Melvin Burgess – författare

Everyone says fourteen-year-old BILLIE is nothing but trouble. A fighter. A danger to her family and friends.But her care worker sees someone different. Her classmate ROB is big, strong; he can take care of himself and his brother.But his violent stepdad sees someone to humiliate. And CHRIS is struggling at school; he just doesn't want to be there.But his dad sees a useless no-hoper. Billie, Rob and Chris each have a story to tell. But there are two sides to every story, and the question is . . . who do you believe?

Tar loves Gemma, but Gemma doesn't want to be tied down - not to anyone or anything. Gemma wants to fly. But no one can fly forever. One day, somehow, finally you have to come down. Commissioned and produced by Oxford Stage Company, Junk premiered at The Castle, Wellingborough, in January 1998 and went on to tour throughout the UK in 1998 and 1999."John Retallack's excellent adaptation of Melvin Burgess's controversial Carnegie Medal winning novel is splendidly unpatronising...a truly cautionary tale" (Independent)

THE FIRST ADULT NOVEL BY THE CARNEGIE PRIZE WINNING AUTHOR OF JUNK'A spirited retelling... witty and insightful.' i PAPER'His prose is electrical, crackling with a mischievous charge.' BUZZ MAGAZINE'Told with wit [and] verve... it's a book that exerts a curious charm.' MAIL ON SUNDAY'Burgess recounts Loki's genius . . . with great gusto, pulling together many tales into one sometimes beautifully lyrical masterwork.' SFX MAGAZINE'a mischievous, unpredictable and clever book that breathes new life into an already fascinating character and godly race.' CULTUREFLYStep into the ancient fir-tree forests of Scandinavia and bear witness to legends as epic as those of the Greeks and the Romans.Melvin Burgess revolutionised children's literature with the infamous cult novels Junk and Doing It. In his first adult novel, Loki, he breathes new life into Norse myths.Starting with the Norse creation myths, the trickster god Loki takes the reader on a wild ride through Norse mythology, from the time the gods - the founders of Asgard - defeated races of monsters, and hurtling through famous stories, including Odin hanging himself on the World Tree, the theft of the corrupting gold ring and the murder of Baldr, the god of love and the Sun. This narrative may seem familiar enough at first, but the reader should beware. Born within the heart of a fire in the hollow of a tree-trunk, Loki arrives in Asgard as an outsider. He is a trickster, an unreliable narrator, the god of intelligence and politics. In spite of his cleverness and sparkling wit (or, perhaps, because of this...) Loki struggles to find his place among the old patriarchal gods of supernatural power and is constantly at odds with the god of thunder - Thor.Alongside the politics of Asgard, it charts the course of Loki's many loves and families, from his mothering of Odin's famous horse to his intense, turbulent, and, eventually, fatal relationship with Baldr the Beautiful - a tender and moving story of love that goes wrong, jealousy and a transitioning that is forbidden by society. This is a retelling that is contemporary in tone, at once amusing and relatable. It is a heartfelt plea to overthrow the old gods of power and authority and instigate a new era ruled by love and intelligence.

THE FIRST ADULT NOVEL BY THE CARNEGIE PRIZE WINNING AUTHOR OF JUNK'A spirited retelling... witty and insightful.' i PAPER'His prose is electrical, crackling with a mischievous charge.' BUZZ MAGAZINE'Told with wit [and] verve... it's a book that exerts a curious charm.' MAIL ON SUNDAY'Burgess recounts Loki's genius . . . with great gusto, pulling together many tales into one sometimes beautifully lyrical masterwork.' SFX MAGAZINE'a mischievous, unpredictable and clever book that breathes new life into an already fascinating character and godly race.' CULTUREFLYStep into the ancient fir-tree forests of Scandinavia and bear witness to legends as epic as those of the Greeks and the Romans.Melvin Burgess revolutionised children's literature with the infamous cult novels Junk and Doing It. In his first adult novel, Loki, he breathes new life into Norse myths.Starting with the Norse creation myths, the trickster god Loki takes the reader on a wild ride through Norse mythology, from the time the gods - the founders of Asgard - defeated races of monsters, and hurtling through famous stories, including Odin hanging himself on the World Tree, the theft of the corrupting gold ring and the murder of Baldr, the god of love and the Sun. This narrative may seem familiar enough at first, but the reader should beware. Born within the heart of a fire in the hollow of a tree-trunk, Loki arrives in Asgard as an outsider. He is a trickster, an unreliable narrator, the god of intelligence and politics. In spite of his cleverness and sparkling wit (or, perhaps, because of this...) Loki struggles to find his place among the old patriarchal gods of supernatural power and is constantly at odds with the god of thunder - Thor.Alongside the politics of Asgard, it charts the course of Loki's many loves and families, from his mothering of Odin's famous horse to his intense, turbulent, and, eventually, fatal relationship with Baldr the Beautiful - a tender and moving story of love that goes wrong, jealousy and a transitioning that is forbidden by society. This is a retelling that is contemporary in tone, at once amusing and relatable. It is a heartfelt plea to overthrow the old gods of power and authority and instigate a new era ruled by love and intelligence.

