Meghan Daum – författare

Meghan Daum is one of the most celebrated nonfiction writers of her generation, widely recognised for her fresh, provocative approach with which she unearths the hidden fault lines in the American landscape. From her well-remembered New Yorker essays about the financial demands of big city ambition and the ethereal, strangely old fashioned allure of cyber relationships to her dazzlingly hilarious riff in Harper's about musical passions that give way to middle brow paraphernalia, Daum delves into the center of things while closely examining the detritus that spills out along the way. With precision and well balanced irony, Daum implicates herself as readily as she does the targets that fascinate and horrify her.

One of the most provocative and talked-about books of the year, Selfish, Shallow, and Self-Absorbed is the stunning collection exploring one of society's most vexing taboos. One of the main topics of cultural conversation during the last decade was the supposed "fertility crisis," and whether modern women could figure out a way to have it all-a successful career and the required 2.3 children-before their biological clock stopped ticking. Now, however, conversation has turned to whether it's necessary to have it all (see Anne-Marie Slaughter) or, perhaps more controversial, whether children are really a requirement for a fulfilling life. In this exciting and controversial collection of essays, curated by writer Meghan Daum, thirteen acclaimed female writers explain why they have chosen to eschew motherhood. Contributors include Lionel Shriver, Sigrid Nunez, Kate Christiensen, Elliott Holt, Geoff Dyer, and Tim Kreider, among others, who will give a unique perspective on the overwhelming cultural pressure of parenthood.This collection makes a smart and passionate case for why parenthood is not the only path to a happy, productive life, and takes our parent-centric, kid-fixated, baby-bump-patrolling culture to task in the process. In this book, that shadowy faction known as the childless-by-choice comes out into the light.

Meghan Daum's unforgettable debut novel brings her sharp wit and courageous social commentary to the story of Lucinda Trout, a New York television reporter in search of greener pastures. Moving to the slower-paced, friendly, and vastly more affordable Midwestern town of Prairie City, Lucinda zealously creates a series of televised reports for her New York audience about her newfound quality of life. But when Lucinda falls for eccentric local Mason Clay, her naÏvetÉ about the real world leads her down an unexpected path, where she encounters, among other things, a drafty old farmhouse filled with children, an ever-growing menagerie of farm animals, and the harshest winter the region has seen in twenty years. In other words, simplicity just isn't as simple as it is cracked up to be, and "quality of life," Lucinda learns, is much more complicated than she ever imagined.

Winner of the Airmail Tom Wolfe Literary Prize for Reportage, 2025‘For the last five or six years, on many afternoons around 4 or 5 p.m., I’ve been overcome with the sensation that my life is effectively over. This is not a sensation of the world ending; it’s a distinct feeling of being at the end of my days. My time, while technically not “up,” is disappearing in the rearview mirror. The fact that this feeling of ambient doom tends to coincide with the blue-tinged, pre-gloaming light of the late afternoon lends to the whole thing a cosmic beauty, as devastating as it is awe-inspiring. As such, I’ve dubbed this the catastrophe hour.’From the author of The Unspeakable and The Problem with Everything comes a new collection of unputdownable essays. Written between 2016 and 2024, these essays are classic Daum, showcasing her wit, her intellect and her uncanny ability to throw new light on even the most ubiquitous of subjects. Delving into divorce, dating, music, friendship, beauty, aging, death and money, Daum’s unflinching honesty and exacting observations secure her reputation as one of our most important and enduring essayists.