Violence is never just an act; it is a spectacle, a mechanism of power, and a tool of erasure. As authoritarianism, ethnonationalism, and systemic racism intensify, the question becomes whose suffering is made visible and whose is ignored. At the intersections of gender, race, and media, these dynamics reveal that violence is structured, sustained, and legitimised by the narratives surrounding it.Marked for Erasure offers a critical examination of how mediatisation, ethnonationalism, and necropolitical regimes intersect to determine which bodies are marked for violence or erasure. Drawing from political theory, gender studies, and media analysis, this book exposes the ways in which marginalised communities are subjected to systemic violence that is both physical and epistemic. Author Meghna Prabir interrogates how media spectacles sensationalise suffering while obscuring the structural forces behind it, creating an economy of grief that decides which lives matter. Prabir's work highlights acts of resistance, showing how activists and artists reclaim visibility and forge spaces of survival against regimes of disposability. By taking a transnational perspective, Marked for Erasure not only reveals patterns of oppression across different geopolitical contexts but also amplifies the counter-narratives that disrupt them.Engaging with this work means tackling urgent questions about power, media, and the politics of life and death. Essential for scholars, activists, and justice advocates, it provides a crucial intervention in the global conversation on violence, visibility, and resistance.

Violence is never just an act; it is a spectacle, a mechanism of power, and a tool of erasure. As authoritarianism, ethnonationalism, and systemic racism intensify, the question becomes whose suffering is made visible and whose is ignored. At the intersections of gender, race, and media, these dynamics reveal that violence is structured, sustained, and legitimised by the narratives surrounding it.Marked for Erasure offers a critical examination of how mediatisation, ethnonationalism, and necropolitical regimes intersect to determine which bodies are marked for violence or erasure. Drawing from political theory, gender studies, and media analysis, this book exposes the ways in which marginalised communities are subjected to systemic violence that is both physical and epistemic. Author Meghna Prabir interrogates how media spectacles sensationalise suffering while obscuring the structural forces behind it, creating an economy of grief that decides which lives matter. Prabir's work highlights acts of resistance, showing how activists and artists reclaim visibility and forge spaces of survival against regimes of disposability. By taking a transnational perspective, Marked for Erasure not only reveals patterns of oppression across different geopolitical contexts but also amplifies the counter-narratives that disrupt them.Engaging with this work means tackling urgent questions about power, media, and the politics of life and death. Essential for scholars, activists, and justice advocates, it provides a crucial intervention in the global conversation on violence, visibility, and resistance.

Violence is never just an act; it is a spectacle, a mechanism of power, and a tool of erasure. As authoritarianism, ethnonationalism, and systemic racism intensify, the question becomes whose suffering is made visible and whose is ignored. At the intersections of gender, race, and media, these dynamics reveal that violence is structured, sustained, and legitimised by the narratives surrounding it.Marked for Erasure offers a critical examination of how mediatisation, ethnonationalism, and necropolitical regimes intersect to determine which bodies are marked for violence or erasure. Drawing from political theory, gender studies, and media analysis, this book exposes the ways in which marginalised communities are subjected to systemic violence that is both physical and epistemic. Author Meghna Prabir interrogates how media spectacles sensationalise suffering while obscuring the structural forces behind it, creating an economy of grief that decides which lives matter. Prabir's work highlights acts of resistance, showing how activists and artists reclaim visibility and forge spaces of survival against regimes of disposability. By taking a transnational perspective, Marked for Erasure not only reveals patterns of oppression across different geopolitical contexts but also amplifies the counter-narratives that disrupt them.Engaging with this work means tackling urgent questions about power, media, and the politics of life and death. Essential for scholars, activists, and justice advocates, it provides a crucial intervention in the global conversation on violence, visibility, and resistance.

This groundbreaking academic book unravels the intricacies of the relationship between magical realism and political realities within García Márquez's iconic works. In the magical landscapes of Macondo, reality and fantasy seamlessly blend. In García Márquez's masterpieces, such as "e;One Hundred Years of Solitude"e; and "e;The Autumn of the Patriarch,"e; his unique narrative style intertwines the fantastical with the political. This work of literary analysis offers readers a profound understanding of the socio-political commentary embedded in García Márquez's magical realism. Unearth the hidden allegories and symbolism that García Márquez skillfully weaves into his narratives, shedding light on the political realities of the societies he portrays. From the tumultuous political climates of Latin America to the universal themes of power, corruption, and human resilience, this book unveils the layers of meaning that make García Márquez's works timeless and relevant. It is an indispensable companion for scholars, students, and admirers of García Márquez's literature. The book combines insightful analysis with a deep appreciation for the enchanting worlds García Márquez creates, offering a fresh perspective on the undeniable impact of his storytelling on our understanding of political realities. This meticulously researched and thought-provoking exploration invites you to engage with García Márquez's works in a new light, uncovering the magic within reality and the political realities within the magical.

Milan Kundera and the Carnivalesque examines Kundera's fiction through the lens of Bakhtinian carnival theory, tracing how laughter, myth, and bodily grotesque become weapons against totalitarian certainty. Moving from the demonic comedy of meaninglessness to the fragility of historical memory, and from the kitsch aesthetics of authoritarian power to the paranoia lurking beneath them, this book reveals the carnivalesque as the organizing principle of Kundera's literary and political imagination.