1914: war has broken out across Europe and beyond. Nothing will ever be the same again for those caught up in the conflict.This collection of short stories explores how the First World War changed and shaped the lives of women forever. A courageous nurse risks her life on the Front Line; a young woman uncovers a spy in wartime London; and a grief-stricken sister comes to understand the heroism and sacrifice of the forgotten Indian soldiers.Through these and other tales, War Girls presents a moving portrait of loss and grief, and of hope overcoming terrible odds.Cover art by Garry Walton

Bea has started to hear and see things that no one else can – creatures, voices, visions. Then strangers visit Bea and tell her she is different: she has the rare powers of a witch. They warn her she is being hunted. Her parents think she is hallucinating and needs help. All Bea wants to do is get on with her life, and to get closer to Lars, the mysterious young man she has met at the skate park. But her life is in danger, and she must break free. The question is – who can she trust?Carnegie Medal-winner Melvin Burgess returns with a powerful, thrilling fantasy for young adults about magic, myth and following your instincts.

The Carnegie Medal and Guardian Fiction Prize-winning classic YA novel reissued for a new generation. With an introduction by Malorie Blackman and all-new material exploring the book's controversial history.It was a love story. Me, Gemma and junk. I thought it was going to last forever.Tar loves Gemma, but Gemma doesn't want to be tied down. She wants to fly. But no one can fly forever. One day, finally, you have to come down. Melvin Burgess’ most ambitious and complex novel is a vivid depiction of a group of teenagers in the grip of addiction. Told from multiple viewpoints, Junk is a powerful, unflinching novel about the effects of drug abuse on teenagers. Once you take a hit, you will never be the same again.'Everyone should read Junk' The Times

Brandon is a boaster – he says he is brilliant at lots of things. Then he is challenged to count up to ten million. So Brandon starts: one, two, three . . . and before long he is up to one thousand. Everyone around him is bewildered and annoyed: his friend Waris, his teachers and Miss Hexx, the head. But Brandon can’t stop counting. And the higher he counts, the more everyone takes an interest, when Brandon reaches 30,000 he goes viral, by the time he gets to one million, he has a manager and a stadium full of fans counting with him. And then strange, impossible things start happening. The numbers are taking over everything . . .A fun and contemporary story about rise and fall of celebrity, and ultimately staying true to yourself.

The Bloods are in control and they’re desperate to turn Britain into the world they want to see: right, white, Christian supremist. Anyone who they call abnormal is a target. Amidst the chaos of civil war the country is on the move as small militia groups fight each other and a sea of refugees escapes the cities and the pursuing Bloods. When her home is destroyed in a bombing raid, Marti must strike out on a mission of her own - to save her father and get his vital software into the right hands. But Marti is mixed race and trans and has her young brother in tow. Crossing into enemy territory could prove suicidal. Yet Marti's enemies haven't reckoned with her indomitable will to survive - and the gun she carries, which has three bullets . . .

Melvin Burgess' dark fantasy epics, inspired by Norse mythology, now available as one sensational duology for a new generation of fans London is in ruins. The once-glorious city is now a gated wasteland cut off from the rest of the country and in the hands of two warring families – the Volsons and the Conors. In Bloodtide, Val Volson offers the hand of his young daughter, Signy, to Conor as a truce. At first the marriage seems to have been blessed by the gods, but betrayal and deceit are never far away in this violent world, and the lives of both families are soon to be changed for ever...A generation later, in Bloodsong, fifteen-year-old Sigurd, son of King Sigmund, is the last surviving member of the Volson clan. His father’s kingdom – the former city of London – is gone. Armed with a legendary weapon, Sigurd faces death, fire and torment as he travels through Hel and back to unite his country once again.

Dino's girlfriend won't give him what he wants. Jonathon is afraid of what his mates will think of the girl he likes. And Ben is having extra lessons from his sexy teacher. Three seventeen-year-old boys discover sex for the first time: but do they really know what they’re doing?