M.G. Vassanji – författare

When Pius Fernandes, a retired schoolteacher living in modern day Dar es Salaam, discovers a diary of a British colonial administrator from 1913, he is drawn into a provocative account of the Asian community of East Africa, and the liaisons, feelings and secrets of its people, over the course of a century.Part generational history, part detective story, part social chronicle, M.G. Vassanji's award-winning novel magnificently conjures setting and period as it explores notions of identity and exile.

Sweeping in scope, both historically and geographically, Vassanji weaves a rich tapestry of vivid characters (real and imagined) in a Kenya poised between colonialism and independence.Vikram Lall, like his adopted country, inhabits an 'in-between world': between the pull of his ancestral home in India and the Kenya he loves passionately; between his tragic past in Africa and an unclear future in Canada; between escape from political terror and a seemingly inevitable return home . . . a return that may cost him dearly.A master storyteller, Vassanji intertwines the political and the personal - the rise of the Mau Mau in the last days of colonialism looms large over a plot centring on two love stories and a deep friendship. The result is a sumptuous novel that brilliantly explores the tyranny of history and memory, and questions the individual's role and responsibility in lawless times.

The Magic of Saida tells the haunting story of Kamal, a successful Canadian doctor who, in middle age and after decades in North America, decides to return to his homeland of East Africa to find his childhood sweetheart, Saida. Kamal''s journey is motivated by a combination of guilt, hope, and the desire to unravel the mysteries of his childhood--mysteries compounded by the fact that Kamal is the son of an absent Indian father from a well-to-do family and a Swahili African mother of slave ancestry. Through a series of flashbacks, we watch Kamal''s early years in the ancient coastal town of Kilwa, where he grows up in a world of poverty but also of poetry, sustained by his friendship with the magical Saida. This world abruptly ends when Kamal is sent away by his mother to live with his father''s family in the city. There, the academically gifted boy grows up as a "dark Indian," eventually going to university and departing for Canada. Left behind to her traditional fate is Saida, now a beautiful young woman. Decades later, Kamal''s guilt pulls him back to Kilwa . . . where we discovers what happened to Saida during a harrowing night of sinister rites. This complex, revelatory, sweeping and shocking book, is a towering testament to the magical literary powers of M.G. Vassanji.

A Globe and Mail Best BookIt would take many lifetimes, it was said to me during my first visit, to see all of India. The desperation must have shown on my face to absorb and digest all I possibly could. This was not something I had articulated or resolved; and yet I recall an anxiety as I travelled the length and breadth of the country, senses raw to every new experience, that even in the distraction of a blink I might miss something profoundly significant.I was not born in India, nor were my parents; that might explain much in my expectation of that visit. Yet how many people go to the homeland of their grandparents with such a heartload of expectation and momentousness; such a desire to find themselves in everything they see? Is it only India that clings thus, to those who’ve forsaken it; is this why Indians in a foreign land seem always so desperate to seek each other out? What was India to me?The inimitable M.G. Vassanji turns his eye to India, the homeland of his ancestors, in this powerfully moving tale of family and country. Part travelogue, part history, A Place Within is M.G. Vassanji’s intelligent and beautifully written journey to explore where he belongs.From the Hardcover edition.

Double Giller Prize winner M.G. Vassanji’s The In-Between World of Vikram Lall is a haunting novel of corruption and regret that brings to life the complexity and turbulence of Kenyan society in the last five decades. Rich in sensuous detail and historical insight, this is a powerful story of passionate betrayals and political violence, racial tension and the strictures of tradition, told in elegant, assured prose.The novel begins in 1953, with eight-year-old Vikram Lall a witness to the celebrations around the coronation of Queen Elizabeth II, just as the Mau Mau guerilla war for independence from Britain begins to gain strength. In a land torn apart by idealism, doubt, political upheaval and terrible acts of violence, Vic and his sister Deepa must find their place among a new generation. Neither colonists nor African, neither white nor black, the Indian brother and sister find themselves somewhere in between in their band of playmates: Bill and Annie, British children, and Njoroge, an African boy. These are the relationships that will shape the rest of their lives.We follow Vikram through the changes in East African society, the immense promise of the fifties and sixties. But when that hope is betrayed by the corruption and violence of the following decades, Vic is drawn into the Kenyatta government’s orbit of graft and power-broking. Njoroge, his childhood friend, can abandon neither the idealism of his youth nor his love for Vic’s sister Deepa. But neither the idealism of the one nor the passive cynicism of the other can avert the tragedies that await them.In interviews given when the novel was published, Vassanji commented that The In-Between World of Vikram Lall is the first of his books to deal with his memories of Kenya, where he spent the first 5 years of his life: “I remember these images of fear, of terror. And I thought I had to come back to that and see the whole Mau Mau episode from the Asian point of view. I had never written a book set in Kenya, where my father was from. And when I did, I just felt good about it, because I was going back to one part, one of many homes.”The In-Between World of Vikram Lall, a compelling record in the voice of a character described as “a cheat of monstrous and reptilian cunning,” took three years to write. After research in Kenya and Britain, M.G. Vassanji devoted himself to the novel in a dark office at the University of Toronto. It was a hard process of creation and discovery, especially as Vassanji is an assiduous editor of his own work: “I come back to it over and over. For me, it’s like working on a sculpture. You sort of chip away a bit at a time until you tell yourself it’s as perfect as you can make it.” Vassanji’s fifth novel met with immense Canadian and international success. As well as making him the first author to win the Giller Prize twice, the book was a #1 national bestseller. The In-Between World of Vikram Lall is a profound and careful examination of one man’s search for his place in the world; it also takes up themes that have run through Vassanji’s work, such as the nature of community in a volatile society, the relations between colony and colonizer, and the inescapable presence of the past. It is also, finally, a deeply personal book: “The major thing that stands out in the book is people who are in-between. The feeling of belonging and not belonging is very central to the book. And that also played out in my life. When we lived in Tanzania we belonged and did not belong because we had come from Kenya. That has been a major thread in my life.”From the Hardcover edition.

