cappuccilli, Michele Cento, Luca Cobbe, Isabella Consolati, Niccolò Cuppini, Roberta Ferrari, Michele Filippini, Giorgio Grappi, Maurizio Merlo, Mario Piccinini, Fabio Raimondi, Maurizio Ricciardi, Paola Rudan, and Federico Tomasello.