Maya Chowdhry - Böcker

The first volume to focus exclusively on lesbian performance work, Acts of Passion: Sexuality, Gender, and Performance draws on the experiences and expertise of a wide range of lesbian practitioners and theorists to explore the impact and influences of sexuality and gender on performance. It examines essays, dialogues, and performance texts from theater directors, performers, theorists, playwrights, and performance writers against social and cultural constructs and performance theories to produce a diverse and challenging portrait of lesbian live performance art. The book’s penetrating scope covers drag queens, lesbian vampires, representations of lesbian sex, solo artists, the art of collaboration, lesbian aesthetics, and lesbian playwrights writing straight and illustrates why live performance is one of the most dynamic forums in which women can create, control, and produce their work without artistic constraint.Acts of Passion explodes binary definitions of gender and sexuality by destabilizing familiar notions of the ‘real’and creating new production values and aesthetics in the process. The relationships between experience and expression, sexuality and cultural placing, context and artistic control, representation and self-representation become clearer as the book discusses:the manner in which women are represented as absent in the signifying system of patriarchal society how questions of purity, ‘authenticity,’and self-definition complicate the field of representation the power of lesbian dance performance to make the lesbian body culturally visible several ‘new wave’performers--creating work, getting seen, showing flesh, doing politics, and making money the projections, preconceptions, expectations, and general baggage attached to the performing lesbian body what the term ‘lesbian playwright’means within contemporary culture ‘It’s Queer Up North’--a British National Arts Organization the arguments for and against mainstreaming lesbian performanceAnyone interested in theater and performance, cultural studies, gender issues, and the politics of ‘positive representation’--whether playwright, performer, director, writer, academic, student, or theatre goer--will find Acts of Passion a powerful step in wrenching the power of representation away from the dominant culture. Defiant, saucy, sexy, and smart, the contributors appropriate their own spaces, identities, crafts, and languages, both within this book and without.

A landmark collection of plays for stage, screen and radio. While other anthologies of plays by writers of African descent have been published, Six Plays by Black and Asian Women Writers (1st edition 1993; new revised edition 2005) was the first drama anthology to represent women alone.Comedy, poetry, history and magic combined with themes of a social and spiritual nature are the themes and styles evident in Six Plays by Black and Asian Women Writers, a seminal collection of plays for stage, radio and television by Rukhsana Ahmad, Maya Chowdhry, Trish Cooke, Winsome Pinnock, Meera Syal and Zindika.Edited and introduced by Kadija George, Six Plays by Black and Asian Women Writers includes: Essays on theatre and writing workshop; The Importance of Oral Tradition to Black Theatre by Valerie Small; A survey, A Recent Look at Black Women Playwrights by Deirdre Osborne.This anthology's key characteristics are effortless depictions of characters devoid of stereotypical images and typecast roles and the playwrights' approach to unconventional issues.Six Plays by Black and Asian Women Writers represents just some of the writers who have achieved national recognition with work produced on stage, television and radio by some of the most distinguished actors, directors and producers of African and Asian descent that the arts field in Britain has seen.The anthology heralds the significance that young women of African and Asian descent now have more role models to look towards, reinforced by actors and writers-in-residence going into educational institutions and more diverse organisations and situations, from the BBC-supported writer-in-residence projects, with the likes of performer/artists Rommi Smith and Erika Tan, to performance poet/multi-media artist Dorothea Smartt as the Brixton Market Poet-in-Residence.Since the first publication of Six Plays by Black and Asian Women Writers: Meera Syal has become an international name, with novel, TV and stage credits including the popular musical, Bombay Dreams, debuting in the West End; After receiving a writer-in-residence fellowship at Cambridge University, Winsome Pinnock has gone on to produce further plays staged at much-respected fringe theatres such as the Tricycle Theatre; Maya Chowdhry continues to be experimental with her work in multimedia formats, has co-edited a book with Nina Rapi, Acts of Passion: Sexuality, Gender and Performance and is currently working on a coedited anthology of women's writing in the north of England, 'Bitch Lit'; Zindika has written for dance theatre, for Adzido, and co-edited a book, When Will I See You Again with Natalie Smith; Rukshana Ahmad has published a novel, The Hope Chest, and received a Royal Literary Fellowship; Trish Cooke has a successful career writing books for children.Yet moving from the margins and into the mainstream continues to happen too slowly. More than ten years since the first publication of this anthology, the fight and funding for a 'Black'-owned and -managed theatre in Britain is still being argued for, and unfortunately, has barely moved.