Melveena McKendrick – författare
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3 produkter
3 produkter
Häftad, Engelska, 2010
724 kr
Skickas inom 7-10 vardagar
Golden-Age Spanish drama shows a constant concern with the woman who will not simply accept marriage as her natural role. This was all the more striking in a male-dominant Mediterranean society in an age of rigid social codes. Dr McKendrick's book takes this large theme and analyses it. She shows the identifiable types of mujer varonil portrayed, and the kinds of motivation which the dramatists imagined for them. She traces the literary ancestry of the interest back beyond Lope - though Lope is the principal figure in her account; and she very neatly and convincingly shows the balance of literary convention and human interest involved. The book gives a historic dimension to an interest we think of wrongly as modern, and gives an insight into Spanish social history as well as the drama.
Häftad, Engelska, 1992
462 kr
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This is the first book to examine the rise of Spain's extraordinary national theatre in the sixteenth and seventeenth centuries in all its aspects - the commercial theatre, the court drama and the Corpus autos, the organisation of theatrical life, the playhouses themselves and their public, the literary and moral controversies, and the plays as literary texts. The book has been written for students of drama as well as Hispanists: Spanish theatre is set in its national and international context; Spanish titles and theatrical terms are translated. Considerable space has been devoted to the experimental drama of the sixteenth century before Lope de Vega. At the core of the book is a highly distinctive, successful national theatre which mirrored the energies, beliefs and anxieties of a great nation in crisis, yet at the same time granted full expression to the individual genius of its greatest exponents - Lope de Vega, Tirso de Molina and Calderon de la Barca.
Del 182 - Monografías A
Playing the King: Lope de Vega and the Limits of Conformity
Inbunden, Engelska, 2000
423 kr
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A reappraisal of Lope's literary career, bringing out the complexities of his dramatic texts.This book offers a radical re-evaluation of Lope's theatre, which will affect the way in which the comedia in general is read. It spans Lope's literary career, discussing (pseudo-)historical, tragic and peasant plays in order to show Lope's texts as complex negotiations between author and public, between conservatism and subversion, between representations of the ideal of kingship and its political reality, in a period of social and political change. Drawing on contemporary Spanish political philosophy, McKendrick shows that far from glorifying monarchy and advocating absolutism (the orthodox view in the Hispanic world), Lope's political plays constitute an informed critiqueof kingship; she also challenges the received wisdom that the comedia was an instrument of stage and that its playwrights were the conscious propagandists of an aristocratic elite. With the help of insights and models provided by the speech act theory, the stratagems and techniques utilised by Lope to follow the path of prudence between the acceptable and the unacceptable in political commentary in the commercial theatre are scrutinised, illustrating how richly nuanced texts produce not an ideologically monolithic and complacent drama but one which is at once politically anxious and probing. MELVEENA MCKENDRICK is Professor of Spanish Literature, Culture and Societyat the University of Cambridge.