M.G. Vassanji’s magnificent new novel provides further proof of his unique, wide ranging and profound genius. The Assassin’s Song is a shining study of the conflict between ancient loyalties and modern desires, a conflict that creates turmoil the world over – and it is at once an intimate portrait of one man’s painful struggle to hold the earthly and the spiritual in balance.In The Assassin’s Song, Karsan Dargawalla tells the story of the medieval Sufi shrine of Pirbaag, and his betrayal of its legacy. But Karsan’s conflicted attempt to settle accounts quickly blossoms into a layered tale that spans centuries: from the mysterious Nur Fazal’s spiritual journeys through thirteenth century India, to his shrine’s eventual destruction in the horrifying "riots" of 2002.From the age of eleven, Karsan has been told that one day he will succeed his father as guardian of the Shrine of the Wanderer: as the highest spiritual authority in their region, he will be God’s representative to the multitudes who come to the shrine for penance and worship. But Karsan’s longings are simpler: to play cricket with his friends, to discover more of the exciting world he reads about in the newspapers his friend Raja Singh, a truck driver, brings him from all over India.Half on a whim, Karsan applies to study at Harvard, but when he is unexpectedly offered a scholarship there he must try to meld his family’s wishes with his own yearnings. Two years immersed in the intellectual and sexual ferment of America splits him further, until finally Karsan abdicates his successorship to the eight hundred-year-old throne.But even as Karsan succeeds in his "ordinary" life – marrying and having a son, becoming a professor in suburban British Columbia – his heritage haunts him in unexpected ways. And after tragedy strikes, both in Canada and Pirbaag, he is drawn back across thirty years of silence and separation to discover what, if anything, is left for him in India.Both sweeping and intimate, The Assassin’s Song is a great novel in the grandest sense: a book that captures the intricate complexities of the individual conscience even as it grippingly portrays entire civilizations in tumult.

Memory, Ji Bai would say, is this old sack here, this poor dear that nobody has any use for any more.As the novel begins, Salim Juma, in exile from Tanzania, opens up a gunny sack bequeathed to him by a beloved great-aunt. Inside it he discovers the past — his own family’s history and the story of the Asian experience in East Africa. Its relics and artefacts bring with them the lives of Salim’s Indian great-grandfather, Dhanji Govindji, his extensive family, and all their loves and betrayals.Dhanji Govindji arrives in Matamu — from Zanzibar, Porbander, and ultimately Junapur — and has a son with an African slave named Bibi Taratibu. Later, growing in prosperity, he marries Fatima, the woman who will bear his other children. But when his half-African son Husein disappears, Dhanji Govindji pays out his fortune in trying to find him again. As the tentacles of the First World War reach into Africa, with the local German colonists fighting British invaders, he spends more and more time searching. One morning he is suddenly murdered: he had spent not just his own money but embezzled that of others to finance the quest for his lost son.“Well, listen, son of Juma, you listen to me and I shall give you your father Juma and his father Husein and his father…” Part II of the novel is named for Kulsum, who marries Juma, Husein’s son; she is the mother of the narrator, Salim. We learn of Juma’s childhood as a second-class member of his stepmother’s family after his mother, Moti, dies. After his wedding to Kulsum there is a long wait in the unloving bosom of his stepfamily for their first child, Begum. It is the 1950s, and whispers are beginning of the Mau Mau rebellion.Among the stories tumbling from the gunny sack comes the tailor Edward bin Hadith’s story of the naming of Dar es Salaam, the city Kulsum moves to with her children after her husband’s death. And gradually her son takes over the telling, recalling his own childhood. His life guides the narrative from here on. He remembers his mother’s store and neighbours’ intrigues, the beauty of his pristine English teacher at primary school, cricket matches, and attempts to commune with the ghost of his father. It is a vibrantly described, deeply felt childhood. The nation, meanwhile, is racked by political tensions on its road to independence, which comes about as Salim Juma reaches adolescence. With the surge in racial tension and nationalist rioting, several members of his close-knit community leave the country for England, America, and Canada.I see this comedy now as an attempt to foil the workings of fate: how else to explain, what else to call, the irrevocable relentless chain of events that unfolded…The title of Part III, Amina, is the name of Salim’s great unfulfilled love, and will also be the name of his daughter. He meets the first Amina while doing his National Service at Camp Uhuru, a place he feels he has been sent to in error. Amina is African, and their relationship inevitably causes his family anxiety, until the increasingly militant Amina leaves for New York. Salim becomes a teacher at his old school, and marries, but keeps a place for Amina in his heart. When she returns and is arrested by the more and more repressive government, Salim is hurriedly exiled abroad. He leaves his wife and daughter with the promise that he will send for them, knowing that he will not. The novel ends with Salim alone, the last memories coming out of the gunny sack, hoping that he will be his family’s last runaway.From the Trade Paperback edition.

