Mette Sandbye – författare
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4 produkter
4 produkter
E-bok
PDF, Engelska, 2020450 kr
Läs direkt efter köp
Photography as an everyday practice is once again changing dramatically. At this moment of transition from analogue to digital, Digital Snaps aims to develop a new media ecology that can accommodate these changes to photography ''as we know it''. Expert contributors representing varied disciplines demonstrate how and to what extent the traditional social practices, technologies and images of analogue photography are being transformed with the movement to digital photography. They zoom in on typical, vernacular, everyday practices: the development of the family photo album from a physical object in the living room to a digital practice on the Internet; the use of mobile phones in everyday life; photo communities on the Internet; photo booth photography; studio photography; and fine arts'' appropriation of amateur photography. They explore how this media convergence transforms the media ecology - the networks, objects, performances, meanings and circulations - of vernacular photography, as we research it through ordinary people''s use of such new cameras and interactive Internet spaces as part of their everyday lives.
E-bok
Engelska, 2020435 kr
Läs direkt efter köp
Photography as an everyday practice is once again changing dramatically. At this moment of transition from analogue to digital, Digital Snaps aims to develop a new media ecology that can accommodate these changes to photography ''as we know it''. Expert contributors representing varied disciplines demonstrate how and to what extent the traditional social practices, technologies and images of analogue photography are being transformed with the movement to digital photography. They zoom in on typical, vernacular, everyday practices: the development of the family photo album from a physical object in the living room to a digital practice on the Internet; the use of mobile phones in everyday life; photo communities on the Internet; photo booth photography; studio photography; and fine arts'' appropriation of amateur photography. They explore how this media convergence transforms the media ecology - the networks, objects, performances, meanings and circulations - of vernacular photography, as we research it through ordinary people''s use of such new cameras and interactive Internet spaces as part of their everyday lives.
Häftad, Engelska, 2013
386 kr
Skickas inom 10-15 vardagar
Photography as an everyday practice is once again changing dramatically. At this moment of transition from analogue to digital, Digital Snaps aims to develop a new media ecology that can accommodate these changes to photography 'as we know it'. Expert contributors representing varied disciplines demonstrate how and to what extent the traditional social practices, technologies and images of analogue photography are being transformed with the movement to digital photography. They zoom in on typical, vernacular, everyday practices: the development of the family photo album from a physical object in the living room to a digital practice on the Internet; the use of mobile phones in everyday life; photo communities on the Internet; photo booth photography; studio photography; and fine arts' appropriation of amateur photography. They explore how this media convergence transforms the media ecology - the networks, objects, performances, meanings and circulations - of vernacular photography, as we research it through ordinary people's use of such new cameras and interactive Internet spaces as part of their everyday lives.
Häftad, Engelska, 2026
760 kr
Skickas inom 5-8 vardagar
During the last decades of the 19th century, women used the camera, still a new technological apparatus, to establish independent lives as professional photographers. Women photographers had a particularly strong position in the Nordic countries, where photography became a tool with which to attain personal, economic, and political independence. Many hired only women assistants and remained unmarried, and some lived in lifelong relationships with women partners. Moreover, these women pioneers belonged to a generation which, for the first time, had the power to define their own visual representation as well as that of other women. Through a wide range of stories about individual photographers, this book presents a counter-history to existing histories of photography, demonstrating the medium’s liberating potential for women for the first time.Counter-narratives of women’s independence in photographic historiesBringing to light previously unknown Nordic women photographersWith contributions from leading scholars in photography studies from Denmark, Norway, Sweden, Finland and Iceland