Melania Terrazas Gallego – författare
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2 produkter
2 produkter
Del 94 - Reimagining Ireland
Trauma and Identity in Contemporary Irish Culture
Häftad, Engelska, 2020
718 kr
Skickas inom 5-8 vardagar
The last two centuries of Irish history have seen great traumas that continue to affect Irish society. Through constructing cultural trauma, Irish society can recognize human pain and its source/s and become receptive to the idea of taking significant and responsible measures to remedy it. The intention of this volume is to show the mediating role of the literature and film scholar, the archivist, the social media professional, the historian, the musician, the artist and the poet in identifying Irish cultural trauma past and present, in illuminating Irish national identity (which is shifting so much today), in paying tribute to the memory and suffering of others, in showing how to do things with words and, thus, how concrete action might be taken.Trauma and Identity in Contemporary Irish Culture makes a case for the value of trauma and memory studies as a means of casting new light on the meaning of Irish identity in a number of contemporary Irish cultural practices, and of illuminating present-day attitudes to the past. The critical approaches herein are of a very interdisciplinary nature, since they combine aspects of sociology, philosophy and anthropology, among other fields. This collection is intended to lead readers to reconsider the connections between trauma, Irish cultural memory, identity, famine, diaspora, gender, history, revolution, the Troubles, digital media, literature, film, music and art.
Del 151 - Reimagining Ireland
Satire, Youth, and Gender in Contemporary Irish Fiction
Häftad, Engelska, 2026
509 kr
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This book focuses on the satirical practice of four contemporary Irish writers spanning over three decades: Patrick McCabe, Emer Martin, Alan McMonagle, and Naoise Dolan, and places these writers in the context of a tradition of Irish satirical writing. Drawing on seminal publications in satiric theory and recent research into satire of a more complex and rhetorical nature, the discussion engages with theories related to genre, gender (also viewed through a queer lens), the sociology of literature, philosophy, economics, and posthumanism. This study illuminates both the power of satire and its significance to an understanding of postmodernity before and after the 2008 crash, a pivotal moment in Irish society. The discussion encourages a renewed reading of issues around intersectionality, sexuality, and heteronormativity. It also tries to reinvigorate alternative speculation around current socio-economic, ideological, cultural, and ethical questions, rather than seeking answers. Ultimately, it is intended that this novel cultural approach to Irish capitalism be applied to other experimental novels featuring youthful characters by writers born in Ireland but also beyond.