Max Adams – författare

From the author of the bestselling The King in the North.The story of the lands between the Forth and Humber from the end of the Roman period to the Viking kingdom of York is one of the most richly fascinating in British history. This the age of Lindisfarne and of Bede; of the dramatic hills, valleys and ancient routeways that link the Irish Sea and the North Sea; of names that resonate even now: Edwin, Oswald, Hild, Cuthbert, Wilfrid; of conquest, conversion and the legacies of intellectual giants.This history of Early Medieval Northumbria explores themes of landscape, power, creativity and intellect. Fresh archaeological evidence and research in historical geography shed light on the fascinating story of how land was managed, exploited and deployed as an expression of power by both secular and ecclesiastical forces, and aspects such as the role of élite women in shaping politics and religion is given new focus. Max Adams and Colm O’ Brien show conclusively how Northumbria’s political, cultural and religious elements coalesced to forge a creative powerhouse which shaped the world we have inherited.

The bestselling historian tells the story of the landscapes, peoples and culture of early medieval Britain in eight walks, an epic sea voyage and a north-south ride by motorbike. The five centuries between the end of Roman Britain (410) and the death of Alfred the Great (899) have left few voices save a handful of chroniclers, but Britain's 'Dark Ages' can still be explored through their material remnants: buildings, books, metalwork, and, above all, landscapes. Adams explores Britain's lost early medieval past by walking its paths and exploring its imprint on valley, hill and field. From York to Whitby, London to Sutton Hoo and Falmouth to Mallaig, In the Land of Giants offers a beautifully written insight into the lives of peasants, drengs, ceorls, thanes, monks and kings during an enigmatic but richly exciting period of our island's history.

A passionate and informative celebration of trees and of man's ingenuity in exploiting their resources: the perfect gift for anyone who cares about the natural world. Trees are marvels of nature, still-standing giants of extraordinary longevity. In a beautifully written sequence of essays, anecdotes and profiles of Britain's best-loved species (from yew to scots pine), Max Adams explores both the amazing biology of trees and humanity's relationship with wood and forest across the centuries. Embellished with images from John Evelyn's classic Sylva (1664), The Wisdom of Trees a gift book that will delight anyone who cares about the natural world and our interaction with it.

Unquiet Women is an exquisitely crafted patchwork of the forgotten lives of some of the most remarkable women in history. History is polyphonic; it must be told by many voices. In Unquiet Women, Max Adams brings to life the voices and experiences of women living between the last days of Rome and the Enlightenment, whose stories of creativity, intellect and influence are all too rarely told.From Wynflæd, the Anglo-Saxon noblewoman who owned male slaves and badger-skin gowns, to Mary Astell, the philosopher who out-thought John Locke, this is a kaleidoscopic study of women's history before the Enlightenment changed everything. In this rigorous work of rescue and recovery, their voices can be heard across the centuries – still passionate and still strong.Reviews: 'A centuries-spanning study that rescues women's lives from the margins of history' BBC History Magazine'Illuminating and wise... An important book' Herald'A timely work which is beautifully designed and executed, embodying the charm and power of the remarkable women within its pages' All About History

The bestselling author of The King in the North turns his attention to the obscure era of British history known as 'the age of Arthur'.'Not just a valuable book, but a distinctive one as well' Tom Holland, Sunday Times'An accessible and illuminating book' Gerard de Groot, The Times'A fascinating picture of Britain's new-found independence' This EnglandSomewhere between the departure of the Roman legions in the early fifth century and the arrival of Augustine's Christian mission at the end of the sixth, the kingdoms of Early Medieval Britain were formed. But by whom? And out of what?The First Kingdom is a skilfully wrought investigation of this mysterious epoch, synthesizing archaeological research carried out over the last forty years to tease out reality from the myth. Max Adams presents an image of post-Roman Britain whose resolution is high enough to show the emergence of distinct political structures in the sixth century – polities that survive long enough to be embedded in the medieval landscape, recorded in the lines of river, road and watershed, and memorialized in place names.