“My father lost my mother one evening in a final round of gambling at the poker table,” writes the narrator of “When She Was Queen,” the title story of a new collection by bestselling novelist and two-time winner of the Giller Prize, M.G. Vassanji. That fateful evening in Kenya becomes “the obsessive and dark centre” of the young man’s existence and leads him, years later in Toronto, to unearth an even darker family secret.In “The Girl With The Bicycle,” a man witnesses a woman from his hometown of Dar es Salaam spit at a corpse as it lies in state at a Toronto mosque. As he struggles to fathom her strange behaviour, he finds himself prey to memories and images from the past–and to perilous yearnings that could jeopardize his comfortable, middle-aged life.Still reeling from the impact of his wife’s betrayal, a man decides to stop in on an old college friend in “Elvis, Raja.” But he soon realizes that it’s not always wise to visit the past as he finds himself trapped in a most curious household, where Elvis Presley has replaced the traditional Hindu gods. The other stories in the collection also feature exceptional lives transplanted. A young man returns to his roots in India, hoping to find his uncle and, perhaps, a bride. Instead, he becomes a reluctant guru to the residents of his ancestral village. A mukhi must choose between granting the final sacrilegious wish of a dying man and abiding by religious custom in a community that considers him a representative of God. A woman is torn between the voice of her dead husband–a cold and grim-natured atheist–and her new, kind and loving husband whose faith nevertheless places constraints on her as a woman. On Halloween night, a scientist lays bare his horrifying plan to seek vengeance on the man who thwarted his career. Set variously in Kenya, Canada, India, Pakistan, and the American Midwest, these poignant and evocative stories portray migrants negotiating the in-between worlds of east and west, past and present, secular and religious. Richly detailed and full of vivid characters, the stories are worlds unto themselves, just as a dusty African street full of bustling shops is a world, and so is the small matrix of lives enclosed by an intimate Toronto neighbourhood. It is the smells and sentiments and small gestures that constitute life, and of these Vassanji is a master.Vassanji’s seventh book and his second collection of short stories, When She Was Queen was shortlisted for the 2006 Toronto Book Award. The jury said: "Vassanji''s Naipaulian language is like a sharp short knife that cuts through the superficial and gets to the heart and soul of the narrative.”From the Hardcover edition.

Vikram Lall comes of age in 1950s Kenya, at the same time that the colony is struggling towards independence. Against the unsettling backdrop of Mau Mau violence, Vic and his sister Deepa, the grandchildren of an Indian railroad worker, search for their place in a world sharply divided between Kenyans and the British. We follow Vic from a changing Africa in the fifties, to the hope of the sixties, and through the corruption and fear of the seventies and eighties. Hauntingly told in the voice of the now exiled Vic, The In-Between World of Vikram Lall is an acute and bittersweet novel of identity and family, of lost love and abiding friendship, and of the insidious legacy of the British Empire.From the Trade Paperback edition.

In the aftermath of the brutal violence that gripped western India in 2002, Karsan Dargawalla, heir to Pirbaag – the shrine of a mysterious, medieval sufi – begins to tell the story of his family. His tale opens in the 1960s: young Karsan is next in line after his father to assume lordship of the shrine, but he longs to be “just ordinary.” Despite his father''s pleas, Karsan leaves home behind for Harvard, and, eventually, marriage and a career. Not until tragedy strikes, both in Karsan''s adopted home in Canada and in Pirbaag, is he drawn back across thirty years of separation and silence to discover what, if anything, is left for him in India.From the Trade Paperback edition.