Violence is never just an act; it is a spectacle, a mechanism of power, and a tool of erasure. As authoritarianism, ethnonationalism, and systemic racism intensify, the question becomes whose suffering is made visible and whose is ignored. At the intersections of gender, race, and media, these dynamics reveal that violence is structured, sustained, and legitimised by the narratives surrounding it.Marked for Erasure offers a critical examination of how mediatisation, ethnonationalism, and necropolitical regimes intersect to determine which bodies are marked for violence or erasure. Drawing from political theory, gender studies, and media analysis, this book exposes the ways in which marginalised communities are subjected to systemic violence that is both physical and epistemic. Author Meghna Prabir interrogates how media spectacles sensationalise suffering while obscuring the structural forces behind it, creating an economy of grief that decides which lives matter. Prabir's work highlights acts of resistance, showing how activists and artists reclaim visibility and forge spaces of survival against regimes of disposability. By taking a transnational perspective, Marked for Erasure not only reveals patterns of oppression across different geopolitical contexts but also amplifies the counter-narratives that disrupt them.Engaging with this work means tackling urgent questions about power, media, and the politics of life and death. Essential for scholars, activists, and justice advocates, it provides a crucial intervention in the global conversation on violence, visibility, and resistance.

Violence is never just an act; it is a spectacle, a mechanism of power, and a tool of erasure. As authoritarianism, ethnonationalism, and systemic racism intensify, the question becomes whose suffering is made visible and whose is ignored. At the intersections of gender, race, and media, these dynamics reveal that violence is structured, sustained, and legitimised by the narratives surrounding it.Marked for Erasure offers a critical examination of how mediatisation, ethnonationalism, and necropolitical regimes intersect to determine which bodies are marked for violence or erasure. Drawing from political theory, gender studies, and media analysis, this book exposes the ways in which marginalised communities are subjected to systemic violence that is both physical and epistemic. Author Meghna Prabir interrogates how media spectacles sensationalise suffering while obscuring the structural forces behind it, creating an economy of grief that decides which lives matter. Prabir's work highlights acts of resistance, showing how activists and artists reclaim visibility and forge spaces of survival against regimes of disposability. By taking a transnational perspective, Marked for Erasure not only reveals patterns of oppression across different geopolitical contexts but also amplifies the counter-narratives that disrupt them.Engaging with this work means tackling urgent questions about power, media, and the politics of life and death. Essential for scholars, activists, and justice advocates, it provides a crucial intervention in the global conversation on violence, visibility, and resistance.

Violence is never just an act; it is a spectacle, a mechanism of power, and a tool of erasure. As authoritarianism, ethnonationalism, and systemic racism intensify, the question becomes whose suffering is made visible and whose is ignored. At the intersections of gender, race, and media, these dynamics reveal that violence is structured, sustained, and legitimised by the narratives surrounding it.Marked for Erasure offers a critical examination of how mediatisation, ethnonationalism, and necropolitical regimes intersect to determine which bodies are marked for violence or erasure. Drawing from political theory, gender studies, and media analysis, this book exposes the ways in which marginalised communities are subjected to systemic violence that is both physical and epistemic. Author Meghna Prabir interrogates how media spectacles sensationalise suffering while obscuring the structural forces behind it, creating an economy of grief that decides which lives matter. Prabir's work highlights acts of resistance, showing how activists and artists reclaim visibility and forge spaces of survival against regimes of disposability. By taking a transnational perspective, Marked for Erasure not only reveals patterns of oppression across different geopolitical contexts but also amplifies the counter-narratives that disrupt them.Engaging with this work means tackling urgent questions about power, media, and the politics of life and death. Essential for scholars, activists, and justice advocates, it provides a crucial intervention in the global conversation on violence, visibility, and resistance.

This groundbreaking academic book unravels the intricacies of the relationship between magical realism and political realities within García Márquez's iconic works. In the magical landscapes of Macondo, reality and fantasy seamlessly blend. In García Márquez's masterpieces, such as "e;One Hundred Years of Solitude"e; and "e;The Autumn of the Patriarch,"e; his unique narrative style intertwines the fantastical with the political. This work of literary analysis offers readers a profound understanding of the socio-political commentary embedded in García Márquez's magical realism. Unearth the hidden allegories and symbolism that García Márquez skillfully weaves into his narratives, shedding light on the political realities of the societies he portrays. From the tumultuous political climates of Latin America to the universal themes of power, corruption, and human resilience, this book unveils the layers of meaning that make García Márquez's works timeless and relevant. It is an indispensable companion for scholars, students, and admirers of García Márquez's literature. The book combines insightful analysis with a deep appreciation for the enchanting worlds García Márquez creates, offering a fresh perspective on the undeniable impact of his storytelling on our understanding of political realities. This meticulously researched and thought-provoking exploration invites you to engage with García Márquez's works in a new light, uncovering the magic within reality and the political realities within the magical.

Milan Kundera and the Carnivalesque examines Kundera's fiction through the lens of Bakhtinian carnival theory, tracing how laughter, myth, and bodily grotesque become weapons against totalitarian certainty. Moving from the demonic comedy of meaninglessness to the fragility of historical memory, and from the kitsch aesthetics of authoritarian power to the paranoia lurking beneath them, this book reveals the carnivalesque as the organizing principle of Kundera's literary and political imagination.