Melanie Challenger – författare

How do we understand the dignity and value of non-human animals? Leading philosophers, ethnologists and writers contribute to this interdisciplinary and wide-ranging account of animal dignity. With a foreword by world-leading primatologist, Dr. Jane Goodall DBE, essays collected here make the case for applying the concept of dignity beyond its usual humanist framework and introduce readers to animal dignity in history, law, science, philosophy, and literature. United in recognizing the dignity of non-human animals, these essays suggest how we might ensure a flourishing environment in times of ecological destruction and climate breakdown. Historians, primatologists, philosophers, novelists and artists approach the concept of animal dignity creatively, offering interpretations that are academically rigorous, alongside ones that are personal and literary. This variety of engagement knits together a fruitful way forward for progressive relations between all species.

How do we understand the dignity and value of non-human animals? Leading philosophers, ethnologists and writers contribute to this interdisciplinary and wide-ranging account of animal dignity. With a foreword by world-leading primatologist, Dr. Jane Goodall DBE, essays collected here make the case for applying the concept of dignity beyond its usual humanist framework and introduce readers to animal dignity in history, law, science, philosophy, and literature. United in recognizing the dignity of non-human animals, these essays suggest how we might ensure a flourishing environment in times of ecological destruction and climate breakdown. Historians, primatologists, philosophers, novelists and artists approach the concept of animal dignity creatively, offering interpretations that are academically rigorous, alongside ones that are personal and literary. This variety of engagement knits together a fruitful way forward for progressive relations between all species.

Humans are the most inquisitive, emotional, imaginative, aggressive and baffling animals on the planet. But how well do we really know ourselves?How to Be Animal offers a radical take on what it means to be human and argues that at the heart of our psychology is a profound struggle with being animal. Tracing the history of this thinking through to its far-reaching effects on our lives, and drawing on a range of disciplines, Challenger proposes that being an animal is a process, beautiful and unpredictable, and that we have a chance to tell ourselves a new story; to realise that if we matter, so does everything else.

What does it mean to be alive? The slow contortion of a plant toward light, the spear-flight of a hawk toward their quarry - these are purposeful actions. But where does that purpose come from, and what does it tell us about who we are?In Alive, natural philosopher Melanie Challenger takes us through the latest discoveries in biology and physics to reveal a radical truth: to be alive is first and foremost a way of being a body. From Greenland sharks that can live for half a millennium, to birds that sense the Earth's magnetic field through their retinas, and even slime moulds that solve mazes, this book tells a new story of intelligence in the living world.A scientifically grounded challenge to the idea that life is either a machine run by genes or an essence separable from the body, Alive restores agency, purpose and meaning to organisms in an age of artificial intelligence and biodiversity loss. By recognising that our bodies are both how and why we are alive, this book asks what it would mean to live - and to act - with that knowledge.

Short-Listed For The Felix Dennis Best First Collection Prize (Forward Prizes For Poetry 2007) In Galatea, her first collection, Challenger casts a poet’s sensitive eye across the hours of a tumultuous century to create startling poems whose voice – resolute, compassionate, original – both celebrates and mourns the tensions of human nature. The name Galatea itself refers to the female figure in Greek myth sculpted from stone by the hands of Pygmalion. Becoming enamoured of the statue, Pygmalion asks of the gods that they might turn her to flesh. Drawing her themes from this central story, Challenger portrays her subjects in trembling poise between action and inaction, consummation and defeat. A series of little epiphanies, the poems are witness to the uncovering of a mediaeval woman’s body in earth churned by the boots of soldiers at war, a sea of five hundred naked bodies marching across the urban horizon of a city, the transplanting of a titanium heart in the folds of an unknown individual’s chest. Whatever her centre of attention, Challenger transforms the singularity of her subject into a universal experience with a deliberately harsh lyricism much her own. The result is a series of lyrics – unsettling and otherwordly – whose searches for grace reveal a dark humour and intense compassion for all the reaches of human nature.