A passionate and imaginative exploration of wood – the material that shaped human history.As a material, wood has no equal in strength, resilience, adaptability and availability. It has been our partner in the cultural evolution from woodland foragers to engineers of our own destiny. Tracing that partnership through tools, devices, construction and artistic expression, Max Adams explores the role that wood has played in our own history as an imaginative, curious and resourceful species.Beginning with an investigation of the material properties of various species of wood, The Museum of the Wood Age investigates the influence of six basic devices – wedge, inclined plane, screw, lever, wheel, axle and pulley – and in so doing reveals the myriad ways in which wood has been worked throughout human history. From the simple bivouacs of hunter-gatherers to sophisticated wooden buildings such as stave churches; from the decorative arts to the humble woodworking of rustic furniture; Max Adams fashions a lattice of interconnected stories and objects that trace a path of human ingenuity across half a million years of history.

A passionate and imaginative exploration of wood – the material that shaped human history.Wood – humankind's long-term partner in our evolution from woodland foragers to engineers of our own destiny – has no equal in strength, resilience, adaptability and availability.The Museum of the Wood Age investigates the influence of basic devices – wedge, inclined plane, screw, lever, wheel, axle and pulley – to reveal the myriad ways in which wood has been worked throughout human history. From the simple bivouacs of hunter-gatherers to sophisticated wooden buildings such as stave churches; from the decorative arts to the humble woodworking of rustic furniture; Max Adams fashions a lattice of interconnected stories and objects that trace a path of human ingenuity across half a million years of history.

From the author of The Wisdom of Trees, an informative and practical guide to tree planting: including guidance on which trees to plant and where; how to plant, propagate and care for your trees; advice on the suitability and virtues of particular native trees (from oak to alder and from beech to blackthorn); amplified by details of how trees grow in nature and the stories of some famous tree planters. A glossary of websites, nurseries, conservation and other organisations completes the volume.

'A triumph – a Game of Thrones in the Dark Ages' TOM HOLLAND. The magisterial biography of Oswald Whiteblade, exiled prince of Northumbria, who returned in blood and glory to reclaim his birthright.A charismatic leader, a warrior whose prowess in battle earned him the epithet Whiteblade, an exiled prince who returned to claim his birthright, the inspiration for Tolkein's Aragorn.Oswald of Northumbria was the first great English monarch, yet today this legendary figure is all but forgotten. In this panoramic portrait of Dark Age Britain, archaeologist and biographer Max Adams returns the king in the North to his rightful place in history.

The story of Aelfred the Great, his war against the Vikings and the foundations of modern Britain. In AD 865, a 'great host' of battle-hardened Norse warriors landed on England's eastern coast, overwhelmed East Anglia with terrifying swiftness and laid the North to waste. Ghosting along estuaries and inshore waters, in 871 they penetrated deep into the southern kingdom of Wessex, ruled over by a new and untested king, Ælfred son of Æðelwulf. It seemed as though the End of Days was come. Max Adams tells the story of the heroic efforts of Ælfred, his successors and fellow-kings of Britain, to adapt and survive in the face of an apocalyptic threat; and in so doing, to lay the foundations of the nations of modern Britain in all their regional diversity.

The Domesday Book describes the furniture of a culture and its economy – the legacy of Anglo-Saxon England.When King William I sent his agents to survey every shire in England, he asked them to list his holdings and calculate what was owed to him. The manuscript record of the resulting ‘Great Survey’ is not just a tax record, but a unique window onto the structure of English administration and economy before and immediately after the Norman Conquest: its shires and hundreds, acres, hides and townships.In Domesday, Max Adams retreads the path taken in 1085 by King William I’s agents, taking us on foot through the very sites covered by one of the most iconic documents of English history. In this fascinating new history, Adams explores this unique portrait of a land and its people, bringing the past into intimate contact with the present.Adams brings us face to face with this legacy in his wanderings through Domesday’s landscape, evoking eleventh-century England through contemporary eyes with the original account as his guide. Bringing together archaeology, contemporary chronicles and historical geography, Adams fleshes out the landscapes of a thousand years ago, peopling them with real actors: lords, thegns, villeins, cottars and slaves; with the millers, turners, priests and burgesses who yielded their taxes and labour to new, Norman lords. In meeting their modern counterparts – shopkeepers, farmers, craftspeople and local officials – Max casts reflective light on Englishness and the English landscape; on our ongoing relations with tax, law and authority; and with the past.