From M.G. Vassanji, two-time Giller Prize winner and a GG winner for nonfiction, comes a poignant love letter to his birthplace and homeland, East Africa--a powerful and surprising portrait that only an insider could write.      Part travelogue, part memoir, and part history-rarely-told, here is a powerful and timely portrait of a constantly evolving land. From a description of Zanzibar and its evolution to a visit to a slave-market town at Lake Tanganyika; from an encounter with a witchdoctor in an old coastal village to memories of his own childhood in the streets of Dar es Salaam and the suburbs of Nairobi, Vassanji combines brilliant prose, thoughtful and candid observation, and a lifetime of revisiting and reassessing the continent that molded him--and, as we discover when we follow the journeys that became this book, shapes him still.

From one of Canada''s most celebrated writers, two-time Giller Prize winner Moyez Vassanji, comes a taut, ingenuous and dynamic novel about a future where eternal life is possible, and identities can be chosen.In the indeterminate future in an unnamed western city, physical impediments to immortality have been overcome. As society approaches the prospect of eternal life, a new problem must be confronted: with the threat of the brain''s storage capacity being overwhelmed, people want to move forward into the future free from redundant, unwanted and interfering memories. Rejuvenated bodies require rejuvenated identities--all traces of a person''s past are erased and new, complete fictions are implanted in their stead. On occasion, though, cracks emerge, and reminders of discarded lives seep through. Those afflicted suffer from Leaked Memory Syndrome, or Nostalgia, whereby thoughts from a previous existence burrow in the conscious mind threatening to pull sufferers into an internal abyss.     Doctor Frank Sina specializes in sealing these memory leaks. He is satisfied in his profession, more or less secure in the life he shares with his much younger lover, content with his own fiction--a happy childhood in the Yukon, an adulthood marked by the influence of a mathematician father and poet mother. But one day, Presley Smith arrives in Frank''s office. Persistent thoughts are torturing Presley, recurring images of another time and place. As he tries to save Presley from the onslaught of memory, Frank finds clues that suggest Presley''s past may be located in war-torn, nuclear-ravaged Maskinia, a territory located in the southern hemisphere, isolated from the north by fiercely guarded borders and policy barriers. Frank''s suspicions are only intensified when the Department of Internal Security takes an interest in Presley. They describe him as one of their own, meaning his new life was one they created for him, and they want him back. Who was Presley before the Department remade him, what secrets are buried in the memories that are encroaching upon him?      As Frank tries to save Presley from both internal and external threats, cracks emerge in his own fiction, and the thoughts that sneak through suggest a connection with the mysterious Presley that goes well beyond a doctor and his patient.

Two-time Giller Prize winner M.G. Vassanji returns with a powerful new novel about grief and second chances, tradition and rebellion, set in vibrant present-day Delhi.Munir Khan, a recent widower from Toronto, on a whim decides to visit Delhi, his ancestral city. Born in Kenya, he has lost all family connections, and has never visited India before. While he''s sitting in the bar of the club where he is staying, an attractive woman takes a chair at his table to await her husband. A sparring match ensues. The two are from different worlds: Munir is a westernized agnostic of Muslim origin, ignorant about India; Mohini, a modern Hindu woman and daughter of "Partition" refugees, whose family bears resentment towards Muslims. She''s religiously traditional, but also a liberal and provocative newspaper columnist--and utterly witty and charming. Against her better judgement, Mohini agrees to show Munir around Delhi. As they explore the thriving markets and historical buildings of Delhi, an inexplicable attraction begins. What follows is a passionate love affair--uncontrollable yet impossible. This is a period of rising Hindu nationalism in modern India that at times manifests itself in vigilante violence. Constantly lurking at Munir''s club is the menacing presence of a group of arch conservatives, self-styled protectors of Hindu women and cows. To them Munir Khan is simply a Muslim "love-jihadi" who has led the pride of Hindu womanhood, Mohini Singh, astray. Munir and Mohini must contend with the cost of their passion.

Nurdin Lalani and his family, Asian immigrants from Africa, have come to the Toronto suburb of Don Mills only to find that the old world and its values pursue them. A genial orderly at a downtown hospital, he has been accused of sexually assaulting a girl. Although he is innocent, traditional propriety prompts him to question the purity of his own thoughts. Ultimately, his friendship with the enlightened Sushila offers him an alluring freedom from a past that haunts him, a marriage that has become routine, and from the trials of coping with teenage children. Introducing us to a cast of vividly drawn characters within this immigrant community, Vassanji is a keen observer of lives caught between one world and another.