A brilliant recreation of the golden age of the Anglo-Saxon kingdom of Mercia – its landscapes, peoples, conflicts, power structures and political geography. The eighth century has long been a neglected backwater in English history: a shadowland between the death of Bede and the triumphs of Ælfred. But before the hegemony of Wessex, the kingdom of Mercia - spread across a broad swathe of central England – was the dynamic heart of a kingship that discovered the means to exercise central political authority for the first time since the Roman empire. That authority was used to construct trading networks and markets; develop economic and cultural links with the Continent, and lay the foundations for a system of co-ordinated defence that Ælfred would reinvent at the end of the ninth century.Two kings, Æthelbald (716–757) and Offa (757–796) dominate the political landscape of the rising power of Mercia. During their reigns, monasteries became powerhouses of royal patronage, economic enterprise and trade. Offa constructed his grandiose dyke along the borders of the warlike Welsh kingdoms and, more subtly, spread his message of political superiority through coinage bearing his image. But Æthelbald and Offa between them built something with an even more substantial legacy – a geography of medieval England. And they engineered a set of tensions between kingship, landholding and church that were to play out dramatically at the dawn of the Viking Age.In this, the latest of his sequence of histories of Early Medieval Britain, Max Adams re-connects the worlds of Oswald, Bede and Ælfred in an absorbing study of the landscape, politics and society of a fascinating century.

A brilliant recreation of the golden age of the Anglo-Saxon kingdom of Mercia – its landscapes, peoples, conflicts, power structures and political geography. The eighth century has long been a neglected backwater in English history: a shadowland between the death of Bede and the triumphs of Ælfred. But before the hegemony of Wessex, the kingdom of Mercia - spread across a broad swathe of central England – was the dynamic heart of a kingship that discovered the means to exercise central political authority for the first time since the Roman empire. That authority was used to construct trading networks and markets; develop economic and cultural links with the Continent, and lay the foundations for a system of co-ordinated defence that Ælfred would reinvent at the end of the ninth century.Two kings, Æthelbald (716–757) and Offa (757–796) dominate the political landscape of the rising power of Mercia. During their reigns, monasteries became powerhouses of royal patronage, economic enterprise and trade. Offa constructed his grandiose dyke along the borders of the warlike Welsh kingdoms and, more subtly, spread his message of political superiority through coinage bearing his image. But Æthelbald and Offa between them built something with an even more substantial legacy – a geography of medieval England. And they engineered a set of tensions between kingship, landholding and church that were to play out dramatically at the dawn of the Viking Age.In this, the latest of his sequence of histories of Early Medieval Britain, Max Adams re-connects the worlds of Oswald, Bede and Ælfred in an absorbing study of the landscape, politics and society of a fascinating century.

The richly varied lives of the Martin brothers reflected the many upheavals of Britain in the age of Industrial Revolution. Low-born and largely unschooled, they were part of a new generation of artists, scientists and inventors who witnessed the creation of the modern world. William, the eldest, was a cussedly eccentric inventor who couldn't look at a piece of machinery without thinking about how to improve it; Richard, a courageous soldier, fought in the Peninsular War and at Waterloo; Jonathan, a hellfire preacher tormented by madness and touched with a visionary genius reminiscent of William Blake, almost burned down York Minster in 1829; while John, the youngest Martin, single-handedly invented, mastered and exhausted an entire genre of painting, the apocalyptic sublime, while playing host to the foremost writers, scientists and thinkers of his day. In The Prometheans Max Adams interweaves the fascinating story of these maverick siblings with a magisterial and multi-faceted account of the industrial, political and artistic ferment of early 19th-century Britain.His narrative centres on a generation of inventors, artists and radical intellectuals (including the chemist Humphry Davy, the engineer George Stephenson, the social reformer Robert Owen and the poet Shelley) who were seeking to liberate humanity from the tyranny of material discomfort and political oppression. For Adams, the shared inspiration that binds this generation together is the cult of Prometheus, the titan of ancient Greek mythology who stole fire from Zeus to give to mortal man, and who became a potent symbol of political and personal liberation from the mid-18th century onwards. Whether writing about Davy's invention of the miner's safety lamp, the scandalous private life of the Prince Regent, the death of Shelley or J.M.W. Turner's use of colour, Adams's narrative is pacy, characterful, and rich in anecdote, quotation and memorable character sketch. Like John Martin himself, he has created a sprawling and brightly coloured canvas on an epic scale.